jim jarmusch

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Film Alert: a Witch Most Skillful in Blood-Lusty Sex Magic, James Baldwin Redux, and More


The Love Witch
Thursday December 15, 4:15 pm at Nitehawk: $12

If you can play hooky this afternoon, do. Your first hideout should be Nitehawk’s last screening of The Love Witch, which (witch?) I’m kicking myself for not getting to until now. I blame it all on Anna Biller– the filmmaker has done such a convincing job of making this throwback film look like an actual piece of vintage sexploitation that, for-realsies, even after several once-overs I failed to realize is actually a brand new movie that I should definitely be paying attention to. I mean, even the movie poster (see below) looks exactly like an airbrushed box-office placard advertising some cheap-o, long-forgotten ’70s erotic thriller.

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This Week In Film: Drone Travelers, Cameraless Docs, Jarmusch & Friends Score Man Ray

It’s a great week for experimental weirdness. I’ve been on a kick since I saw Hard To Be A God a couple weeks back at Anthology, which definitely isn’t a movie for everyone. Like seriously, if you brought your grandmother to it, she’d probably keel over and die. So be warned. Attendees from the earlier screening exited the theater as I walked in and I heard one mutter, “Definitely not a first date movie.”
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Nightclubbing | Student Teachers, 1979

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

(Photo: Steve Lombardi)

It’s that time of year again: Spring break! While college students are streaming like lemmings to the usual spots — Florida, Mexico, the Caribbean — there’s been an uptick of revelers heading for New York this year. You can see them — earbuds in, texting and stumbling around the Lower East Side and Williamsburg, updating their absent pals. We hope they’re enjoying themselves.
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