Michel Auder

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Week in Film: a Berliner Thriller and Rarely Seen Vids Shot By a Downtown ‘Ethnographer’

Still from Michel Auder film (via Light Industry / Facebook)

Still from Michel Auder film (via Light Industry / Facebook)

Michel Auder + Rebekah Rutkoff: Sunsets and Other Stars
Tuesday, Dec. 15, 7:30 pm at Light Industry: $8 at the door
French artist, photographer, and filmmaker Michel Auder left France in the ’70s for New York City, where he’s resided ever since. He’s maybe best known as Cindy Sherman’s ex-husband (JK, but for real — how do you compete with Cindy Sherman?). Much of his video work (though apparently Auder “did not consider it fine art”) consists of ethnographic snapshots and sceney vignettes, the stuff of Auder’s cool Downtown life amongst artists like Annie Sprinkle, Larry Rivers, Hannah Wilke, among others.

But another good chunk of his focus was deadly personal. Take My Last Bag of Heroin (For Real), a 1993 piece which shows the filmmaker, who battled with heroin addiction for many years, breaking apart a glassine baggie of heroin onto a piece of aluminum foil and smoking the stuff. The video demonstrates the banality of drug use, often depicted as an explosively orgasmic experience, particularly in film.

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Vaginal Davis Returns to New York, Taking on Sculpture and Mozart

Vaginal Davis (Photo by Hector, courtesy of Invisible-Exports)

Vaginal Davis (Photo by Hector, courtesy of Invisible-Exports)

Vaginal Davis is undeniably one of the most prolific artists to come out of the ’70s punk scene. The black, inter-sex born, self-declared outsider artist is nothing short of a queer icon. And even though she’s from Los Angeles (South Central, to be precise), she has a special place in New York City, where she’s had a serious impact on contemporary underground culture– the Bushwick drag scene is particularly indebted to her, as Davis is one of the founding mothers of “terrorist drag.”

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