lounge lizards

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Nightclubbing: DNA at Mudd Club, 1979

Pat Ivers and Emily Armstrong are sifting through their voluminous archive of punk-era concert footage as it’s digitized for the Downtown Collection at NYU’s Fales Library. This week: a look back at DNA.

“How dare you play your guitar like that! Don’t you know that’s the same instrument that Eric Clapton plays?” Audience members were often quick to share their dissatisfaction with the screeching dissonance that Arto Lindsay wrung from his instrument during a feverish set. So whenever his no wave band DNA finished up, Lindsay was sure to pack up quickly.

“It was the music I liked to play,” Lindsay says. “I thought the more far out you were, the more likely you were to be hailed as the next Jimi Hendrix. I just wanted to see what music would do to people. “
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Nightclubbing | Lounge Lizards, 1979

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

Lounge Lizards (Photo: Pat Ivers)

We finally shot the Lounge Lizards at CBGBs in the spring of 1979, just a few months before we bought our first color camera. Good thing, too. They just looked better in black and white.

Some called what they played fake jazz but we loved their sinuous stew of no wave, be-bop and cinematic soundscape that Robert Palmer of The New York Times famously described as “somewhere west of Charles Mingus and east of Bernard Hermann.”
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