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Art This Week: Beach Bodies, Paintings, and Who Gets To Play

Nate Lewis (image via Fridman Gallery / Facebook)

Strange Beach
Opening Tuesday, July 24 at Fridman Gallery, 6 pm to 8 pm. On view through August 31.

Summertime is a time for going to the beach, but that’s not what this group exhibition at Fridman Gallery is about, despite the name. Rather, it’s a “metaphor for the body,” framing one’s physical form as a vessel of sorts that can advance, retreat, swallow up others, be intruded upon, amass debris and valuable items alike over time. Three artists comprise Strange Beach: Arghavan Khosravi, Nate Lewis, and Tajh Rust, who incorporate themes of race, social history, portraiture, and the marginalized retaking their own narratives, whether this be through drawing on photographs to create something celestial or painting portraits of people using their own skin tones to inform the color palette. Keep Reading »

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Art This Week: Disasters, Morir Soñando, a Different Dia:Beacon

(image via Fridman Gallery / Facebook)

Edge of Eden
Opening Wednesday, June 20 at Fridman Gallery, 6 pm to 8 pm. On view through July 20.

Maybe all your friends have been to Dia:Beacon, that trendy hub of Minimalist art just a hop, skip, and a jump upstate, but you haven’t made it yet. Fret not—there’s a way to experience it without figuring out how to convince your friend’s roommate to let you use their car. The art and the scenery will be rendered in paint as part of German painter Alina Grasmann’s solo exhibition at Fridman Gallery, Edge of Eden. The show has two components: large paintings of Dia:Beacon’s scenery and art with components of other notable paintings added in, and 40 small oil paintings of Agloe, a fictional New York town dreamt up to prevent map copyright that became real for a spell and then dissipated once more. Combined, the two painting series conjure a New York that’s outside the city and maybe even our reality. Keep Reading »

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Choreographed Photos, Experiments In Light, and More Art This Week

Image: Jenna Westra, Mariana Sits on “The Complete Photographer, An Encyclopedia of Photography” (1949), Volume 6, Pages 2178-79, ‘Best Fashion Study and Best Action Production Still Taken in a Studio’, 2018. Archival pigment print, 26 x 21.75 inches (image courtesy of Lubov)

Parts Of Some Quartet, Fruits
Opening Saturday, March 24 at Lubov, 6 pm to 9 pm. On view through May 6.

The Tribeca gallery Lubov is small, tucked away on the second floor of an office building, but within it you’ll find none of the monotony typically associated with such work. Instead, you’ll be greeted with contemporary art of all sorts, including their newest exhibition Parts Of Some Quartet, Fruits. In addition to being a very good exhibition name in my opinion, it’s also an assortment of analog photography by Jenna Westra that focuses on what happens when you don’t shy away from the act of purposefully trying to create an engaging scene ripe for the snapping. The scenarios recall a kind of captured choreography, such as an amateur model (or maybe a dancer?) kneeling with their dirt-dusted feet squarely sitting on (what else?) a book of photography, simultaneously desecrating and establishing its position as subject. Keep Reading »

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Roomba As Painter, 3D Sound Fields, And More Art This Week

(image via Fridman Gallery / Facebook)

Channels
Opening Wednesday, January 3 at Fridman Gallery, 6 pm to 9 pm. On view through January 24.

Channels seem like they’re becoming a bit of a relic, at least when they’re referring to the ones found on television. Several technological relics of sorts play a major role in sound artist and audio engineer Daniel Neumann’s new solo exhibition, aptly titled Channels. In it, large auditory objects appear simultaneously as sculptures and music-makers, including a custom-built vintage speaker and a 56-channel mixing board suspended in midair. The third “sculptural” component of the show is a bit more abstract: a 3D sound field made up of 56 sounds and their subsequent feedback. Whether you see it as a concert of objects or a visual display, there will be something to take in.

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Chelsea Manning’s DNA, Candy-Colored Churches, and More Art This Week

(image via Fridman Gallery / Facebook)

A Becoming Resemblance
Opening Wednesday, August 2 at Fridman Gallery, 6 pm to 8 pm. On view through September 5.

It’s hard to ignore Chelsea Manning lately. And rightfully so: Against all odds, her newly liberated presence, both on Twitter and IRL, remains one of the most fiercely optimistic in a pool of (justifiably) jaded folk. Ironic memes have no match for colorful emojis, it seems. But this Wednesday, Manning can be found in an art gallery, and her presence manifests in more ways than just the literal.

A Becoming Resemblance is a collaborative venture between Manning and interdisciplinary artist Heather Dewey-Hagborg, using and exploring the technology of genomic identity construction. The show consists of 3D-printed portraits constructed in 2015 from pieces of DNA (hair, nail clippings) Chelsea sent her collaborator from prison. This gave the world a chance to once again put a human face to her identity, which had been shrouded by incarceration for years. The show will also include a graphic novel the duo made last year in collaboration with illustrator Shoili Kanungo depicting Chelsea’s sentence getting commuted by Obama and her being able to see her 3D portraits in person. What was initially drawn as hopeful fiction can now become reality.

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