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Week in Shows: Punks Do Good, a Magick Music Sleepover, and Moon Child Casserole

(Flyer via Saint Vitus Bar/ Facebook)

Hank Wood & the Hammer Heads, La Misma, Mommy, Conspiracy, Shimmer, Fur Helmet
Friday May 5, 8 pm at Saint Vitus: $15

This lineup reads like a who’s-doo of Toxic State records. Arriving straight from the “institutional abyss” is Mommy. Then you have the Portuguese spittlin’ piss punks of La Misma, and scene stalwarts like Fur Helmet and Conspiracy. I mean, Saint Vitus has been called “one of the best-booked bars in New York”– even so, you’re rarely gonna find so many excellent punk/hardcore bands in one place outside of a funeral or, like, a festival (shudder).

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Week in Shows: Dance Party in an Rx Drug Den, Females Keep Screaming, and More

(Flyer via Future Punx/ Facebook)

Screaming Females, Future Punx, Snakeskin 
Thursday April 27, 8 pm at Brooklyn Bazaar: $15

There’s never not a good time to see Bushwick’s own sci-fi synth-punk sensations, Future Punx, in action, but this particular show has a lineup that’s especially motivating– the headliners Screaming Females are almost guaranteed to get your friends off the ashy bean bag. It’s definitely been a while since these DIY vets released a new album (2015’s Rose Mountain was their last) but in the grand scheme of things, they’re doing pretty dang ok. (I mean, Rose Mountain was universally beloved for one, and as long as the Females aren’t moving into early retirement right after one last go at the ol’ stinky-foot tour route, I’m willing to guess that they are (still) in it for the long haul.

Actually (in my book, anyway) it’s much more reassuring to see a band touring outside of the music industrial complex’s oppressive and ultimately really just kind of boring and predictable record-promote-release-tour model– it’s indication that said band might be motivated by things other than career/success/ladies/money/401Ks. Though you need only see the Females live to know that they’re passionate about what they do.

(Flyer via Babycastles)

Meat Market: Vas Deferens, Coatie Pop, Nandi Loaf, Pity Laugh, Little Pain
Friday April 28,  8 pm to 11 pm at Pfizer (630 Flushing Avenue):$5 to $10, suggested donation

Ok, so the number one reason to get to Meat Market this weekend is that the title will automatically put everyone in a really gelatinous, tubular sort of mood– in short, loose. Which, duh, means great dancing. Secondly, the Pzifer building– if you’ve never been– is a massive, labyrinthian chip off the ol’ drug-manufacturing block, replete with medical, pill-pressing relics of yore, yes, but also the kind of double-wide elevators, expansive factory-sized corridors, and wide open spaces that come with the post-industrial territory. All of which make this a perfectly awesome place to throw a weird dance party.

Oh, yeah, the music (brought to you by the Babycastles crew), should be sufficiently out-there as well. For one, there’s Coatie Pop, who is a regular Mother Teresa. mean, I can only assume she’s charitable and worthy of sainthood because she dresses up like a nun and lights a bunch of mass candles for her performances. (Seriously, though, it’s cool looking.)

Even if you’re like me and otherwise haven’t really heard of anyone on this lineup, you can trust it’s gonna be sufficiently freaky since the show is happening in conjunction with E /\/ C O U/\/ T E R S, a performance-based art show curated by Vera Petukhova with some fabulous contributing artists including Angelina Dreem.

(Image via AdHoc)

Laser Background, Operator Music Band, Norwegian Arms, Railings
Friday April 28, 8 pm at Trans-Pecos: $10

Andy Molholt recently dropped a new album under the guise of his psych-pop project Laser Background, and it’s called Dark Nuclear Bogs, which to be honest is kind of perfect for our uncertain, heavily-armed present. If you’re pretty sure that SALT I and SALT II is the kind of stuff you load into novelty porcelain shakers, then all I have to say is, wow we are doomed.

If such dark pronouncements for the future make you restless, then perhaps you’d prefer to think about the (tiny) possibility of a Utopian outcome for our difficult species. We’ve got just the sound for that– but first we have a few questions: If you’re either a) completely unsatisfied with the breadth of Kraftwerk’s extensive catalogue or b) convinced that Kraftwerk is a new kind of vitamin B- and taurine-fortified processed cheese product from Kraft (“It Runs! It Jumps! The Only Thing It Doesn’t Do Is Melt!”) then Operator Music Band is for you.

 

(Flyer via Facebook)

TechnoFeminism
Saturday April 29, 10 pm to 4 am at OMG Pizza: free before midnight

Apparently you really can throw a rave at a pizza joint. Who knew? As long as you can stomach the smell of food whilst dancing/candy flipping, and are not prone to terrifying, mastication-induced hallucinations when you’re high as hell on water, then we fully encourage your attendance.

