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Performance Picks: Juggalos, Kinky Basement Shows, and Macabre Burlesque

THURSDAY

(photo: Theo Cote)

Kink Haüs
Now through October 14 at La Mama, 8 pm (some performances at 10 pm): $30+

It’s common for performances to happen at late-night dance parties, but how often does a performance piece contain its own party? It does at Gunnar Montana’s Kink Haüs, a sexually-exploratory show in La Mama’s literally underground theater that doubles as a  “brutal underground nightclub where no f*c ks are given.” Perhaps if you haven’t been to notorious Berlin nightclub Berghain, where there’s dancing upstairs and debauchery downstairs, this will be some kind of version of that. Or not. Only one way to find out. Keep Reading »

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A Dive Into Arts Funding, A Drag Pageant, and More Performances To See

WEDNESDAY

(image via Caveat / Facebook)

Profiled: A Comedy Show About Racial Profiling
Wednesday, September 12 at Caveat, 9 pm: $8 advance, $10 doors 

Though Nanette seemed to imply otherwise, making jokes about experiences one has had with hate and bigotry can actually be a productive outlet for one to deal with these experiences and for (hopefully) allowing audiences to see these issues from a new perspective. Profiled, a comedy show hosted by Lauren Clark and Marcela Onyango where performers of color (Ziwe Fumudoh, Milly Tamarez, Rebecca O’Neal, Andrea Coleman, and Ariel Evans) discuss instances of racial profiling they’ve experienced, seeks to do just that. Plus, 40% of ticket proceeds will go to the ACLU. Keep Reading »

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Performance Picks: Immersive Comedy, Intergenerational Queer Performance

FRIDAY

(flyer via BEEF show / Facebook)

Post Verbal: Pride
Friday, June 8 at Bizarre Bushwick, 10 pm: $5-10

The passionate queerdos that comprise burlesque/drag collective BEEFSquad have cooked up yet another performance creation for you, just in time for pride. So, rather than bowing to the forces of rainbow-tinged capitalism as more and more brands trumpet just how proud they are of everyone (while really also saying, by the way, you should buy their stuff), perhaps consider supporting local independent queer performers instead. A BEEF show is always full of surprises, from the salacious to the scary, and Friday night’s show hosted by C’etait Bontemps and Angelica Frankenstein should be no different. Keep Reading »

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Get Woke and Dodge the Oscars With This Week’s Performance Picks

THURSDAY

(flyer via Woke AF / Facebook)

Woke AF: A Mind-Opening Variety Show
Thursday, March 1 at UCB East, 11 pm: $7

Minds are like doors, I guess. Some are closed and some are open and some are in between and uh, some have doorbells? I’m working on it. Instead of trying to continue this bit, let’s get to the point here: Woke AF is a comedy variety show that aims to open your mind by exposing you to a diverse group of people waxing poetic/comedic about social issues they feel particularly attached to. Maybe it’s a topic you’re well versed in but have never heard joked about lovingly, or maybe you’ll learn something totally new. However your mind will react to this proposed awakening, you can expect to see ruminations of all sorts from Jes Tom, Corin Wells, Timothy Dunn, Glorilis Tavarez, Jesse Roth, and Kami Dmitrova. Just remember not to be too performatively woke, even if this is a performance. Keep Reading »

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Performance Picks: 30-Year Christmas Carol, Queer Vloggers, Gay Hell

THURSDAY

(image courtesy of A Christmas Carol)

A Christmas Carol Year Five: Home For The Holidays
December 14-18 at Pratt Institute’s Brooklyn Fashion + Design Accelerator, 8 pm or 7 pm: $30

Marriages are technically a commitment for life. The team behind this deconstructed, imaginative, and wacky riff on A Christmas Carol directed by Andrew Neisler and told through the story of a fictional couple has chosen something no less ambitious, particularly for live performance: they will perform a version of this show every year, for thirty years. Now, they’re on their fifth year. Things are changing, but they show no signs of slowing down. So, come on down to whatever a “fashion and design accelerator” is and pay this kind couple (Ryann Weir and Andrew Farmer, who also wrote the piece) a visit. Though Farmer was the writer behind the recent series of spooky subway-centric tales, I assume this show will be more seasonal than spine-chilling. Also, it includes unlimited beer and wine. Keep Reading »

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Get Your Relationship Turned Into a Musical, and More Performance Picks

WEDNESDAY

(image courtesy of Rebecca & Evan)

