Last time we spoke with Jeremy Nguyen, he had created a custom crayon for his newly released book of cartoons, Stranger Than Bushwick. The crayon’s color– Gentrify White— spoke to the wry satire found in his comics for Bushwick Daily. Volume three of Stranger Than Bushwick will debut this weekend at the MoCCA Arts Festival. It’s longer than the others, but will be “the last issue I publish for a long time while I move on to other projects,” according to the 27-year-old. That’s sure to disappoint his many local fans, but it’s hard to blame Jeremy for moving on. In January he started submitting cartoons to the New Yorker, a process that is notoriously selective. Incredibly, he sold his first one three weeks later, after pitching just 30 pieces. Since then, he has sold two more.
Danny Teran’s first business in New York was the Bongo Brothers, a food truck he operated with his brother Albert. After several years, they moved on to another truck, Miami Food Machine. Now photos of the trucks hang in Millie’s, Danny’s new brick-and-mortar spot. When it opens Monday, it’ll offer Cubanos, chimi-chicken sandwiches, yucca fries, empanadas, and cafe con leche, made with salt and butter.
Opening Wednesday March 22 at Foley Gallery, 6 pm to 8 pm. On view through April 30.
Photography is said to be a significant documentation tactic due to its ability to capture reality in its truest form. Particle Paradise, Joseph Desler Costa’s solo show at Foley Gallery, seeks to lay bare the ways one can manipulate the medium of photography to turn it into something sleeker, or even a total rejection of reality. This can happen through tactics like double exposures, cut paper constructions, in-camera editing, or even snapshots of the equipment used to create the photo in the first place.
The show is named for a video game mod that allows players to customize their experience through hacking and tweaking the existing code, allowing the gameplay experience to change oh-so-slightly or immensely. I don’t know about you, but I associate mods with either sneakily downloading sexy clothes for my Sims or that time I bought a Gameshark to use with my Pokemon and it glitched in a way it was not supposed to and I felt fear deep in my heart. Maybe this show will be something like that?
Lady Pills, Dead Stars, RIPS, Monograms
Wednesday March 15, 8 pm at Trans-Pecos: $10
Another one of our own bit the dust– say it with me: RIP Shea Stadium. Now what? Get out there and keep supporting DIY venues across the city. And yes, that also goes for homegrown spots that just happen to be certified-legit, grown-up, and now pleasant after years of hard and risky work– never forget that these dudes are threatened by the looming, apparently totally arbitrary powers that be.
Of Ghosts and Girls
Opening Tuesday March 14 at The Living Gallery, 6 pm to 10 pm. One night only.
This one-night-only exhibition (as is the norm for The Living Gallery) showcases the work of Üriel Shlüsh-Reyna, a Bushwick-based artist who creates paintings, drawings, and sculptures. She also appeared as a cast member in immersive show Houseworld in 2015, which took place in the various rooms of a Greenpoint church. Her work zeroes in on matters of mysticism, fantasy, and magic. Also, she draws and paints a lot of women, some busty, some doe-eyed, some even tied-up and split in two. Of Ghosts and Girls will show a mix of old and new works in various mediums. She also indicates on her website that she’s inspired by both sleep paralysis and ice cream, which if anything is an interesting combo. The opening reception will also feature musical performances by Mike Campbell, Ben Pagano, and Charles Mansfield. Keep Reading »
Thursday, March 9 at Superchief Gallery, 8 pm: $10
Tonight, witness this fine-tuned evening of powerhouse performance, live music, and installations from an array of artists working in movement, visual, and sound mediums. Curated by multidisciplinary gal Ariele Max (who will also be performing), the evening is comprised of hyper-sexual “inverted gospel” musician/performer Cole, choreographer and installation artist steeped in dystopian imagery Kathleen Dycaico, research and ritual-based artist Autumn Ahn, and musician/choreographer/etc Richard Kennedy.
