Our love of geodesic domes is such that we’re willing to travel uptown for them, so imagine our excitement when we noticed a trio of them being erected at the corner of Varick and Canal, near the Holland Tunnel. OMG, could these be the orgy domes of the future? A new pied–à–terre for Jack White’s brother? The latest iteration of PS1’s art dome? A long-overdue Buckminster Fuller museum?
“As a group, we’re imagining the future,” explained Douglas Paulson, who co-founded the Menu for Mars Supper Club with fellow artist Heidi Neilson. This weekend throughout June, the supper club– which has been holding meetups for the past year where members gather to dream up, enact, and discuss solutions to culinary life on Mars– will hold a residency at The Boiler, The Menu For Mars Kitchen, complete with tastings, cook-offs, and interactive events of all kinds. “It’s thinking expansively about interpreting the Martian experience,” Paulson explained. “We have a pretty ambitious lineup and hopefully we’ll get a lot of people who come in and try their hand at cooking something.” When the exhibition wraps up, the supper club will hand out awards to the most innovative chefs and will pack up the winning dishes and ship them off not to Mars, but to NASA in hopes their creations will be adopted in missions to Mars.
Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library. In this edition: the discovery of a lost Philip Glass recording.
In 1687, Newton’s third law of motion explained that for every action, there is an equal and opposite reaction. For punk rock, that reaction was the Artists Space 1978 music festival. With a line-up featuring the Contortions, DNA, Mars, and Teenage Jesus and the Jerks, it spawned the No Wave scene. The sound was atonal, abrasive and utterly new, combining elements of funk, jazz and just plain noise. As Lenny Kaye of the Patti Smith Group observed, “the edge that originally attracted people to punk rock, that splintered sound, was almost gone by the late ‘70s. No Wave kinda picked up the artistic banner.”
In 1980, the pendulum swung again for four of No Wave’s most influential musicians. Jody Harris, Donny Christensen and George Scott III were veterans of the Contortions and Pat Irwin had performed with George in 8-Eyed Spy with Lydia Lunch. They were done with moody lead singers and wanted to try another way. They formed The Raybeats. Keep Reading »