On May 20, the 50,000-square-foot Knockdown Center will become the site of a bold new experiment in live performance. Authority Figure, directed by performance/dance/sound artists Monica Mirabile and Sarah Kinlaw, is an immersive and participatory experience exploring themes of surveillance, authority, and obedience. Appropriately vast in scale, it features over 150 performers (including a child and a pregnant woman), and has been created with six choreographers, seven installation artists, and six musicians, including local faves Pictureplane, SOPHIE, and Hot Sugar.
Northside’s over, and we trust that you made like either a baby or an old person and wore earplugs to every damn one of those million or so shows to protect your ear hairs, mockery be damned. But look who’s laughing now? Instead of having to shout “WHAT?” at absolutely everyone this week, you’ve got room for more shows. We’ll be honest though, this lineup isn’t gonna be much quieter at all. In fact, dare we say at least some of these shows we’ve selected for this week’s Good Shows, will be way, way louder than anything you saw last week. So maybe this time around get yourself some good looking ear plugs? Fashion them out of cotton balls, or perhaps bananas to save yourself some cash? Whatever you do, deal with it somehow– and hey, the Presidential campaigns are picking up speed, so you’re going to need them like what come fall– but most of all do it coz we’ve got a whole other fest for you to attend (with 30 plus bands and cheap, cheap, cheap– we promise), a night of legendary punk and indie players, and the return of one local hardcore band we haven’t seen nearly enough of.
Blood Orange isn’t the only innovative electronic artist and producer holed up in the East Village: a new documentary that premiered at SXSW last night, Hot Sugar’s Cold World, takes us inside Nick Koenig’s 14th Street loft as he repurposes the street sounds he obsessively records all over the neighborhood and the world. Produced by Danny McBride and Jody Hill and directed by Adam Bhala Lough (who has previously made documentaries about Lil’ Wayne and Lee Scratch Perry), the film starts with Koenig (aka Hot Sugar) recording a woman eating Pop Rocks. The end credits list every other sound that he documented for the film: everything from a cop sipping an energy drink, to Jim Jarmusch playing some electronic drums, to a couch being pushed out of a seventh story window on the Lower East Side.