As you might have deduced from the name, TechnoFeminism boasts a “female” (in any way that might be expressed)-centric lineup, which is actually saying a lot for the hyper-masculine, DJ Man Man world of techno and electronic music. I mean, when was the last time that you went to a rave/dance party/what-have-you that was all, or even mostly, headlined by women, female-identifying musicians, and/ or even outspoken feminists? Yeah, we thought so.

 

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Computers Writing Poetry, Eugene O’Neill + A Light Meal, and More Performances To Gaze Upon

WEDNESDAY

Eunice Wong in MOURNING BECOMES ELECTRA. (Photo: Gaia Squarci)

Mourning Becomes Electra
April 26-May 20 at Abrons Arts Center, various times: $45-75

If short n’ sweet shows are your preferred method of entertainment, this could be quite the change of pace. The Obie-winning company Target Margin Theater will be commemorating their 25th anniversary of making work by taking on Eugene O’Neill’s 1931 work Mourning Becomes Electra, and they’re doing it in a big, big way. Or rather, a long, long way. The production runs around six hours long, but don’t expect to sit for that entire time. Mourning Becomes Electra is technically a play cycle, consisting of three plays that serve as a modern retelling of Greek tragedy The Oresteia, turned into a Freudian family melodrama set at the end of the Civil War. So, the company is dividing Abrons’s Playhouse into different sections, guiding audiences between different portions of the performance space as the play cycle progresses.

If you’re still hesitant about committing to this behemoth endeavor, know that it also includes two intermissions and “a light meal.” Everyone loves a nice meal.

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VR Meditation, A Day to Combat Rape Culture, and More Art Affairs This Week

(flyer via Babycastles / Facebook)

Mind Portals
Opening Thursday, April 27 at Babycastles, 8 pm: $10-15 sliding scale. On view through May 12.

Babycastles has done a pretty good job framing itself as the place to be when it comes to wacky tech-driven art and indie games. This Thursday’s opening will be no exception, as they will be unveiling a host of new video games, VR experiences, and multimedia installations. You can “follow an aries goat on an herb walk” (whatever that means, I’m intrigued) in Young Ascension Hypnosis’s VR video, relax and kick back in Avalon’s sound and flower installation “The Garden,” and find yourself in a flurry of disembodied hands and techno music through Palgal’s cleverly named video game “Palmystery.”

If this opening wasn’t internet-centric enough, net artist Molly Soda will be DJ-ing for the night as well, in addition to sets by Good DJ with High Speed Music, Neo Edo, and A Pigeon Is Born. Keep Reading »

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Sasha Velour on 4/20, The Postmen Move to Bushwick, and More Performance Picks

THURSDAY

(image via Sasha Velour / Facebook)

Sasha Velour’s Nightgowns
Thursday, April 20 at National Sawdust, 8:30 pm doors, 10 pm show: $18 advance, $22 doors

If you live in Brooklyn and are watching this season of RuPaul’s Drag Race, there’s probably a pretty good chance you’re only a degree or two of separation from some of the queens competing. One of these hometown heroes is Sasha Velour, who has continued to host the unique drag variety show Nightgowns on a regular basis. The show is typically at Bizarre Bushwick, but is making the move to dear old Williamsburg and its funky, classy music hall National Sawdust.

Given that they’re moving to a bigger, swankier space, the lineup is pretty big too. You can see shows after fabulous show from Francesca, Hystée Lauder, Kandy Muse, Olive d’Nightlife, Pearl Harbor, Severely Mame, Scarlet Envy, Untitled Queen, and Vigor Mortis. And hey, it’s 4/20, so there’ll probably be some sort of relevant performance themes going on. Keep Reading »

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Week in Music: Shine on You Crazy Wolf Bands, Dance Party for Human Furniture, and More

(Flyer via Ad Hoc/ Facebook)

Wolf Eyes, Eartheater, Twig Harper
Saturday April 22, 8 pm at Brooklyn Bazaar: $13

Wow, what a whirlwind couple of years these must have been for Wolf Eyes– and this #blessed bestowance is well deserved for the band, which started out making noise, then moved toward not-noise-at-all noise that really was noise, until they transcended noise altogether. The comeuppance has meant, among other things, a new record label to call their own, a music festival in their honor (Trip Metal Fest will be back this year for a second go-round), a stream of sold-out shows in places that are just slightly above the underground and well beyond the borders of Metro Detroit, and now Undertow, a new album hot on the pup paws of 2015’s I Am A Problem: Mind In Pieces. 

