comedy

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Computers Writing Poetry, Eugene O’Neill + A Light Meal, and More Performances To Gaze Upon

WEDNESDAY

Eunice Wong in MOURNING BECOMES ELECTRA. (Photo: Gaia Squarci)

Mourning Becomes Electra
April 26-May 20 at Abrons Arts Center, various times: $45-75

If short n’ sweet shows are your preferred method of entertainment, this could be quite the change of pace. The Obie-winning company Target Margin Theater will be commemorating their 25th anniversary of making work by taking on Eugene O’Neill’s 1931 work Mourning Becomes Electra, and they’re doing it in a big, big way. Or rather, a long, long way. The production runs around six hours long, but don’t expect to sit for that entire time. Mourning Becomes Electra is technically a play cycle, consisting of three plays that serve as a modern retelling of Greek tragedy The Oresteia, turned into a Freudian family melodrama set at the end of the Civil War. So, the company is dividing Abrons’s Playhouse into different sections, guiding audiences between different portions of the performance space as the play cycle progresses.

If you’re still hesitant about committing to this behemoth endeavor, know that it also includes two intermissions and “a light meal.” Everyone loves a nice meal.

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Sasha Velour on 4/20, The Postmen Move to Bushwick, and More Performance Picks

THURSDAY

(image via Sasha Velour / Facebook)

Sasha Velour’s Nightgowns
Thursday, April 20 at National Sawdust, 8:30 pm doors, 10 pm show: $18 advance, $22 doors

If you live in Brooklyn and are watching this season of RuPaul’s Drag Race, there’s probably a pretty good chance you’re only a degree or two of separation from some of the queens competing. One of these hometown heroes is Sasha Velour, who has continued to host the unique drag variety show Nightgowns on a regular basis. The show is typically at Bizarre Bushwick, but is making the move to dear old Williamsburg and its funky, classy music hall National Sawdust.

Given that they’re moving to a bigger, swankier space, the lineup is pretty big too. You can see shows after fabulous show from Francesca, Hystée Lauder, Kandy Muse, Olive d’Nightlife, Pearl Harbor, Severely Mame, Scarlet Envy, Untitled Queen, and Vigor Mortis. And hey, it’s 4/20, so there’ll probably be some sort of relevant performance themes going on. Keep Reading »

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Composers of Color, Macaulay Returns to Shea Stadium, and More Performance Picks

WEDNESDAY

(image via Joe’s Pub)

Lift Every Voice
Wednesday, April 12 at Joe’s Pub, 9:30 pm: $20-30

Musical Theater Factory, a production company created by Difficult People actress and multi-hyphenate Shakina Nayfack, presents this concert of songs penned by musical theater composers of color. The show is curated by members of MTF’s People of Color Roundtable, one of two regularly occurring “representation round tables” that provide a forum for people in marginalized groups to share new composition and creative work.

If you dare say musical theater is so predominantly white because there aren’t many other types of writers out there, this show will surely prove you wrong. Lift Every Voice will be showcasing over 15 composers in just one night, and that’s only the tip of the iceberg in regards to the wide array of non-white writers and composers working to breathe new life into the genre today. Keep Reading »

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Steve Earle Gets Theatrical, Philippine Dance, and More Performance Picks

WEDNESDAY

(image via Soho Rep)

Samara
Now through May 7 at the Mezzanine Theater at A.R.T. New York Theaters, 8 pm (select times at 3 pm and 5 pm): $35+

Though this show is playing up near Hell’s Kitchen, it’s commissioned by Soho Rep, the acclaimed and boundary-pushing theater that recently left its longtime home base on Walker Street, downtown, due to conflicts regarding what the building was zoned for and what they needed to do to operate the theater. Without any sign of stopping their production output, Soho Rep and artistic director Sarah Benson have been putting up shows elsewhere in the meantime.

Samara unites two downtown theater heavy-hitters, Benson and Richard Maxwell of the New York City Players. Maxwell rarely brings outside directors on board, but has asked Benson herself to direct his latest work. They’ve assembled a cast that is diverse in gender, race, and even age, as the ensemble’s age range is 14 to 92. Notably, the cast includes singer-songwriter Steve Earle, who has a storied (and Grammy-winning) career in American roots and folk music and has penned tunes recorded by Johnny Cash, Emmylou Harris, and more. Earle has also composed music for the play, so whether you’re a fan of avant-garde theater or just good old-fashioned American grooves, you’ll probably find something to like about this show. Keep Reading »

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Best Chairs in Comedy, Annoyance’s Last Night, and More Performance Picks

WEDNESDAY

(flyer via The Annoyance)

Holy Fuck Comedy Hour
Wednesday, March 29 at The Annoyance Theater, 10:30 pm: FREE

As we’ve told you previously and with heavy hearts, strange n’ mighty little basement comedy theater The Annoyance is closing at the end of the month. More specifically, it’s the theater’s last night of shows tonight. What better way to send it off than by attending one of the shows The Annoyance is most lauded for, the late-night extravaganza that is the Holy Fuck Comedy Hour. The show assembles a strong assortment of comedians from different pockets of the NYC scene and asks them to write characters, scenes, songs, and more in only one week and then perform their creations with no rehearsal. And if you’re looking for even more chuckles, there will be three different improv shows happening earlier in the evening.