It’ll cost you $10 to get in, but the price includes a full day of exploring Superchief Gallery, plus wine and the mysterious notion of “edible art.” Why touch the art when you can eat it? Keep Reading »
It’s International Women’s Day. As expected, restaurants and other businesses around town are participating in the #ADayWithoutaWoman strike. Even the Statue of Liberty took last night off in solidarity. To find out how you can join in, see our roundup of today’s events. We’ll have more coverage later; in the meantime, here’s what’s happening on social media.
It’d be impossible for Bradley Spinelli to top the suicide-themed set that Questlove did for his debut novel, Killing Williamsburg, but the B+B contributor’s latest book launch should come close. Thursday’s party for The Painted Gun, a noir mystery published by Brooklyn’s own Akashic Books, will feature a raft of burlesque stars as well as tacos from ever-expanding Dos Toros.
It makes sense that the West Coast-inspired burrito joint is on food duty: The Painted Gun is set in the Williamsburg-based author’s former hometown of San Francisco, in the late ’90s– you know, when Yahoo! stock was booming. Its hard-bitten, hard-drinking hero is David “Itchy” Crane, a journalist-turned-PI on the hunt for the mysterious Ashley, a missing artist who has a creepy talent for painting scenes straight out of Crane’s sad-sack life. (If you want to make like Itchy during the party, suck down a half dozen Jamesons.) Don’t take it from me, since I’m his editor– Publishers Weekly says Spinelli is “definitely a talent to watch,” and his latest “deftly segues from one genre to another—from hard-boiled noir to paranoid thriller, puzzle mystery (with each and every riddle logically explained), spy caper, and ultimately to something evocative of Bogart and Bacall.”
Eames Armstrong, The New York Review of Cocksucking, Scant, Brandon Lopez, Lacanthrope, Sapphogeist
Monday March 6, 8 pm at Alphaville: $10
Is life even real anymore? Well, considering that we, fine people of this once and forever great city, now have a band named The New York Review of Cocksucking to call our very own, it’s hard to believe that reality right now is indeed real. How could it be? Especially when the official soundtrack to our lives, at least for a moment– jazzily improvised by none other than the duo Michael Foster and Richard Kamerman (who have done the right thing in choosing a moniker that sounds like a James Franco-produced lit mag)– is a truly alien form of avant-garde freakwave. Lend your ears to their looping tape noise (disintegration incarnate) and saxophone sounds easily mistook for the pleasure wales of fornicating dolphins, and discover that the finite world is overrated.
When Onur Tukel unveiled Abbie Singer/Songwriter at the Brooklyn Film Festival, we noted that he’d premiered three features in two years, which pretty much made him the Woody Allen of Brooklyn. The comparison remains apt with Catfight, a metaphysical dark comedy that’s a distinctly Woodyesque meditation on karma and creativity. It opens today at Cinema Village 12th Street.
Phrases like “hard to pin down” and “defies easy categorization” get thrown around way too much, but PC Worship truly has a chameleonic presence. Northern Spy, which last week put out the band’s new album Buried Wish, describes it as a “dedication to categorical ambiguity.” Their free-flowing ways consist of improvisational live sets, an ever-rotating cast of musicians, homemade instruments (like frontman Justin Frye’s “Shitar”), and a hazy sort of eclecticism that brings tape loops, sludge rock, and free jazz together with so-called “Eastern” rhythms and avant-Americana.
This Is How You Talk To People
Wednesday, February 22 at The Silent Barn, 7 pm: $5
Tonight, Bushwick mainstay The Silent Barn will welcome a “communal reading” of a play by Rachel Davies, who has written for outlets such as Rookie, Complex, Nylon, and The Le Sigh. This Is How You Talk To People is Davies’s first play, and chronicles a variety of women from a talk show host to a student who are collectively trying to navigate shifting friendships and relationships. The reading will be done communally in “an attempt to make the performance more accessible,” and profits from the evening will be donated to the ACLU.