It’s your typical Monday night at Arthur’s Tavern in Greenwich Village, an eclectic spot on Grove Street that’s been serving jazz fans since the speakeasy days of the 1930s. Portraits of jazz legends hang on the wall amidst Christmas lights and a faded Happy Halloween sign. It’s late June—in case you were wondering.
It’s been a hummus-filled week, folks. Alongside the arrival of Panorama near Union Square, vegetarian and vegan-friendly restaurant VISH Vegetarian Hummus opened up earlier this week on E. 8th Street in the heart of NYU’s campus community. Falafel-lovers’ favorite, Maoz Vegetarian, closed in the spring and left a pita-shaped void on the block. But since VISH is opening in the exact same spot, fans can rest easy.
Environmental and community groups gathered outside New York University’s Kimmel Center this morning, rallying against a natural gas pipeline proposed by the Williams energy company. Meanwhile, inside, Governor Cuomo announced a $1.4 billion commitment to renewable energy programs. It’s said to be the biggest by any state in US history, but some protesters continue to say that Cuomo isn’t doing enough to stop fracking off the coast of New York City and elsewhere. Keep Reading »
Motherless Brooklyn, the Edward Norton-penned adaptation of Jonathan Lethem’s 1999 novel, took over Washington Square Park today, transforming the public space into a scene straight out of the 1950s.
Norton, who also directs and acts in the film, plays a lonely private investigator with Tourette’s searching for his only friend and mentor’s killer. Willem Dafoe, Alec Baldwin, and Gugu Mbatha-Raw, among others, are set to join the cast. The film, set against the backdrop of 1950s New York, will be released next year.
In November of last year, amid the aggressive grey that is winter in New York City, Christopher Street was overrun with color. From Hudson to Bleecker, someone had swaddled the trees in different shades of crochet. Nearly 1,500 squares of lavender, mint green, cobalt, powdered pink, and egg-yolk yellow lined the sidewalks. Passerby began posing with them, Instagramming them, calling them “tree cozies.” Parents admired the eight-foot-tall sweaters with their children, asking aloud which ones were medium, which ones were large. As it turns out, the trees of Christopher Street were clothed by Holly and her aunt Polly.
Joey Skaggs is at it again. The longtime prankster has made a profession out of feeding the media false information in order to highlight and satirize their gullibility. His victims range from Fox to The Washington Post. In October of last year, director Andrea Marini released Art of the Prank, a documentary that covers Skaggs’s history as an artist and his many hoaxes. Yet despite the media’s growing awareness of Skaggs and his MO, he continues to disseminate elaborate scoops to the press.
The novel is a Dickensian bildungsroman; it tells the story of Theodore Decker, who becomes involved in art theft and forgery after a troubled childhood. Ansel Elgort is reportedly set to play the adult Theodore, while Finn Wolfhard (yes, of Stranger Things fame) has been cast as the younger version of Boris, Theodore’s childhood friend. Sarah Paulson, Luke Wilson, and Jeffrey Wright are all supposedly part of the cast as well.
While the film unfortunately won’t be released until 2019, you might as well get started on the book in the meantime– it’s a whopping 784 pages long.
Opening Thursday, January 25 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through April 7.
Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.
New Yorkers today learned some shocking news: beloved Cajun/Creole restaurant Great Jones Cafe will close tonight and may or may not reopen. Tipsters told EV Grieve that tonight would be the last night, but there’s reason to hope rumors of the 34-year-old Basquiat hangout’s death are greatly exaggerated. This evening, an employee at the Jones told Bedford + Bowery that it’s closing for a week; after that it will reopen — or not. More likely not, she said.
Messages left for owner James Moffett have not yet been returned. In April, the restaurant’s longtime GM, Bill Judkins, told EV Grieve that he was forced out when he couldn’t see eye to eye with his two partners, who “feel that the Jones needs to be changed into something more contemporary to appeal to the ‘new’ neighborhood.” The restaurant’s famous jukebox had been turned off, Judkins told Grieve.
In January of 2015, Judkins told Eater that the restaurant’s landlord was “a nice, old school guy,” and that there were still “a few years” left on the lease. Eater wrote that Judkins “doesn’t see things changing anytime soon, although he does admit to some ‘concern’ about what will happen in the future.”
We’re hoping the Noho fixture rises Lazarus-like from the dead. (I mean, where else can you get a proper oyster po boy around here? Served up by Pavement bassist Mark Ibold, no less.) But many are operating on the assumption that the restaurant won’t be coming back. They filed onto social media to pay their respects:
I’ve run the numbers and I’ve had 3 significant, 5 moderately significant and 10 uneventful nights at Great Jones Cafe. RIP pie & catfish.
