brian shevlin

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LES Gallery Scene Is Hot, But This Newcomer Is Prepared to ‘Lose Money Every Month’

(Photo by Kavitha Surana)

(Photo by Kavitha Surana)

“People are going to come and say: ‘How does this place stay in business?'” Brian Shevlin, the founder of Con Artist Collective said, talking a mile a minute and gesturing around Lazy Susan, the new itsy-bitsy gallery at 191 Henry Street still in the midst of a “mini facelift.” But that doesn’t bother Shevlin– maybe it won’t manage to stay “in business” in the traditional sense, but he hopes it’ll succeed as a rag-tag, largely artist-run project space that’ll surprise and delight in a way more bottom-line driven galleries don’t. 

“We thought: wouldn’t it be awesome if Con Artist Collective could have a space that we could just sort of have the keys to and give it to an artist and say: do whatever the hell you want, you’ve got this many days?” Shevlin said. “It doesn’t matter what they do. They make money or they don’t make money. They sit in the room or they don’t open at all. It doesn’t really matter, it’s your space.” 

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Con Artist Has Art So Cheap You Can Eat It, Trust

"The $20 Art Show" at Con Artist Gallery (Photo: Nicole Disser)

“The $20 Art Show” at Con Artist Gallery (Photo: Nicole Disser)

I’d never seen art move so quickly off the walls as I did last night at Con Artist Collective‘s Lower East Side gallery. Things were so hectic that it was difficult even to talk to founder Brian Shevlin about the unusual exhibition. His eyes were too busy darting to and from the small, rectangular pieces of art as they were gently taken off the walls, wrapped in red plastic bags, and quickly replaced by more art works. It felt like a feeding frenzy, and I couldn’t help but join in. Snagging some art myself, I realized I’d never even considered buying art in a gallery before this. I mean, definitely the $20 price tag had something, a lot, to do with making an already appealing piece of work feel accessible. “We did this based on Bread & Puppet Theater’s Why Cheap Art? Manifesto,” Shevlin explained. “Basically, we believe that artists should be required to make cheap art.”

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