Combat Cops Thursday May 11, 9:30 pm at Nitehawk: $12
Perhaps you’ve heard of The Deuce Jockeys, the resident VJs at Nitehawk whose film series has a very specific mission: “Excavating the facts and fantasies of cinema’s most notorious block; 42 Street between 7th and 8th Avenues.” If you’re wondering, that’s the Port Authority Bus Terminal, once the epicenter of violence in Fear City. Around 1970, the Times described the place as a sort of terrifying, tortuous God’s waiting room– another circle of Hades that Dante himself would have considered just a bit too far even for tax evaders. Its occupants went one of two ways: “Some are waiting for buses. Others are waiting for death.”
The New York City Ballet drew a decidedly downtown crowd to Thursday’s performance of The Most Incredible Thing, an adaptation of the Hans Christian Andersen story featuring a score by Bryce Dessner (guitarist for The National) and costumes and sets by cult artist Marcel Dzama. And boy did the NYCB do everything it could to extend a valentine to that crowd: before the latest installment in its Art Series, it was announced that there’d be a surprise after-party with an unlimited flow of free beer and a DJ set by Nancy Whang of LCD Soundsystem and The Juan Maclean.
Two members of East Village royalty, Philip Glass and Iggy Pop, have upcoming gigs at venues that befit their majesty. Iggy, whose throne is in Miami these days, just released the first and second songs off of Post Pop Depression, his recently announced album with Josh Homme of Queens of the Stone Age (out March 18). The supergroup (also made up of members of The Dead Weather and Arctic Monkeys) announced tour dates today. The NYC stop, on April 12, will be at the United Palace Theatre, the gilded, grandiose former movie palace in Washington Heights. (The onetime Loews “wonder theater” was a sister of the Kings Theatre in Flatbush, and is bigger and possibly even more jaw-dropping than its lavish sibling.) Tickets go on sale Saturday at 10 a.m., with presales starting Thursday.
Brooklyn filmmaker Alex Ross Perry and Elisabeth Moss, star of his new film Queen of Earth, may be the first duo to do back-to-back q&as at MoMA and MoMI. They were at the Museum of Modern Art on Monday and then at the Museum of the Moving Image on Tuesday to cap off Perry’s retrospective there. As you can see from the flyer above, the chats continue this week at IFC Center and Lincoln Center.
It’s Awards Season. Apparently. Which means we here at Reel Psyched are staying as far, far away from TV screens as is possible in this day and age, lest we’re tricked into watching the fashion police spew racist crap or pop stars we were 100 percent sure were dead until now jiggle impossibly across some seizure-inducing nightmare of a stage set. It’s all so demonic when you think about it, really. And all of this disturbing spectacle is in the name of… movies? Like, how? Rather than watch perfectly white teeth teetering on top of high heels, fight back against all the inanity and celebrate the movies for reals. Keep Reading »
Three out-there filmmakers are getting out of the directors chair and into the hot seat next month.
Werner Herzog (Flickr user “erinc salor”) John Waters (David Shankbone), Darren Aronofsky (Dkandell)
John Waters in conversation with Dennis Dermody and J Hoberman Sept. 5 and 11, Walter Reade Theater, 165 West 65 Street
After regaling us with his Christmas list, the filmmaker who shocked/delighted the world with the poo-eating in Pink Flamingos is having a retrospective at Lincoln Center that will include a rare scratch-n-sniff screening of Polyester. The whole shebang kicks off Sept. 5 with a screening of Female Trouble, followed by a conversation between Waters and film critic J Hoberman. Keep Reading »
If Greenpoint’s vinyl district hasn’t yielded any gems lately, you may want to make a pilgrimage to midtown later this week, because the New York Public Library for the Performing Arts is selling off about 22,000 dupe LPs from its Rodgers and Hammerstein Archives of Recorded Sound. And they’re going “cheap. Like, real cheap.”