club 57

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‘Downtown Was My Heaven’: Generations of Performers Revisit Club 57

L-R: Holly Hughes, Moe Angelos, Martha Wilson, Carmelita Tropicana (photo: Cassidy Dawn Graves)

Last Thursday, the theater at MoMA went back to the 20th century when Performing Difference: Gender in the 1980s Downtown Scene, a day of panel discussions presented in conjunction with the exhibit “Club 57: Film, Performance, and Art in the East Village, 1978-1983.”, took over one of the museum’s spacious screening rooms.

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Nightclubbing | Girl Groups: The Go-Go’s and Pulsallama

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

When the Go-Go’s arrived in New York City from the West Coast in August, 1980, they were a sweet, goofy package of pure pop in a New Wave wrapper. They provided the kind of light summer fun that can prove irresistible and were well received when they played their first night at Danceteria (see clip).

The reviews were a little harsher back in L.A. Wayzata Camerone, founder of Hollywood after-hours club the Zero Zero recalls, “They were laughed at; we thought they couldn’t play and they had insipid songs. But Belinda [Carlisle] was sweet and polite.” Keep Reading »