comedy

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Pride-ful Shows, Political Theater, and More Performance Picks

THURSDAY

(image via Clubbed Thumb)

What The Constitution Means To Me
June 21-July 1 at The Wild Project, 8 pm: $25

With this piece by playwright and actor Heidi Schreck directed by Oliver Butler, Clubbed Thumb continues their annual Summerworks series of new plays. Fittingly, so far they have all dealt with sociopolitical or governmental issues in ways that have been a bit more overt than the typical downtown theater offering. Such is a sign of the times. Schreck’s What The Constitution Means To Me appears to be no exception.

The play is about someone also named Heidi who finds a unique way to make money in 1989, which is giving speeches about the Constitution. Only, she is told her orations are not personal enough, which leads to an exploration into the women of her past (who seem to have consistently attracted “violent men”) and how the Ninth Amendment may have had more of an impact than she thought on them. Keep Reading »

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Hookup App Etiquette, QueerCom, and More Performance Picks

WEDNESDAY

(photo: Maria Baranova, via Abrons Arts Center)

Raw Bacon From Poland
Now through June 17 at Abrons Arts Center, 8 pm: $25 

I would say that most of us agree that war is bad. I would also say that most of us are able to state that opinion without having directly experienced the horrors of war ourselves. Guggenheim Fellow Christina Masciotti’s new play, currently running at Lower East Side’s Abrons Arts Center, revolves around a veteran who has been forever altered by a tour in Iraq. Through attempts to sedate his PTSD with pills, he finds himself sentenced to Brooklyn Treatment Court due to a domestic violence incident.

Theater is rarely free to attend, and often costs a pretty penny. So when the genre tells the stories of people typically cast aside by society, it can be difficult for these very people being portrayed to actually witness the work being staged. In an effort to make this play more accessible, the theater has set aside two free tickets per night specifically for veterans. Keep Reading »

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Messy Comedy, Final Macaulay, Royal Karaoke, and More Performance Picks

WEDNESDAY

(image via Ground Floor Comedy)

Ground Floor Live
Wednesday, June 7 at Brooklyn Bazaar, 9 pm: FREE

Ground Floor Comedy, an online space for comedic videos and newsletter listing IRL comedy shows in Brooklyn and beyond, will be putting on their first live show tonight at Greenpoint’s Brooklyn Bazaar. There’ll be sketch, improv, and other absurdities from a silly group of comics and performers, many of which will be familiar faces if you’ve ever been to the Annoyance or new weekly series RUDE at South 4th Bar.

The whole affair is guest hosted by Mo Fry Pasic and Tim Platt, who always bring a special something to shows. If you come early at 8pm, there will be a “meat themed variety show” to spotlight new voices in the comedy scene, and I love a good themed show.

Keep Reading »

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Indoor Comedy Shows, A Multitude of Taylors, and More Performance Picks

THURSDAY

(image via LAWL / Eventbrite)

LAWL
Thursday, May 25 at New Women Space, 7 pm: $5

It is good to laugh, and there are allegedly real scientific statistics to back up such a claim. In fact, I just found something literally called the Laugher Online University, and you know what, I have a lot of questions about it.  But why spend your time on weird websites when you can venture into the real world and get some actual laughter?

You’re in luck— Thursday night is LAWL (Ladies and Womyn Laughing), Arti Gollapudi’s comedy night showcasing women, trans, and gender non-conforming funny folk. Gollapudi is no stranger to curating spaces prioritizing these groups, as she is also a co-founder of the Comedy Cunt Collective. Tonight at LAWL, you can see jokes n’ silly stories by Sue Smith, Shannon Odell, and Wanjiko Eke. And if I’ve made you too curious about this University of Laughter, you can always just look it up on your phone in between acts or something. Keep Reading »

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Little Green Guys, 5-Hour Durationals, and More Performance Picks

WEDNESDAY

(poster by Mikey Heller, via Facebook)

Little Green Guys: An Evening of Comedy About Frogs and Lizards
Wednesday, May 10 at Babycastles, 8 pm: $5

First of all, I don’t know what I can say about this show that will make it any more appealing than the title already makes it. Little green guys! Why make jokes about people and places when you can make them about frogs and lizards. They’re small, they’re wacky, and they’re one of a kind. A grand old lineup of people will be stopping by to wax comedic about these green-hued critters, including Jo Firestone, Lorelei Ramirez, Annie Donley, Anthony Oberbeck, Carmen Christopher, The Junk Bros, and more, plus your amphibian-and-reptile-loving hosts Joe Rumrill and Andrew Tisher.

