Henry Chalfant, "Mad PJ" 1980 (Image courtesy of Eric Firestone Gallery)

Henry Chalfant, “Mad PJ” 1980 (Image courtesy of Eric Firestone Gallery)

Long before Gordon Gekko’s bimbo cousin was inaugurated in January (no doubt aided by doing the best impression of Ronald Reagan he could muster), trend pieces had picked up a scent that hinted which way the wind was blowing. It had notes of burnt hair and overcooked mini vegetables on the nose, followed by white wine spritzer, and finished with a robust whiff of Misty Slim Lights and the lingering, chemically after-stank of cheap knockoff perfumes like “If you like Giorgio you’ll love PRIMO!” Then, the elections made it official: the ’80s are back, baby.

It might have smelled delicious, but the Decade of Greed wasn’t exactly a superbly excellent time for everyone involved. But for all the negi vibes–magnified in New York City by an extreme wealth gap– the ’80s produced some truly inspiring art, and the best of it came from a thriving, vibrant underground. During this time, graffiti reached its “golden age,” as a recent photography exhibition, Henry Chalfant: 1980, reminded us, and it wasn’t long before graf became a worldwide cultural phenomenon.

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