Biter (Every Time I Turn Around)

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Exponential: an Experimental Theatre Festival For the Brooklyn Set

(Flyer via The Exponential Festival)

(Flyer via The Exponential Festival)

January is theatre-fest time: there’s the always exciting COIL fest, Under the Radar at the Public Theater, and the opera-centric summit Prototype. But Theresa Buchheister– a founding member of Title:Point, the DIY production company that runs Vital Joint at the Silent Barn– thought it was the perfect opportunity to introduce her own operation into the mix, The Exponential Festival, as a counterpoint to the usual. “Most of the festivals are very Manhattan-centric and exclusively feature artists who are well established–they’re already getting huge foundational support–some of them it’s their actual job to be an artist, which is that golden goose we’re all chasing,” she explained.

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New Play Brings Together Slasher Films and Beckett For Some ‘Blissful Confusion’

"Biter (Every Time I Turn Around)" at Silent Barn (Photo: Walter Wlodarczyk)

“Biter (Every Time I Turn Around)” at Silent Barn (Photo: Walter Wlodarczyk)

It’s hard to imagine how Title: Point productions crams not only an audience of up to 40 people into a tiny room (now known as Vital Joint, a black box theater) adjacent to the more familiar space at Silent Barn but also an entire cast, multiple sets, lighting, and crew. Well, things get a little creative. “They stuck me in a hole,” Spencer Thomas Campbell, co-writer of the current production, explained. “I spend the entire show in a hole.” But the challenges of a small space also contribute to keeping things interesting around here. I mean, at what other (serious) play is there a distinct possibility that the audience could get splattered with blood or maybe even puked on?

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