Your Love, Our Musical
Wednesday, November 22 at Caveat, 7:30 pm: $15

If you’ve ever dreamed of turning your latest Tinder date into an original musical, I don’t know what kind of a person that makes you, but you can take a stab at making this odd dream a reality at the return of Rebecca Vigil and Evan Kaufman’s Your Love, Our Musical, now presented at new brainy venue Caveat. It’s fairly self-explanatory; the duo selects an actual couple from the audience and interviews them. After that, they work their magic and craft a whole (and wholly improvised) musical about what they’ve just heard. If you’re looking for a new perspective on your relationship but can’t afford therapy, this could be the way to do it. Keep Reading »

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Performance Picks: Conspiracy Puppets, Thomas Paine, Synth Improv

THURSDAY

(image via Paul Pinto / Facebook)

Thomas Paine In Violence
Now through November 18 at HERE Arts Center, 8:30 pm: $25

While Paul Pinto may be known by some for his work as a performer in Natasha, Pierre, and the Great Comet of 1812, he is also a highly interesting composer in his own right. In collaboration with director Rick Burkhardt, he has whipped up an electro-acoustic opera centering around founding father Thomas Paine and a surreal, dreamlike radio station from another planet. Paine, played by vocalist Joan La Barbara, is attempting to deliver various messages on economic justice while a raucous chorus of sound unfolds around him. The show in particular concerns Paine’s 1797 pamphlet Agrarian Justice, considered a precursor of basic income theory and planted seeds for ideas such as Social Security and taxing those who owned land in order to provide for those who did not.

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Performance Picks: Comedic Compliments, Native Satire, All the Feels

WEDNESDAY

(image via The Center for the Humanities)

This Isn’t Funny!: I, An Moron
Wednesday, November 8 at CUNY Graduate Center’s James Gallery, 7 pm: FREE

Comedy is a strange thing. Many write it off as merely jokes with little meaning, but comedy is one of our biggest and most pervasive cultural forces. So, be careful what you joke about, because hey, jokes do matter and it’s extremely easy to be very funny without tearing down marginalized groups. I see it happen literally all the time. Anyway, tonight you can see performance artist Dynasty Handbag perform their new work that riffs on “white activism” (#resist by buying this shirt about feminism!) and solo shows made by privileged heterosexual women with little self-awareness, which I also see happen all the time. After the performance concludes, the artist will be joined by Morgan Bassichis, Dominique Nisperos, Keisha Zollar, and moderator Bess Rowen for a discussion about the role of comedy in times of political unrest, and how one can utilize the genre to productively take on the establishment.

THURSDAY

(flyer via Union Hall)

Boast Rattle
Thursday, November 9 at Union Hall, 10 pm: $10 advance, $12 day of

Ah, roasts. No, I don’t mean cookouts or that ceremony where you put the whole pig in the ground and take it out after a while. I am talking about the weird comedic ritual of hurling insults in a way some take as complimentary, ultimately. In my opinion, it is too easy to resort to cheap shots in a roast. Unless maybe you are roasting a white man who does not have many redeeming qualities. In any case, at this show you needn’t worry about expecting to laugh at any cruel or dumb retorts. In fact, Boast Rattle is a night of fierce compliments. So, you can sit back and watch Jo Firestone, Josh Gondelman, Mike Drucker, Adam Conover, Shalewa Sharpe, and even Bizzy The Dog cook up their best words of praise to each other. Plus, this edition of the show is part of the New York Comedy Festival, so maybe you will feel fancier in the audience.

FRIDAY

(flyer via Ars Nova / Facebook)

Every Feeling I’ve Ever Felt
Friday, November 10 at Ars Nova, 8 pm: $15

When it comes to feelings, composer and musician Ellen Winter has many of them. So many, in fact, that she’s written an entire show to expose them all to you. Her one-night-only show at Ars Nova (where she also interned several years back) not only has a hefty dose of emotions all along the spectrum (and probably more than one or two tears), it also serves as a showcase of songs she’s written over the years, from renditions of punk songs past to new material from her upcoming solo album. With some rare actual good news coming from the most recent local elections and the inevitable advent of chillier weather and seasonal depression, I have also been feeling many types of feelings. It can always be a treat to experience them with a roomful of others, set to a handful of songs.

SATURDAY

(photo: Theo Cote)

Don’t Feed The Indians: A Divine Comedy Pageant
Now through November 19 at La MaMa, 7 pm (Sundays at 2 pm): $25, $20 students/seniors

One (and certainly not the only) group who has faced hundreds of years of oppression that still continues today is Native Americans. Though their land and livelihood is still largely disregarded today, illuminated by movements like that of Standing Rock and more, the struggles they face are not always splashed on the (virtual) front pages of the news. And when Native or Indigenous people are portrayed in fictional media, it’s equally uncommon that they themselves are the ones telling the stories or even playing the roles. That all gets turned on its head at Safe Harbors Indigenous Collective’s “greatest sideshow of Indigenous people you’ll ever see.”

