Screaming Females, Future Punx, Snakeskin
Thursday April 27, 8 pm at Brooklyn Bazaar: $15
(Flyer via Future Punx/ Facebook)
There’s never not a good time to see Bushwick’s own sci-fi synth-punk sensations, Future Punx, in action, but this particular show has a lineup that’s especially motivating– the headliners Screaming Females are almost guaranteed to get your friends off the ashy bean bag. It’s definitely been a while since these DIY vets released a new album (2015’s Rose Mountain was their last) but in the grand scheme of things, they’re doing pretty dang ok. (I mean, Rose Mountain was universally beloved for one, and as long as the Females aren’t moving into early retirement right after one last go at the ol’ stinky-foot tour route, I’m willing to guess that they are (still) in it for the long haul.
Actually (in my book, anyway) it’s much more reassuring to see a band touring outside of the music industrial complex’s oppressive and ultimately really just kind of boring and predictable record-promote-release-tour model– it’s indication that said band might be motivated by things other than career/success/ladies/money/401Ks. Though you need only see the Females live to know that they’re passionate about what they do.
Meat Market: Vas Deferens, Coatie Pop, Nandi Loaf, Pity Laugh, Little Pain
Friday April 28, 8 pm to 11 pm at Pfizer (630 Flushing Avenue):$5 to $10, suggested donation
(Flyer via Babycastles)
Ok, so the number one reason to get to Meat Market this weekend is that the title will automatically put everyone in a really gelatinous, tubular sort of mood– in short, loose. Which, duh, means great dancing. Secondly, the Pzifer building– if you’ve never been– is a massive, labyrinthian chip off the ol’ drug-manufacturing block, replete with medical, pill-pressing relics of yore, yes, but also the kind of double-wide elevators, expansive factory-sized corridors, and wide open spaces that come with the post-industrial territory. All of which make this a perfectly awesome place to throw a weird dance party.
Oh, yeah, the music (brought to you by the Babycastles crew), should be sufficiently out-there as well. For one, there’s Coatie Pop, who is a regular Mother Teresa. mean, I can only assume she’s charitable and worthy of sainthood because she dresses up like a nun and lights a bunch of mass candles for her performances. (Seriously, though, it’s cool looking.)
Even if you’re like me and otherwise haven’t really heard of anyone on this lineup, you can trust it’s gonna be sufficiently freaky since the show is happening in conjunction with E /\/ C O U/\/ T E R S, a performance-based art show curated by Vera Petukhova with some fabulous contributing artists including Angelina Dreem.
Laser Background, Operator Music Band, Norwegian Arms, Railings
Friday April 28, 8 pm at Trans-Pecos: $10
(Image via AdHoc)
Andy Molholt recently dropped a new album under the guise of his psych-pop project Laser Background, and it’s called Dark Nuclear Bogs, which to be honest is kind of perfect for our uncertain, heavily-armed present. If you’re pretty sure that SALT I and SALT II is the kind of stuff you load into novelty porcelain shakers, then all I have to say is, wow we are doomed.
If such dark pronouncements for the future make you restless, then perhaps you’d prefer to think about the (tiny) possibility of a Utopian outcome for our difficult species. We’ve got just the sound for that– but first we have a few questions: If you’re either a) completely unsatisfied with the breadth of Kraftwerk’s extensive catalogue or b) convinced that Kraftwerk is a new kind of vitamin B- and taurine-fortified processed cheese product from Kraft (“It Runs! It Jumps! The Only Thing It Doesn’t Do Is Melt!”) then Operator Music Band is for you.
Saturday April 29, 10 pm to 4 am at OMG Pizza: free before midnight
(Flyer via Facebook)
Apparently you really can throw a rave at a pizza joint. Who knew? As long as you can stomach the smell of food whilst dancing/candy flipping, and are not prone to terrifying, mastication-induced hallucinations when you’re high as hell on water, then we fully encourage your attendance.
As you might have deduced from the name, TechnoFeminism boasts a “female” (in any way that might be expressed)-centric lineup, which is actually saying a lot for the hyper-masculine, DJ Man Man world of techno and electronic music. I mean, when was the last time that you went to a rave/dance party/what-have-you that was all, or even mostly, headlined by women, female-identifying musicians, and/ or even outspoken feminists? Yeah, we thought so.