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Something ‘Terrifying’ and Four More Performance Picks

WEDNESDAY

(image via Maude Gun / Facebook)

Maude Night #4
Wednesday, March 15 at Muchmore’s, 9 pm: $5-7 suggested donation

This is decidedly not the UCB showcase, but a queer/femme/POC space for variety performance and expression helmed by witchy, culty performance-art band Maude Gun. The lineup includes “Mountain Moving Witch of the West Coast” Carissa Matsushima, “Ritualistic Serotonin Poem Witch” Tara Jayakar, “Nose Bleeding Drama Queen Healer” Holly Simple, and a closing piece by Maude Gun themselves. Though it is the name of their band, they seem to be rather generous with the term “maude,” referring to their booked performers and potentially everyone in the room by the moniker. In the event description is a reminder: “let’s mind our pronouns! (call everyone a MAUDE if you’re lost)” Keep Reading »

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Avril Lavigne’s Ghost, a Dirty Panties Musical, and More Performance Picks

THURSDAY

(flyer via The Witness / Facebook)

The Witness
Thursday, March 9 at Superchief Gallery, 8 pm: $10

Tonight, witness this fine-tuned evening of powerhouse performance, live music, and installations from an array of artists working in movement, visual, and sound mediums. Curated by multidisciplinary gal Ariele Max (who will also be performing), the evening is comprised of hyper-sexual “inverted gospel” musician/performer Cole, choreographer and installation artist steeped in dystopian imagery Kathleen Dycaico, research and ritual-based artist Autumn Ahn, and musician/choreographer/etc Richard Kennedy.

It’ll cost you $10 to get in, but the price includes a full day of exploring Superchief Gallery, plus wine and the mysterious notion of “edible art.” Why touch the art when you can eat it? Keep Reading »

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Performance Picks: Communal Reading for the ACLU, Space Travel Blues Cabaret, and More

WEDNESDAY

(flyer by Phoebe Randall, via The Silent Barn)

This Is How You Talk To People
Wednesday, February 22 at The Silent Barn, 7 pm: $5

Tonight, Bushwick mainstay The Silent Barn will welcome a “communal reading” of a play by Rachel Davies, who has written for outlets such as Rookie, Complex, Nylon, and The Le Sigh. This Is How You Talk To People is Davies’s first play, and chronicles a variety of women from a talk show host  to a student who are collectively trying to navigate shifting friendships and relationships. The reading will be done communally in “an attempt to make the performance more accessible,” and profits from the evening will be donated to the ACLU.

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Performance Picks: Riot Grrrl Antigone, Marionettes Abound, Toasty Roasts

WEDNESDAY

(flyer via Room Service / Facebook)

(flyer via Room Service / Facebook)

Room Service
Wednesday, February 15 at The Jane Hotel, 8 pm: 

Valentine’s Day has technically passed, so all you single people can breathe a sigh of relief and all you non-single people can also breathe a sigh of relief because the pressure to give into capitalism has maybe lessened a little. Depending on who you are, of course. But if you’re longing to stay in the spirit of flowers, chocolates, and a pink n’ red color palette, this edition of Greta Titelman’s Room Service comedy show at The Jane has got you covered. With a lineup full of love-worthy folks like Bowen Yang, Lorelei Ramirez, Alyssa Stonoha, Petey DeAbreu, Blair Socci, Tom Thakkar, and Ricky Velez, you’ll be sure to spend the night feeling warm inside, expelling laughs from your gullet in only the most loving of fashions. Rounding out the bunch will be two individuals aiming their Cupid’s arrow in a more musical way: Ruby McCollister and Tim Platt as “resident songbird” and “heartthrob,” respectively. Keep Reading »

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Bejeweled Opera, Empowering Blurred Lines, and More Performance Picks

WEDNESDAY

(image courtesy of Hallie Haas)

(image courtesy of Hallie Haas)

Masterpiece Classic: Women in Art
Wednesday, February 8 at UCB Chelsea, 8 pm: $7

It is generally agreed upon that art is Good. However, the art world is where things get a little more polarized. This new character-based show by comedian and actress Hallie Haas takes on the type of people who consider themselves high and mighty creators, the type of people who take themselves reeeeeeally seriously. The premise is that Laura Linney, of course, has gathered together seven of the most sophisticated and acclaimed women artists for an evening that feels a lot like a certain public access television show. Only probably a lot weirder. Especially considering Haas will be playing every character. This spoof on PBS classics feels especially timely, considering I just got an email asking me to sign an online petition so that Donald Trump doesn’t get rid of PBS Kids. Please, think of the children. And the art.

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Disney Burlesque, a Show in a Bathtub, and More Primo Performance

THURSDAY

(flyer via The Slipper Room)

(flyer via The Slipper Room)

Burlesque Tribute to the Ladies of Disney
Thursday, February 3 at The Slipper Room, 7 pm doors, 8 pm show: $10 

Hotsy Totsy Burlesque is back again. Known for their titillating tributes to all things pop culture, Hotsy Totsy has created scantily-clad evenings dedicated to Game of ThronesStar Wars, Stephen King, The Muppets, and more. This month, they’ve stepped away from the fur and sci-fi in lieu of something more delicate and nostalgic. Yes, they’ve whipped up a tribute all your favorite princesses: the ladies of Disney. However demure these princesses may be, this show doesn’t exactly seem to follow suit. The concept hinges upon Cherry Pitz and Handsome Brad as the Fairy Godmother and Prince Charming respectively, who seem to be enjoying their very own Happily Ever After. Only, paradise can be boring for a mere duo. As per the show’s description, “Looking to spice things up, the two love birds have decided to throw a ball, looking for the hottest princess in the land to join them in a threesome!” Keep Reading »

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Comedy Theater The Annoyance Will Close Its Williamsburg Location

The Annoyance's stage (photo via Annoyance Theatre NY / Facebook)

The Annoyance’s stage (photo via Annoyance Theatre NY / Facebook)

The New York chapter of comedy theater The Annoyance has announced they’ll be closing their location on Bedford Avenue in Williamsburg at the end of March. Originally started in Chicago 28 years ago, The Annoyance began holding classes in Williamsburg in January 2014, and went on to open up a physical location in the city later that year in December.

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