The only thing that would make this show better is if actual frogs and lizards made their way up the steps to Babycastles, clambered up the mic stands, and croaked out their own jokes and humorous musings. I guess we will just have to wait for the sequel to see that. Keep Reading »

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Sci-Fi Egg-Laying, Ski Shop Fantasies, and More Performance Picks

WEDNESDAY

(flyer via ROFL3 / Facebook)

ROFL3: The Slumber Party
Wednesday, May 3 at Our Wicked Lady, 8 pm: FREE

“Comedy shows” sounds a lot like “comedy shoes.” What are comedy shoes? Maybe they’re big ol’ clown shoes, or super squeaky slippers, but it doesn’t matter what you think they are. The dynamic duo of Edy Modica and Eliza Hurwitz have declared their comedic footwear of choice to be roller skates, proclaiming (and skating) this loud and clear in their monthly show on wheels, ROFL. Bet you never knew that age-old internet acronym was actually referring to roller skates.

This month, a fine bunch of funny folk will be rolling in to tell jokes and make merry, including Marcia Belsky, Dan Licata, Jaboukie Young-White, Charles Gould, and Aparna Nancherla. I once tried to perform as a character wearing roller skates and when I tried to stand in one place for a duration of time I slowly and endlessly rolled forward and did not know how to stop. There’s a metaphor in there somewhere.

Keep Reading »

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Computers Writing Poetry, Eugene O’Neill + A Light Meal, and More Performances To Gaze Upon

WEDNESDAY

Eunice Wong in MOURNING BECOMES ELECTRA. (Photo: Gaia Squarci)

Mourning Becomes Electra
April 26-May 20 at Abrons Arts Center, various times: $45-75

If short n’ sweet shows are your preferred method of entertainment, this could be quite the change of pace. The Obie-winning company Target Margin Theater will be commemorating their 25th anniversary of making work by taking on Eugene O’Neill’s 1931 work Mourning Becomes Electra, and they’re doing it in a big, big way. Or rather, a long, long way. The production runs around six hours long, but don’t expect to sit for that entire time. Mourning Becomes Electra is technically a play cycle, consisting of three plays that serve as a modern retelling of Greek tragedy The Oresteia, turned into a Freudian family melodrama set at the end of the Civil War. So, the company is dividing Abrons’s Playhouse into different sections, guiding audiences between different portions of the performance space as the play cycle progresses.

If you’re still hesitant about committing to this behemoth endeavor, know that it also includes two intermissions and “a light meal.” Everyone loves a nice meal.

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Sasha Velour on 4/20, The Postmen Move to Bushwick, and More Performance Picks

THURSDAY

(image via Sasha Velour / Facebook)

Sasha Velour’s Nightgowns
Thursday, April 20 at National Sawdust, 8:30 pm doors, 10 pm show: $18 advance, $22 doors

If you live in Brooklyn and are watching this season of RuPaul’s Drag Race, there’s probably a pretty good chance you’re only a degree or two of separation from some of the queens competing. One of these hometown heroes is Sasha Velour, who has continued to host the unique drag variety show Nightgowns on a regular basis. The show is typically at Bizarre Bushwick, but is making the move to dear old Williamsburg and its funky, classy music hall National Sawdust.

