The Nobodies Hosting All Stars 4 Friday, February 1 at Brooklyn Bazaar, 7 pm: FREE
The fourth season of RuPaul’s Drag Race: All Stars is upon us, and has been for some weeks now. It also happens to be the only season I have ever watched, and every week I am reminded of how much the main challenge of each episode typically resembles something I was once made to do in theater school. If you don’t want to watch alone, sashay to Brooklyn Bazaar, where drag collective (and pro-wrestling aficionados) The Nobodies will be hosting a screening of the latest episode, as they do every week. Obviously when drag performers host a Drag Race screening, you’re not just going to get people sitting and staring at a screen. This is a show in its own right: expect live drag acts, bingo, banter, and even the chance to do your own lip-synch if you so desire.
Tilt, the basement bar and club underneath the McKibbin Lofts not to be confused with nearby arcade sports bar Tiltz, is about to get a whole lot gayer. The bar, which co-owners of the legendary Lit Lounge opened in December 2016 with The Trash Bar’s Aaron Pierce, is about to re-open as The Vault, a gay bar helmed by a team who are no strangers to queer Brooklyn nightlife.
The trio of owners—Meg Cavanagh, Cameron Cole, and Josh Luis—met through their various involvements (“bartending and DJing and working for drag queens”) in Brooklyn’s thriving LGBTQ nightlife scene, primarily at the now-closed Williamsburg space This N’ That. Cavanagh explains Tilt’s owners reached out to some of their friends about how to go about transforming the space into a gay bar, and their friends referred the trio to Tilt. This isn’t the first time something like this has happened; East Williamsburg bar The Rosemont went from a jazz club to a queer space filled with drag shows back in 2017. “It’s always easier to start a space that has some kind of beginnings to it than to start from scratch,” Cavanagh adds.
The books you read in school growing up (and maybe even now) were most likely written by (white) men, save for a few exceptions. There were plenty of opportunities to discuss this work, usually mandatory, but most of the time this involved parsing through the analytical layers of it all, marveling at what a multifaceted creation had come into existence at the hands of these men. Wednesday’s Drunk Education is a little different. Notable literary men will be the central topic, yes, but they’ll be roasted by three women writers (Rolling Stone’s Brittany Spanos, Observer’s Helen Holmes, and freelancer Becca Schuh) until nothing is left but some charred remains.Keep Reading »
On a recent afternoon at 3 Dollar Bill in East Williamsburg, a group of performers brainstormed ways to involve the audience in their upcoming site-specific show. “Play Truth or Dare with them?” suggested one. “Make them react to specific musical and verbal cues?” echoed another. “Play trivia: drunk people love trivia!” interjected a third.
Joel Osteen (Jessie Pierrot) part 1, 2018 Single Channel Video 00:31:28
Holy Fools Opening Wednesday, January 9 at Rubber Factory, 6 pm to 8 pm. On view through February 3.
Clowns are perhaps one of the most polarizing figures on this green earth. Some people have a literal phobia of them, some find them distasteful, some chuckle at them, some employ them, some become them, and some make art about them. One of the art world’s more notable clown-based endeavors is Bruce Nauman’s 1987 piece Clown Torture, featuring a slew of video displays portraying “an absurd misadventure of a clown” that’s both morbid and humorous. Over three decades later, artist Ondine Viñao is putting her own spin on this work in an exhibition at Rubber Factory, recruiting four all-female clownish performers to stage their own mishaps, mixing both trauma and folly.Keep Reading »
It’s the new year, and most of us are probably reflecting on what we did over the last 365 days and what we can do to at least be marginally better. Rather than dream up a more perfect being, artist Logan T. Sibrel prefers to focus more on the flaws and complications of being alive, making drawings depicting people who are acting difficult, awkward, aroused, and sometimes all three at once. Deemed “a serious joke,” his mixture of words and images are reminiscent of a sort of existential comic book. Perhaps they’ll inspire you to finally think of a resolution, or maybe just to ditch the concept entirely.Keep Reading »
After five years near the Morgan stop, bar and restaurant Tutu’s closed up shop in November 2017. While some vacant storefronts lie empty for what seems like eternities—nearby sports bar Tiltz had a two-year gap between announcing it would open and actually opening—the Bogart Street space is already home to a new tenant: Benelux, a bar and restaurant serving European-inspired food and cocktails that officially opened for lunch, brunch, and dinner yesterday.Keep Reading »
I think we can all agree that having friends is a good thing. Having friends at a comedy show also seems good, especially if it’s your birthday and you’re hosting the comedy show. If it sounds like I’m talking about something specific, I am: a comedy show aptly entitled Soooo Many Friends, hosted by Magda Cychowski and Michelle Davis. It’s Magda’s birthday, and she “will need to laugh to fill the void in her soul,” something I’m sure a lot of people can relate to. These laughs will (hopefully) be served up by Bobby Hankinson, Dylan Adler, Maggie Crane, and Andrés Govea.Keep Reading »
Stigma Unbound: The Birthday Party Opening Thursday, November 29 at Wild Embeddings, 6 pm to 11 pm. On view through December 4.
Stigma Unbound, a performance series dedicated to giving a platform to sex workers and allies, is celebrating their first birthday with an art exhibit and a week of special programming. They’re kicking it off with an opening reception that will presumably not look like any typical gallery opening filled with fancy people furrowing their brows at paintings while daintily sipping small plastic cups of free wine. Rather, this will be more of a party, with drag, burlesque, and performance art to accompany the visual art on display from 20+ artists working in multiple mediums. It costs $10 to get in, but remember you’re supporting local marginalized creators here, not a big fancy gallery catering to the rich. If you can’t make the opening, later in the week they’re doing body art presentations, artist talks, and a pole dance night.Keep Reading »
In a recent interview with Out magazine, playwright Jeremy O. Harris says he explains Slave Play, his new play at New York Theater Workshop, to prospective audiences as such: “It’s a slave play; there’s a history of them; go see mine.” If that sounds vague, it’s meant to be; he notes that audiences will experience the play best when they go in knowing as little as possible. What you can know is that Harris has been gaining traction and acclaim over the past few years for his work, which presents a refreshingly and unapologetically queer, black addition to the theatrical canon, which has a long history of being (and remaining) quite the opposite of that. Keep Reading »
Hot Farce Opening Thursday, November 1 at Field Projects, 6 pm to 8 pm. On view through December 15.
Throughout centuries, one thing has remained the same when it comes to art: in some way, nudes will be there. Curator and artist Kristen Racaniello knows this, but seeks to do something a bit different with her group show Hot Farce. The work on view seeks to be the antithesis of the “hetero-sexy nude,” meaning nudes that trouble the binary, nudes that question why you’re looking at them, nudes that may not even qualify as nudes at all. According to the exhibit statement, Hot Farce’s artists “admire figuration and are at the same time deeply suspicious of it,” a feeling in this time of existential dread I can only assume is shared by many.Keep Reading »
Before you get properly spooked at whatever party you go to tonight, pregame with some laughter in a candy store that doesn’t actually sell candy (as far as I know; they might be hiding something from me), but it’s still fitting to have a show in a candy-related venue near Halloween. It’s probably the closest thing you’ll get to trick-or-treating nowadays. Emma Rogers hosts this Halloween-themed comedy show, where costumes are certainly encouraged. There’ll be a live jazz trio and jokes by Catherine Cohen, Harris Mayersohn, Cristian Uriostegui, Justin Linville, and Stephanie Pace, and once the show’s over, there will be a “Satanic ritual cursing Brett Kavanaugh,” for all of you who missed last weekend’s hex session at Catland.Keep Reading »