Cooler Gallery

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Sexting Festival, French Star’s Rare Show, and More Art to See

(image courtesy of Cooler Gallery)

Flora
Opening Tuesday April 4 at Cooler Gallery, 7 pm to 10 pm. On view through April 22.

Camilla Engström has had an interesting history for an artist. Born in Sweden, she swiftly relocated to Shanghai to work full-time as a model, and then made her way to New York to study fashion at FIT. However, she left to focus on her art, a familiar story that surely many can relate to. Now, she exhibits her multidisciplinary work around the city, and will be bringing a series of paintings and more to Cooler Gallery, a unique space nestled a stone’s throw from the Navy Yard.

This show is new territory for her, in a way. Her practice, the gallery states, typically revolves around a Swedish cartoon Engström created named Husa, a smiling femme figure with a curvy belly. This show will feature more landscape-driven works, but ones that still retain the dreamy, playful, Candyland-esque quality of Husa. There will not just be paintings on view, but also sculptural pieces that reflect particular elements of the paintings, bringing a multi-dimensional quality to it all. Keep Reading »

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Women Getting Lit, Plexiglas Playgrounds, and More Art

Kate Hush (image via Cooler Gallery)

Kate Hush (image via Cooler Gallery)

Female Behavior
Opening Tuesday January 10 at Cooler Gallery, 7 pm to 10 pm. On view through January 31. 

Firstly, let’s discuss this gallery’s name. Sure, it sounds sort of pompous, in a cooler-than-you kind of way, and maybe that’s what they think of themselves. But the origin of this gallery is actually, well, cool. It exists within a “repurposed industrial icebox” in the Brooklyn Navy Yard, so it really is a cooler gallery. Plus, it seeks to display work that involves elements of manufacturing, so it’s aware of its roots. But enough about the gallery, let’s get to the show: artist Kate Hush makes massive sculptures of neon light, and what she is particularly trying to capture in her solo show, Female Behavior, are women and their so-called “wicked ways.” She writes of light being produced when bonds are broken, such as the cutting of a diamond, so she has crafted female silhouettes to portray those who are seen as cruel and conniving simply for being “sharp” or for cutting ties with a man who will then call her crazy. May women burn bright and powerful as much as they can, especially now.

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