(image courtesy of La Nacional)
The last time we checked in with the Spanish Benevolent Society’s beloved restaurant La Nacional, they announced they’d be closing for a “complete renovation” in March 2016, with a planned reopening featuring new chefs in May of that same year.
The Spanish Benevolent Society’s executive director Robert Sanfiz finds it “really hilarious” to look back on that optimistic estimation. “We had go through major structural work,” he tells me. “Ultimately, it was going to eat a lot of our time and a lot of the money we put away.” Despite the delay, La Nacional will officially reopen on June 15, which coincides with both the 150th anniversary of the Spanish Benevolent Society and the World Cup match between Spain and Portugal. Keep Reading »
“Summer Sisters” 2018 by Rebecca Leveille (image via The Untitled Space)
The End of Love
Opening Tuesday, May 1 at The Untitled Space, 6 pm to 8 pm. On view through May 13.
For an exhibition sporting as foreboding a title as The End of Love, Rebecca Leveille’s paintings are so entrancing as to inspire a sort of optimism in the viewer. In addition to being strikingly beautiful, her paintings portray feminine beauty, bliss, and sexuality in a way that’s playful and mixes elements of realism and mythology, allowing for a mental break from the seemingly constant barrage of nonsense coming from the world. Leveille is no stranger to the realm of the fantastical, as she has previously created illustrations for Magic: The Gathering under the name Rebecca Guay. Looking to how the artist herself has spoken of this show, the connection between the title and the content begins to feel more clear. “What comes after delusions of ‘love?,’” she writes. “Feminine power and sexuality find new ground, as does an urgency to assert the female gaze.” Keep Reading »
Tags: alesia exum
, Fort Gansevoort
, gallery openings
, leslie-lohman museum of gay and lesbian art
, marlborough contemporary
, meatpacking district
, queer nightlife
, rebecca leveille
, The Untitled Space
(image courtesy of Baxter Street Camera Club of New York)
Walking In Lightness
Opening Thursday, April 19 at Baxter St at the Camera Club of New York, 6 pm to 8 pm. On view through May 12.
Some photography is staged, utilizing the lens to create a fantastical scene that would very likely never be encountered in a candid sense. Rather than doing that, Mexico City-born photographer Amanda Gutiérrez seeks to document her surroundings as she ventures through Brooklyn’s Sunset Park, focusing both on her “subjective experience as a Mexican woman living and working in New York” and painting a photographic portrait of the neighborhood’s Mexican immigrant community. In addition to photography (shot with a 35mm disposable camera), Gutiérrez’s solo show will also feature videos of her working in the darkroom, animations created from her own prints, and binaural audio tracks of her walking through various environments, welcoming you in on multiple sensory levels. Keep Reading »
(image courtesy of Cooler Gallery)
Opening Tuesday, April 3 at Cooler Gallery, 7 pm to 10 pm. On view through May 19.
What is a Fuzzy Dude? I have some theories, but so does artist and director John McLaughlin, whose solo show Origins will give you a thorough introduction to these wacky creatures that have sprung from his brain. Appropriately, Fuzzy Dudes are beings covered in a stringy, colorful fur that recalls silly string, shaggy dogs, household mops, or something else entirely. They come from a “space-like” dystopian world, or so I’m told, but you can see them come to life on Earth by way of sculpture, video, and more. Watching these curious creatures feels almost like a psychedelic experience, as their multicolored, textured bodies run, jump, and sway. Their actions are humanlike, but their appearance is a lot more interesting. Why not take a break from the dreaded news cycle for an evening and go meet some otherworldly beings? Keep Reading »
(image via Tina Kim Gallery / Facebook)
Opening Wednesday, February 28 at Tina Kim Gallery, 6 pm to 8 pm.
You’re probably familiar with the most common way to write music, with notes on a staff, even if you can’t read music yourself. But did you know there are other ways to do it? One of them, the Korean system Jeongganbo, dates all the way back to the Joseon Dynasty, which began in 1392 and ended much later, in 1910. Rather than using a staff system, it uses a grid system, with each note taking up a square in sequential order. Seoul-based artist Suki Seokyeong Kang was drawn to this geometric composition technique, and has created a series of “visual translations” of Jeonggabo in her new solo show at Chelsea’s Tina Kim Gallery. The show is mostly sculpture based, in a way that attempts to put forth both logic and harmony. Perhaps after exploring, you’ll come away with a subconscious new knowledge of how music can be made. Keep Reading »
, gallery openings
, group exhibition
, knockdown center
, Lower East Side
, Sargent's Daughters
, solo exhibition
, spoke art
, Tina Kim Gallery
(Photo courtesy of Jason Schmidt)
Jennifer Rubell has been on the receiving end of a pie-five for about nine nights thus far, and she still has 14 more to go. Since Feb. 8, the Meredith Rosen Gallery has been home to Rubell’s Consent, an exhibition of her newest works. Visitors have been invited to admire the artist’s paintings and, while you’re at it, smash a pie into her face.
