PC Worship is an amorphous sort of noise-rock band with many moving parts. Presently there are three “core members,” but Frye, who’s been living in Bushwick on and off for over 10 years has always been, and remains still the nucleus of it all. In addition to a set by PC Worship, catch Elder Ones (with singer Amirtha Kidambi) “earthy drone with minimalist, kind of spiritualist, free-jazz vibes” and the sounds of a harmonium, according to Justin Frye of PC. Gary War “pretty intense synth, hyper-pop dude” also on the bill, plus Arto Lindsay formerly of 70’s No Wave legends, DNA, playing as well.
Whether it’s because of excessive boozing and very often drugging, lowered inhibitions or cover of night, maybe even social expectations or bro-on-bro insanity, the list goes on– people can act like total shitheads at shows, dance parties, clubs, and bars. Anuradha Golder knows this. She’s been partying for “a while now,” she laughed. “And I always thought, how can I make this better? How can I make this experience more enjoyable for myself?” Her zine, Club Etiquette, aims to answer those questions. Anuradha is dropping Issue No.4 at this dance party featuring sets by Akanbi, Divorce, and Volvox (acid house).
Read more on Club Etiquette here.
Let’s face it, this coming weekend is pretty much guaranteed to be a wash of regret and sorrow. But there’s a light at the end of this vortex of darkness (just the first in a long series of them throughout the holiday season): PC Worship‘s Basement Hysteria release party is happening at Palisades next week. We first spoke (extensively, too) with Justin Frye back in September when the band’s new release was still a fairly far-off thing. Now that the four-track EP is finally out we had some new questions for Mr. Frye. (Oh, and don’t go straight to the disappointed sighs– Basement Hysteria may be an EP, but it clocks in at over 40 minutes.)
To celebrate the persistence of BK’s newish biggest-est DIY venue, Aviv is gathering some bands that happen to be pals and pals that happen to be really good at being in a band. And though this bill is longer than most, it contains the diversity of acts you’ve come to expect from Aviv. Acts include (among others) Bambara, Parlor Walls, and from the Mama Coco’s Funky Kitchen Crew, No Ice. Read more about the show here.
Wow guys, big week for the DIY scene: Aviv turns a whole one year old. And actually, that’s kinda getting up there in DIY years. Though, of course, we wish them many more. The Greenpoint venue has wasted no time in becoming pretty much the (true) DIY spot in North Brooklyn. To celebrate, Aviv is hosting a b-day party on Saturday featuring Bambara, Parlor Walls, and word on the street (er, on Facebook) is that an appearance is inevitable by one Ronnie Stone— quite possibly Brooklyn’s only leather-licking, “Moldovan” ’80s-fetish band fronted by a keytar-wielding, struttin’ mustache. Definitely don’t miss this banger. Details on that show and more to preoccupy you in all that might-as-well-be-dead time from now till then.
Fuzz: it’s the classic rock-esque outfit from the relentlessly creating, collaborating, touring, and of course recording Prince of Garage Darkness, Ty Segall! He may be a walking, talking, guitar-playing joke about garage rock at this point live shows are on point, and if you haven’t seen him play at least once, you should definitely get on that. The rest of the lineup seals the deal. The Men (also playing at The Acheron with PC Worship on Saturday, Nov. 14 at 8 pm) are a band that’s seen incredible transformation (at least in the sense of their recordings) from their early noise punk leanings on Leave Home to the more slicked-down, consumable pop punk/alt rock style palpable on 2014’s aptly-titled, Tomorrow’s Hits. We can’t blame em, The Men did what many/any Brooklyn bands do/would do in order to survive in this town. But thankfully, they haven’t forgotten how to play their instruments, it seems, and can still rip a set to shreds just like they used to.
Read more here.
If you’re an experimental music fan, or even just someone who likes to dabble in the unexpected once in a while, this weekend show is an absolute must-see. With its stellar lineup of (mostly) female-fronted noise projects, you’ll have the #blessed opportunity to experience performances by some true vets of avant-garde sounds. Originally from Detroit, Pod Blotz (aka Suzy Poling, who works as a visual artist too) has landed in much-sunnier LA, but that doesn’t mean her music has lightened up in the least. With Pod Blotz, Poling continues her devotion to dark electronics and carrying out tripped-out visual stunts at live performances (the latter looks something like this).
Read more here.
Clear your schedule for Parlor Walls‘ EP release show. The record officially, officially drops the day after, but you can grip a super-secret, super-exclusive, super-premature copy at this Thursday-night show and declare yourself super freaking special. Critics who have praised Cut, the first release from Alyse Lamb’s (EULA) new project, have generally agreed the band is doing something “different.” We couldn’t agree more. There’s a big ol’ line in the sand between the Brooklyn not-pop scene, with indie rock on one side and (I guess you could say) “harder” stuff on the other. But Alyse Lamb has never seemed to abide much by this line, floating back and forth between delicacy and catchy riffs on the one hand, experimentalism and noisy feedback on the other.
Read more here.
Wolf Eyes (one of the greatest noise bands ever to emerge from “the dead, dread-filled haunted hills of Michigan,” thank you Forest Juziuk for the incredibly apt description of Michigan’s terrain) is releasing a new album, I Am A Problem: Mind In Pieces, perhaps their one millionth recording to be release October 30th on Third Man Records. You can read more about the band right here but you can celebrate the release of their new album at Trans-Pecos. Don’t sleep on those tix!
Well, gee whiz– this sounds fun: “Beats Delight is a new monthly multi-dimensional experience held at Williamsburg’s Cameo Gallery.” The events feature smooth jams from live acts and DJs, visual projections, and paintings. Too bad the longstanding DIY venue will close at the end of November, essentially ending the history of DIY in Williamsburg. Well, there’s a new DIY comedy space here, at least… The point being, gobble up the last of the non-corporate music scene here while you still can and soak up some R&B, smooth beats, and chill wave hip-hop at the same time. Featuring Ateller and Adesuwa.
Read more here.
If you close your eyes and listen to Glue, you’ll definitely be all, “Oh yeah, this is some stuff from that Dawn of Humans scene.” Surprise, though, guys! Glue’s from Austin and is certainly not producing what’s been happening down their in terms of horror-hardcore (see: Burnt Skull). But that’s cool, coz we like NYCHC too!
Now that your gasps are out of the way, consider Strutter. It’s a perfect name for this GG-sounding hardcore band, another act from Austin. I can totally picture frontman Sam Pennington swaggering like a horny pigeon on stage. Get it girl. Their demos are a few months old, but Slav have managed to keep the thick layer of rot atop these tracks completely in-tact. With radio-ready hits like “Yes, Officer” these guys are sure to be a crowd pleaser.
Read more here.
Yvette manages to master tension at the same time while evoking grittiness and a sort of epic, operatic expanse. Expect some witchy drone chants appropriate for blasting during a seance from Kill Alters, whose music might actually speed the sorcery up. And now for something completely different: Macula Dog. This is ’90s-MIDI nostalgia and the upward, outward thrust of the Internet wrapped into one twisted, multi-layered, DMT trip of a sound. It’s like the continuation of Devo’s mission, but in the complete absence of rock n’ roll: if Jerry Paper is post-post-post-post-indie, Macula Dog is post-post-post-post-punk.
Read more here.