Created by Murielle Borst-Tarrant of Spiderwoman Theater with music direction by Kevin Tarrant, Don’t Feed The Indians takes common Native stereotypes and subverts them in a satirical, musical night performed by actual Native artists. May the future only bring more and more work like this.

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Performance Picks: Stigma Unbound, Alaskan Journey, Moon Juice

WEDNESDAY

(flyer via The Juice / Facebook)

The Juice!
Wednesday, October 25 at Union Pool, 7:30 pm: $5 advance, $7 doors

What is The Juice? Is it pressed and does it cost $9 for some reason? I do not know about how pressing the situation is, but I do know that this juice costs $5 in advance and $7 at the door. It is also a comedy show hosted by Carmen Christopher, which seems more enjoyable than sipping some green and/or pulpy liquid through a straw, which we were recently reminded are bad. Tonight, the show welcomes stand-up from Liza Treyger, Casey James Salengo, Dan Licata, and Greta Titelman, and improv from John Reynolds, Zack Pearlman, Monique Moses, Meghan Strickland, Matt Barats, and Zach Cherry. If you’re already tired of all the spooky and Halloween-themed goings-on around, why not check out something loosely themed around uh, juice. Keep Reading »

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Steve Earle Gets Theatrical, Philippine Dance, and More Performance Picks

WEDNESDAY

(image via Soho Rep)

Samara
Now through May 7 at the Mezzanine Theater at A.R.T. New York Theaters, 8 pm (select times at 3 pm and 5 pm): $35+

Though this show is playing up near Hell’s Kitchen, it’s commissioned by Soho Rep, the acclaimed and boundary-pushing theater that recently left its longtime home base on Walker Street, downtown, due to conflicts regarding what the building was zoned for and what they needed to do to operate the theater. Without any sign of stopping their production output, Soho Rep and artistic director Sarah Benson have been putting up shows elsewhere in the meantime.

Samara unites two downtown theater heavy-hitters, Benson and Richard Maxwell of the New York City Players. Maxwell rarely brings outside directors on board, but has asked Benson herself to direct his latest work. They’ve assembled a cast that is diverse in gender, race, and even age, as the ensemble’s age range is 14 to 92. Notably, the cast includes singer-songwriter Steve Earle, who has a storied (and Grammy-winning) career in American roots and folk music and has penned tunes recorded by Johnny Cash, Emmylou Harris, and more. Earle has also composed music for the play, so whether you’re a fan of avant-garde theater or just good old-fashioned American grooves, you’ll probably find something to like about this show. Keep Reading »

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Performance Picks: Riot Grrrl Antigone, Marionettes Abound, Toasty Roasts

WEDNESDAY

(flyer via Room Service / Facebook)

(flyer via Room Service / Facebook)

Room Service
Wednesday, February 15 at The Jane Hotel, 8 pm: 

Valentine’s Day has technically passed, so all you single people can breathe a sigh of relief and all you non-single people can also breathe a sigh of relief because the pressure to give into capitalism has maybe lessened a little. Depending on who you are, of course. But if you’re longing to stay in the spirit of flowers, chocolates, and a pink n’ red color palette, this edition of Greta Titelman’s Room Service comedy show at The Jane has got you covered. With a lineup full of love-worthy folks like Bowen Yang, Lorelei Ramirez, Alyssa Stonoha, Petey DeAbreu, Blair Socci, Tom Thakkar, and Ricky Velez, you’ll be sure to spend the night feeling warm inside, expelling laughs from your gullet in only the most loving of fashions. Rounding out the bunch will be two individuals aiming their Cupid’s arrow in a more musical way: Ruby McCollister and Tim Platt as “resident songbird” and “heartthrob,” respectively. Keep Reading »

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This Queer Performance Festival Wants to Mend Our Generational ‘Disconnect’

Banjela Davis

Banjela Davis (Photo courtesy of La MaMa’s Squirts)

Nowadays, it’s common to see one generation insisting that the other will never understand them, whether its Jerry Seinfeld lamenting that college kids are “too PC,” the drag performer Lady Bunny balking at “crybabies” and new pronouns, or tweens making memes decrying the whole bootstraps thing (every Boomer’s favorite piece of outdated advice).

Given this disconnect, it’s not everyday that you see a generational cross section of people in the same room together, let alone actually listening to each other. This rings especially true for people in the queer community, who experience generational differences in even starker terms because of the gaping hole that the AIDS epidemic left behind. But bridging this gap is exactly what La MaMa’s Squirts: Generations of Queer Performance seeks to do.

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