Genesis Breyer P-Orridge

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Wake Up and Smell the Poppins at Supercalifragilisticexpialadocious

Supercalifragilisticexpialidocious_inviteL copyTackling the topic of feminism is a monumental task for any art exhibition, let alone one that fits inside a downtown art space called White Box–which you already know, or maybe just guessed, is not all that enormous. Even if the curator had the MoMA to herself, a show like this would require some epic planning. And from the viewer’s perspective? Yeah right. Seeing everything in one go would be require an Odyssean attention span which, let’s be real, just doesn’t exist anymore.

So when curator Lara Pan was commissioned by the non-profit art space White Box to put together a show “about women,” she and her co-curator Ruben Natal-San Miguel came up with Supercalifragilisticexpialidocious (on view through January 21), a 27-piece show that fits neatly within a realm of feminism she knows well. She may have felt compelled to whittle down the larger theme, but she managed to keep the feeling of an epic, history-sweeping, time-spanning, half-the-human-race, cross-culturally inclusive narrative. At the same time, the show defies what we’ve come to expect from women’s art exhibitions: those one-note, temporary deviations from the default (i.e. white men) that are plagued by tokenism, tiptoeing, stale themes, and work that’s about as revolutionary as a closet full of pantsuits.

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Bring Your Own Body To This All-Trans Art Show

Mark Aguhar. (photo courtesy of Cooper Union)

Mark Aguhar, Making Looks, 2011. (Photo courtesy of the artist.)

What do DJ and New Museum darling Juliana Huxtable, a former member of industrial outfit Throbbing Gristle, and “drag mother” Flawless Sabrina have in common?

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Genesis Breyer P-Orridge’s Astounding New Book: ‘It’s a Mini-Retrospective Exhibition of My Life’

(Photo: Sheila Rock)

With dog in Hackey in 1977. (Photo: Sheila Rock)

Throughout h/er entire career in art, music, film, and writing, Genesis Breyer P-Orridge has constantly evolved — no matter how non-liner that path may seem to outsiders. That life and journey has now been crystalized in a photographic autobiography, featuring over 350 candid and often previous unseen images from the artist’s personal archives.
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