day of the dead

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Morbid Anatomy’s Day of the Dead Revelers Showed Us Their Tats

For this ghoulish installment of Why That Tat, we crashed an early Day of the Dead party at the Morbid Anatomy Museum.
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This is a pair conjoined skeleton siamese twins, each holding snakes. They are battling each other. It’s my Day of the Dead 2009 souvenir! I have always been interested in medical history and anatomy. When I was attending university in Paris, I use to take my lunch breaks in this old anatomy museum that had medical specimens like two headed babies and fetuses. The specimens had this bizarre connection to the history of health and, I don’t know, there’s something really special about them. Some people collect them, and I can’t afford them. And since I have been traveling a lot, I can’t take a lot with me, but tattoos I can take with me everywhere I go.
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Nightclubbing | The Cramps

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

Halloween poster.

After a weekend of belated Halloween and Day of the Dead celebrations, how about another bit of eerie entertainment? Better than a bag of candy, more shiver-inducing than a zombie apocalypse: ladies and gentlemen, we present The Cramps.

For more than a quarter of a century, the band cave-stomped their signature brand of rockabilly and blues with a blend so stripped down that for years, they used no bass. Relying on sinuous guitars and drums to stake their rhythms, they created a sound that invoked surf rock, grade-B horror films and a whiff of medicine show. Lead singer Lux Interior hated the use of the term psychobilly to describe their sound but the fans embraced it. Keep Reading »