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Hardcore Pawn: Chess Night at Molasses Books Is Surprisingly Sexy

Flyer by Paul Glover (via Molasses Books/ Facebook)

On any given night Molasses Books, the tiny bookshop/bar in Bushwick, draws a colorful crowd to readings and other happenings– really, on any given night of the week you are bound to find cool characters. But on Tuesday, an especially great group made it out to Chess Night, a newish event popping off once a month at the shop. At one point, my friend who had invited me to the casual, come-and-go-whenever get-together, looked up from his chess game and remarked, “I’ve heard, like, five people mention polyamory tonight.”

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Composers of Color, Macaulay Returns to Shea Stadium, and More Performance Picks

WEDNESDAY

(image via Joe’s Pub)

Lift Every Voice
Wednesday, April 12 at Joe’s Pub, 9:30 pm: $20-30

Musical Theater Factory, a production company created by Difficult People actress and multi-hyphenate Shakina Nayfack, presents this concert of songs penned by musical theater composers of color. The show is curated by members of MTF’s People of Color Roundtable, one of two regularly occurring “representation round tables” that provide a forum for people in marginalized groups to share new composition and creative work.

If you dare say musical theater is so predominantly white because there aren’t many other types of writers out there, this show will surely prove you wrong. Lift Every Voice will be showcasing over 15 composers in just one night, and that’s only the tip of the iceberg in regards to the wide array of non-white writers and composers working to breathe new life into the genre today. Keep Reading »

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Robotic Theater, Online Anxiety, and More Art This Week

(image courtesy of Disclaimer Gallery)

Anxiety Sex
Opening Wednesday April 12 at Disclaimer Gallery, 6 pm to 10 pm. On view through May 8.

Ah, anxiety and sex, two things that go together like peanut butter and jelly, or perhaps crying and bathrooms. Artist Charlotte Greene, the latest to set up shop at the inclusive Disclaimer Gallery inside the Silent Barn, sees this all too well. Focusing on the many strange ways digital encounters can translate to IRL ones, Greene has formed an array of digital collages made from predictive iPhone text, tweets, stream-of-consciousness writing, and more.

Riffing off of a computer’s ability to zoom, distort, crop, and alter images, many aspects of these collages have been modified accordingly, often to the extent that they are hardly legible anymore. This manipulation mirrors the strange spirit of online communication, in that it can be so easily seen as something larger, smaller, or entirely different than it ever intended to be. Talk about #relatablecontent!

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Three Shows You Won’t Wanna Miss This Week

(Flyer: Dealer)

Tournament, Big Huge, Barbed Wire, Dealer
Saturday April 15, 8 pm at The Glove: $10 

Grow a pair (or a pear?) and show your face at this pair of shows featuring some unfamiliar faces and others you know well. But don’t expect some double-mint/doppelgänger situation either, as these shows are mirror images of one another in a variety of ways.

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Best Chairs in Comedy, Annoyance’s Last Night, and More Performance Picks

WEDNESDAY

(flyer via The Annoyance)

Holy Fuck Comedy Hour
Wednesday, March 29 at The Annoyance Theater, 10:30 pm: FREE

As we’ve told you previously and with heavy hearts, strange n’ mighty little basement comedy theater The Annoyance is closing at the end of the month. More specifically, it’s the theater’s last night of shows tonight. What better way to send it off than by attending one of the shows The Annoyance is most lauded for, the late-night extravaganza that is the Holy Fuck Comedy Hour. The show assembles a strong assortment of comedians from different pockets of the NYC scene and asks them to write characters, scenes, songs, and more in only one week and then perform their creations with no rehearsal. And if you’re looking for even more chuckles, there will be three different improv shows happening earlier in the evening.

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Art This Week: Bushwick Cartoonists Move To Midtown, The High-Story of Glass Pipes

Redsnapper, HAT (High Alien Life) Meteorite, 2016, Borosilicate glass, 5 x 3 x 3 inches (image via apexart)

Outlaw Glass
Opening Wednesday March 29 at apexart, 6 pm to 8 pm. On view through May 27.

I caught wind (or rather, smoke?) of this show through an email with the subject line “Weed really like to see you at our opening.” As I love subtlety, I of course opened the email. What I found was actually more intriguing and complex than one may imagine: an artistic showcase and exploration of the many variations and “legally grey” nature of glass pipes. Or um, I mean, “functional glass art.”

The show, organized by David Bienenstock and presented by the ever-interesting apexart, takes a deep dive into the legacy of pipes, bongs, and their makers. Bienenstock, who formerly served as Head of Content for High Times and has published two whole books centered around lighting up, seems to really know his stuff. A cursory browse of the pieces (heh) that will be on view shows a wide range from highbrow to lowbrow and everything in between. You’ll find everything from works by the historic Bob Snodgrass, who peddled intricate handmade creations to Deadheads aplenty, to a big glass monster truck and a pipe with a built-in mustache that could very well be found at your local Urban Outfitters.

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