— Sloane Crosley (@askanyone) July 26, 2017
R.I.P. Great Jones Cafè – I remember being served drinks by Pavement bassist Mark Ibold back in the day: https://t.co/c1DQpHxnJl
— Patrick Keane (@phkeane) July 26, 2017
I went to Great Jones Cafe the first week I moved to NYC because somebody told me Mark Ibold from Pavement bartended there.
— Jason Diamond (@imjasondiamond) July 26, 2017
— michael arthur (@inklines) July 26, 2017
Just found out that Great Jones Cafe AND the Village French Roast are closing so why even bother going to NYC anymore
— nicole steinberg (@nicolebrett) July 26, 2017
French Roast, Great Jones Cafe, & Republic are all closing. Soon NYC restaurants will be like flying – you’re either in 1st class or coach
— Christopher Shinn (@chris_shinn) July 26, 2017
Legendary New York art team McDermott & McGough — known, among other things, for spending 15 years living in the East Village while dressed as top hat-wearing Victorian gentlemen — are back with an ambitious new project to be unveiled at The Church of the Village this September.
The new art installation combines several of the artists’ motifs and preoccupations — the Victorian era, Ireland, gay culture, LGBT rights, time — in a giant homage to Oscar Wilde, the turn-of-the-century Anglo-Irish writer and bon-vivant famously condemned to prison for refusing to hide his sexuality.
The Oscar Wilde Temple “combines painting, sculpture, and site specific elements in a functioning environment that recalls the beautiful and provocative sensuousness of the Aesthetic Movement [that] Wilde championed,” according to a press release. It will transform The Church of the Village‘s chapel into a shrine to Wilde. In the center will be a four-foot statue of Wilde in the manner of a religious icon. On the walls will be paintings in the style of the Stations of the Cross, but instead of depicting Christ’s persecution they will illustrate Wilde’s journey from arrest to incarceration.
Peter McGough and David McDermott — who, after their East Village days, threw elaborate parties in the Williamsburg bank building where they resided — evidently first began discussing the idea of the Oscar Wilde Temple more than 20 years ago. In keeping with the duo’s fondness for “time experiments,” the Temple will painstakingly replicate the aesthetics and atmosphere of Victorian England through the use of “specially made fabric wall coverings, architectural and decorative details, furnishings and lighting.”
The Temple will also include a secondary altar conceived as a shrine to those struggling with or killed by AIDS, as well as a series of portraits by McDermott & McGough of homophobia “martyrs,” such as Harvey Milk and Alan Turing, and lesser-known victims of AIDS or homophobia including Sakia Gunn, a teenage African-American lesbian stabbed in Newark in 2003, and two figures from The Church of the Village’s own history — Rev. Paul M. Abels and Rev. C. Edward Egan, ministers forced out for being gay.
Sponsored by The Church of the Village and the New York LGBT Center, the Temple will also be available to rent for weddings, memorial services, and other private functions, with the proceeds benefiting the LGBT Center.
The installation will run concurrently with “I’ve Seen the Future and I’m Not Going,” a McDermott & McGough retrospective opening at the Dallas Contemporary in Texas on October 1st.
The installation will be open Sept. 11th through Dec. 2nd at The Church of the Village at 201 W. 13th St. at 7th Ave., viewable Tuesdays through Saturdays from noon – 7:00 pm.
Not Dead Yet
Thursday, July 20 at C’mon Everybody, 8:30 pm: $5 advance, $7 doors
This comedy show, hosted by the multi-talented and highly strange Lorelei Ramirez, really gets to the bottom of the human condition based on its title alone. Sure, we aren’t dead yet, but we will be soon. Whether it be from being cooked alive due to climate change, from inhumane health care policies (though that one seems a tiny bit less likely now), from an aggressive ghoul with a mustache that no one can see but you… Or maybe you’re just one of the lucky few to pass peacefully. Either way, you’re still here. So you might as well go to this comedy variety show.
The show itself (which is monthly) is packed to the brim with notable creatives serving up a whole bevy of funny n’ weird stuff across disciplines. There’ll be comedy by Becca Blackwell, Brett Davis, Sydnee Washington, and Katie Boyle; readings by poet Sasha Fletcher; videos by Lukey Walden and Alan Resnick, and even music by Drag Lomax and Tredici Bacci. As the teens say: what more could you want? Keep Reading »
Dante, the award-winning Greenwich Village bar-restaurant best known for its negroni on tap (and its sadly discontinued $1 martini specials), is launching a new satellite location tonight. Created in partnership with design firm-slash-restarauteur AvroKO, the new bar — “Dante at GENUINE” — is located above GENUINE Liquorette in the space formerly occupied by GENUINE Superette.