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Nightclubbing | Ballistic Kisses

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

(Photo: Emily Armstrong)

In 1980, Ronald Reagan ushered in a long cold winter of conservatism in America. But a little bit of heat was generating on the Lower East Side. Over on the Bowery, the Ballistic Kisses were in their loft, practicing. With a sound that combined post-punk and politics, they brought something new to the downtown club scene.

Michael Shore, rock critic for The Soho Weekly News recalls, “In those days we did not even have a name for electropop, synth or what they were doing. And their lead singer, Mike Parker was very intense. They were the first NYC band with genuine, serious political thought, but with an interesting difference from the Sex Pistols — they seemed to be more street level. The Ballistic Kisses had an honest, urgent, sincere political thing going on.” Keep Reading »

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Nightclubbing | Pylon

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

Pylon’s debut album.

A few years ago, a woman took her 14-year-old daughter to a Sleater/Kinney concert. After the show, a band member approached the mom and breathlessly asked, “Are you Vanessa from Pylon? We love you!” Score one for the parental unit.

Pylon is the greatest group from the new wave scene that you probably never heard of. When Rolling Stone saluted R.E.M. as the best band in America in 1987, their drummer Bill Berry disagreed. “We’re not the best rock ‘n roll band in America.” He thought Pylon was.
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