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Imagine this bagel sandwich, but 50 times bigger. Photo courtesy of Acme Smoked Fish
If you’ve ever wanted to throw a pie in someone’s face, now’s your chance. Jennifer Rubell, the conceptual artist who built a giant cookie jar resembling Hillary Clinton’s pantsuit, is inviting you to fling pies at her during a performance at the new Meredith Rosen Gallery, opening next week. Or maybe you’d rather stuff your own face with bagels? Head over to Brooklyn’s Acme Smoked Fish next Friday, where they’re building a super-sized (we’re talking a few hundred pounds here) bagel sandwich in honor of National Bagel and Lox Day.
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The Broken Sofa, 2017
Oil on canvas
220 x 180 cm / 86 5/8 x 70 7/8 in
© Zhang Enli
Courtesy the Artist and Hauser & Wirth
Opening Thursday, January 25 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through April 7.
Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.
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(image via Fridman Gallery / Facebook)
Opening Wednesday, January 3 at Fridman Gallery, 6 pm to 9 pm. On view through January 24.
Channels seem like they’re becoming a bit of a relic, at least when they’re referring to the ones found on television. Several technological relics of sorts play a major role in sound artist and audio engineer Daniel Neumann’s new solo exhibition, aptly titled Channels. In it, large auditory objects appear simultaneously as sculptures and music-makers, including a custom-built vintage speaker and a 56-channel mixing board suspended in midair. The third “sculptural” component of the show is a bit more abstract: a 3D sound field made up of 56 sounds and their subsequent feedback. Whether you see it as a concert of objects or a visual display, there will be something to take in.
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(image courtesy of Michael Alan)
Mind Body Sound
Opening Saturday, December 9 at Khorasheh + Grunert, 8 pm to midnight. On view December 6 – 9.
One wouldn’t normally associate an art opening with instances of prolonged hugging. Unless it’s the mouths of eager wine consumers hugging the rim of that little plastic cup they always give you at art openings. But at artist Michael Alan’s opening reception, there will be one very literal hug that will last for a whopping four hours. The participants will be Alan himself and his partner Jadda Cat, who will be doing the deed (hugging, that is) while covered in Alan’s visual artwork, stationed in the unmissable center of the gallery. This exhibition and performance is part of a long-running (17 years, to be exact) project of Alan’s entitled “The Living Installation,” a series of small performance-based art happenings, such as his recent glow-in-the-dark paint party. An array of his works on paper will also be on view, including new large-format abstract works and 96 baseball cards the artist created from childhood until the present day. Sometimes art, like life, works best with a little added affection. Just remember to ask for consent! Keep Reading »
, Alexis Mendoza
, Black Lives Matter
, Carla Cubit
, East Village
, gallery openings
, Kenkeleba House
, Khorasheh & grunert
, Leslie Jean-Bart
, Lower East Side
, michael alan
, Tanja Grunert Gallery
, Wilmer Jenning Gallery
(image via Disclaimer Gallery / Facebook)
First, Play / Second Date
Opening Wednesday, November 8 and Thursday, November 9 at Disclaimer Gallery and Field Projects, 6 pm to 9 pm and 6 pm to 8 pm.
It’s common to see many artists showing work in one gallery show, but less so to see a singular artist (who isn’t a long-deceased master or buzzy household name) exhibiting at multiple galleries in the same city at the same time. Though this may be rare, queer artist Loren Britton is far from ordinary. Both exhibitions explore the confines and freedoms of bodies and language, specifically in regards to the queer and gender non-conforming experience.
At Chelsea’s Field Projects, their charming but rough paper pulp wall reliefs reside. Over at Bushwick’s Disclaimer Gallery, a sandbox installation rife with pastel, pulp, and radical politics makes its home. At the former, it’s recommended attendees “stay clean”; at the latter, “getting dirty is encouraged.” Rounding out the artist’s presence is a coloring book collaboration with artist/designer Laura Coombs; people are encouraged to fill in the book on their time between exhibitions. Keep Reading »
Opening Tuesday, October 17 at Dia:Chelsea. On view through June 2.
The space at Dia:Chelsea is big and expansive, as it used to belong to the Alamo Marble Company. This makes it a particularly good fit for Rita McBride’s Particulates, a light sculpture installation consisting of sixteen lasers, water molecules, “surfactant compounds,” and appropriately, some marble dust. The result of this interesting collection of materials is a recreation of what seems to be the vast expanse of outer space mixed with a neon sci-fi world of the future, which should be good news to the people who have always wanted to feel enveloped in the galactic void but do not have the means to actually get up there. For those who cannot make it to the exhibit in-person, there is also a livestream of it. Keep Reading »
, dia art foundation
, Didier William
, erin davis
, gallery openings
, max c lee
, Re: Art Show
, Rita McBride
, tiger strikes asteroid