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Mapplethorpe, Warhol, and More Art This Week

“Andy Warhol, Self Portrait, 1986” Image credit: Courtesy Andy Warhol Foundation for Visual Arts/ Artists Rights Society (ARS)

Andy Warhol: By Hand, Drawings 1950s-1980s
Opening Tuesday, January 22 at New York Academy of Art, 6 pm to 8 pm. On view through March 10.

Most people know Andy Warhol by his colorful printed pop art creations, films, and tendency to bring together some of the city’s most intriguing artists, writers, socialites, and drag performers. Or perhaps his associations with The Velvet Underground or Interview magazine come to mind. But Warhol also made drawings—he started out as a commercial illustrator—and you can see a selection of them created over the course of 30 years in a new exhibition at the New York Academy of Art. Rather than the bold shades of Warhol works like the iconic painting Campbell’s Soup Cans, these drawings are more minimal, often featuring nothing more than a pencil and paper. If you’ve already seen the sprawling Whitney retrospective, here’s a chance to see the artist in a new light. Keep Reading »

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Nightclubbing | Ballistic Kisses

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

(Photo: Emily Armstrong)

In 1980, Ronald Reagan ushered in a long cold winter of conservatism in America. But a little bit of heat was generating on the Lower East Side. Over on the Bowery, the Ballistic Kisses were in their loft, practicing. With a sound that combined post-punk and politics, they brought something new to the downtown club scene.

Michael Shore, rock critic for The Soho Weekly News recalls, “In those days we did not even have a name for electropop, synth or what they were doing. And their lead singer, Mike Parker was very intense. They were the first NYC band with genuine, serious political thought, but with an interesting difference from the Sex Pistols — they seemed to be more street level. The Ballistic Kisses had an honest, urgent, sincere political thing going on.” Keep Reading »

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Nightclubbing | After-Hours, 1980

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

Danceteria video lounge (Photo: Emily Armstrong)

When BAD Burger announced last month that it was ditching its plan to stay open 24/7, it seemed like one more market indicator of the neighborhood’s shifting demographic from boho stronghold to, well, we’re not sure what it is anymore, other than upscale. It got us thinking about how much things have changed from those wild years in the late ’70s and early ’80s when rents were low, charm was currency and after hours clubs were everywhere. The fact that these establishments were blatantly illegal barely furrowed a brow back then. They were just part of the city’s recession economy.

For a lot of people, those early Reagan Years were also the Up All Night Years. Typically, an after-hours spot opened around 3 a.m. and gave up the ghost around noon. Somehow, they were always packed and never too hard to find. Given the variety and sheer number of options available, folks tended to flit from place to place, but clubs did have individual identities. AM/PM in Tribeca attracted a mix of Wall Street types, downtown rockers and artists, while Crisco Disco and the Anvil were for the gay boys on the West Side. The Jefferson was shabby chic, a derelict vaudeville theater and a bit of a death trap; there was only a narrow staircase to the second floor where the festivities sometimes spilled out onto a rickety marquee overlooking East 14th Street. It did have romance: a friend of ours met his first wife there. Keep Reading »