It’s only been about a year and a half since the closure of Glasslands Gallery, the other DIY venue on the Williamsburg waterfront– the one that was the button-down oxford (second-hand, but you couldn’t tell) to Death By Audio’s torn-up band tee. It wasn’t so surprising– after 8 years of hosting indie rock, R&B, techno, you-name-it shows in their cavernous, blackened industrial confines, their neighborhood along Kent Avenue no longer felt like the “forgotten backwater” it did when they opened in 2006. Today the Glasslands team announced that it’s returning with a new venue in East Williamsburg, Elsewhere, set to open this fall– and it’s not just any old ramshackle DIY establishment, but a 24,000-square-foot affair in a former warehouse. It’ll be #blessed with $3 million worth of pure sparkle, including a sprawling roof, food and drink service, and an adjacent art space.
Friday, July 8, 8 pm at the Acheron: $15.
In honor of the Acheron and the punk scene it has put up with, fed/clothed, and sated for the last six years, the East Williamsburg venue (which is closing due to a struggle with their insurance company) is gathering up its biddies and besties to bid farewell to its hallowed walls. As the venue’s co-owner Bill Dozer promised, they’re filling up the last stretch with a bunch of benefits, including their very last night of business which is dedicated to the family of Brandon Ferrell (former drummer for Municipal Waste), a local musician and friend of everyone, apparently. All profits and bar sales from the show are going to the family, so you can feel good about getting super, super sloshed at the Acheron’s last hurrah.
Let’s be real, it’s been a sticky week. And since the frozen negroni machine has been broken at the Narrows for going on forever, you’re probably thinking, what’s the point of even leaving my fire-escape kiddie pool this weekend? There never is one, truth be told. But there’s something going down this weekend at Alphaville that could turn out to be the next best thing to soakin’ in a plastic tub filled with the champagne of public water and dribbles of your own pee.
Before the Acheron opened on a quiet block in heavily-industrial East Williamsburg back in 2010, the building was little more than a “black box” housing a barebones ska venue, as owner Bill Dozer remembers it. Within two weeks of signing the lease and taking over the place, it was transformed into a punk and metal show space, a speakeasy-style DIY operation with cheap cans of beer, the occasional “plastic handle of liquor,” and a remarkable sound system with a bar next door. “We were able to get off the ground with basically nothing— just a bunch of sweat and, like, four people working there,” Dozer recalled.
Over the years, the Acheron has grown into the de facto homebase of Brooklyn punk, which has made something of a comeback itself as the venue expanded and went legit, welcoming in local acts and touring bands from across the country to play everything from straightedge punk to psych metal. But as of July 9, the East Williamsburg venue is putting all that to rest when they close their doors for good.
After a fitful start back in January 2013, the official zine for the roving “independent events collective” AdHoc went digital. In doing so, it joined countless more mini-publications that had chosen, either by design or by circumstance, to be available online only. But being relegated to an online existence wasn’t a great fit for the zine, especially considering that AdHoc already has a yin-yang sort of balance going on with a blog that feeds off the live music and in-person experiences they organize. “More and more I find myself experiencing life through a screen and it’s a terrible way to interact with the world,” AdHoc’s co-founder Ric Leichtung wrote to us in an email. “So much gets lost there.”
If this sticky heat doesn’t exactly make you feel inclined to eat, well, you’ll just have to get over that nonsense. Firstly, because no one can survive a juice cleanse and have friends to speak of; secondly, because there are two musically-inclined feasts on the way to your ears and gullet, serving to remind you that solid food is essential to having fun and being fun. Prepare thyself, hungry foodies, for Pizzafest III and CookoutNYC’s Little Big BBQ.
Thursday, June 23, 8 pm at House of Vans: FREE with RSVP
I always devote at least a few minutes of my bike ride home to a scene from Gummo– you know, the fantastically twisted Harmony Korine film starring that kid with the ears. I like to fan out my elbows, toss off my helmet, and fantasize that some people describe me, too, as “downright evil.” But that scene wouldn’t have been the same without the addition of “Dragonaut,” the stoner metal classic from Sleep‘s 1992 album, Holy Mountain.
The Long Island City fine art scene is about to get a dose of DIY cred with Holding Space, a new three-part music series curated by Sam Hillmer (aka Diamond Terrifier) launching tomorrow at SculptureCenter. As the guy behind the scenes at Trans-Pecos (and co-founder along with Todd P), Hillmer will present his usual fare– a motley brew of various sounds stemming from eclectic tastes and experimental practices.
What’s being billed as a “16 hour fully immersive, internationally inspired” music and visual art event is coming to a yet-to-be disclosed location near the Jefferson stop, joining Northside and Out in the Streets on the growing list of festivals happening in and around Bushwick this summer. Variance, however, is situated somewhere between Brooklyn’s answer to SXSW and the super-local chill fest known for bringing DIY regulars out of their usual dank, cavernous confines and onto the grassy grounds of Onderdonk House.
Voilà! The inaugural France Rocks Summerfest– or should we say, France Des Roches Fest D’été (no, no we shouldn’t)– kicked off Memorial Monday with a performance by “guitar orchestra” composer Rhys Chatham, and continues on June 3 with a performance at Le Poisson Rouge by French pianist and composer Maxence Cyrin (known for his solo piano covers; check out his 2009 cover of “Where Is My Mind” by The Pixies). The seven-week showcase of French music will include more than 30 musical acts performing a range of indie rock, pop, electronica, jazz and world rhythms at more than 25 venues across Manhattan, Brooklyn and the Bronx.