Given that they’re moving to a bigger, swankier space, the lineup is pretty big too. You can see shows after fabulous show from Francesca, Hystée Lauder, Kandy Muse, Olive d’Nightlife, Pearl Harbor, Severely Mame, Scarlet Envy, Untitled Queen, and Vigor Mortis. And hey, it’s 4/20, so there’ll probably be some sort of relevant performance themes going on. Keep Reading »

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Composers of Color, Macaulay Returns to Shea Stadium, and More Performance Picks

WEDNESDAY

(image via Joe’s Pub)

Lift Every Voice
Wednesday, April 12 at Joe’s Pub, 9:30 pm: $20-30

Musical Theater Factory, a production company created by Difficult People actress and multi-hyphenate Shakina Nayfack, presents this concert of songs penned by musical theater composers of color. The show is curated by members of MTF’s People of Color Roundtable, one of two regularly occurring “representation round tables” that provide a forum for people in marginalized groups to share new composition and creative work.

If you dare say musical theater is so predominantly white because there aren’t many other types of writers out there, this show will surely prove you wrong. Lift Every Voice will be showcasing over 15 composers in just one night, and that’s only the tip of the iceberg in regards to the wide array of non-white writers and composers working to breathe new life into the genre today. Keep Reading »

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Steve Earle Gets Theatrical, Philippine Dance, and More Performance Picks

WEDNESDAY

(image via Soho Rep)

Samara
Now through May 7 at the Mezzanine Theater at A.R.T. New York Theaters, 8 pm (select times at 3 pm and 5 pm): $35+

Though this show is playing up near Hell’s Kitchen, it’s commissioned by Soho Rep, the acclaimed and boundary-pushing theater that recently left its longtime home base on Walker Street, downtown, due to conflicts regarding what the building was zoned for and what they needed to do to operate the theater. Without any sign of stopping their production output, Soho Rep and artistic director Sarah Benson have been putting up shows elsewhere in the meantime.

Samara unites two downtown theater heavy-hitters, Benson and Richard Maxwell of the New York City Players. Maxwell rarely brings outside directors on board, but has asked Benson herself to direct his latest work. They’ve assembled a cast that is diverse in gender, race, and even age, as the ensemble’s age range is 14 to 92. Notably, the cast includes singer-songwriter Steve Earle, who has a storied (and Grammy-winning) career in American roots and folk music and has penned tunes recorded by Johnny Cash, Emmylou Harris, and more. Earle has also composed music for the play, so whether you’re a fan of avant-garde theater or just good old-fashioned American grooves, you’ll probably find something to like about this show. Keep Reading »

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Best Chairs in Comedy, Annoyance’s Last Night, and More Performance Picks

WEDNESDAY

(flyer via The Annoyance)

Holy Fuck Comedy Hour
Wednesday, March 29 at The Annoyance Theater, 10:30 pm: FREE

As we’ve told you previously and with heavy hearts, strange n’ mighty little basement comedy theater The Annoyance is closing at the end of the month. More specifically, it’s the theater’s last night of shows tonight. What better way to send it off than by attending one of the shows The Annoyance is most lauded for, the late-night extravaganza that is the Holy Fuck Comedy Hour. The show assembles a strong assortment of comedians from different pockets of the NYC scene and asks them to write characters, scenes, songs, and more in only one week and then perform their creations with no rehearsal. And if you’re looking for even more chuckles, there will be three different improv shows happening earlier in the evening.

Keep Reading »

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Something ‘Terrifying’ and Four More Performance Picks

WEDNESDAY

(image via Maude Gun / Facebook)

Maude Night #4
Wednesday, March 15 at Muchmore’s, 9 pm: $5-7 suggested donation

This is decidedly not the UCB showcase, but a queer/femme/POC space for variety performance and expression helmed by witchy, culty performance-art band Maude Gun. The lineup includes “Mountain Moving Witch of the West Coast” Carissa Matsushima, “Ritualistic Serotonin Poem Witch” Tara Jayakar, “Nose Bleeding Drama Queen Healer” Holly Simple, and a closing piece by Maude Gun themselves. Though it is the name of their band, they seem to be rather generous with the term “maude,” referring to their booked performers and potentially everyone in the room by the moniker. In the event description is a reminder: “let’s mind our pronouns! (call everyone a MAUDE if you’re lost)” Keep Reading »