Environmental and community groups gathered outside New York University’s Kimmel Center this morning, rallying against a natural gas pipeline proposed by the Williams energy company. Meanwhile, inside, Governor Cuomo announced a $1.4 billion commitment to renewable energy programs. It’s said to be the biggest by any state in US history, but some protesters continue to say that Cuomo isn’t doing enough to stop fracking off the coast of New York City and elsewhere. Keep Reading »
Motherless Brooklyn, the Edward Norton-penned adaptation of Jonathan Lethem’s 1999 novel, took over Washington Square Park today, transforming the public space into a scene straight out of the 1950s.
Norton, who also directs and acts in the film, plays a lonely private investigator with Tourette’s searching for his only friend and mentor’s killer. Willem Dafoe, Alec Baldwin, and Gugu Mbatha-Raw, among others, are set to join the cast. The film, set against the backdrop of 1950s New York, will be released next year.
Woke AF: A Mind-Opening Variety Show
Thursday, March 1 at UCB East, 11 pm: $7
Minds are like doors, I guess. Some are closed and some are open and some are in between and uh, some have doorbells? I’m working on it. Instead of trying to continue this bit, let’s get to the point here: Woke AF is a comedy variety show that aims to open your mind by exposing you to a diverse group of people waxing poetic/comedic about social issues they feel particularly attached to. Maybe it’s a topic you’re well versed in but have never heard joked about lovingly, or maybe you’ll learn something totally new. However your mind will react to this proposed awakening, you can expect to see ruminations of all sorts from Jes Tom, Corin Wells, Timothy Dunn, Glorilis Tavarez, Jesse Roth, and Kami Dmitrova. Just remember not to be too performatively woke, even if this is a performance. Keep Reading »
Opening Wednesday, February 28 at Tina Kim Gallery, 6 pm to 8 pm.
You’re probably familiar with the most common way to write music, with notes on a staff, even if you can’t read music yourself. But did you know there are other ways to do it? One of them, the Korean system Jeongganbo, dates all the way back to the Joseon Dynasty, which began in 1392 and ended much later, in 1910. Rather than using a staff system, it uses a grid system, with each note taking up a square in sequential order. Seoul-based artist Suki Seokyeong Kang was drawn to this geometric composition technique, and has created a series of “visual translations” of Jeonggabo in her new solo show at Chelsea’s Tina Kim Gallery. The show is mostly sculpture based, in a way that attempts to put forth both logic and harmony. Perhaps after exploring, you’ll come away with a subconscious new knowledge of how music can be made. Keep Reading »
Jennifer Rubell has been on the receiving end of a pie-five for about nine nights thus far, and she still has 14 more to go. Since Feb. 8, the Meredith Rosen Gallery has been home to Rubell’s Consent, an exhibition of her newest works. Visitors have been invited to admire the artist’s paintings and, while you’re at it, smash a pie into her face.
Camae Ayewa / Moor Mother
Opening Wednesday, February 21 at The Kitchen, 6 pm to 8 pm. On view through March 17.
Camae Ayewa, who some may know by her musician moniker Moor Mother, is a truly multifaceted artist. She writes poetry, pens and performs visceral electronic noise protest songs referencing black activists and theorists, photographs, leads community workshops, makes collages, and if you’re impressed already, that’s merely a partial list of what she’s capable of. If your curiosity has been piqued, head on over to The Kitchen for a comprehensive look at Ayewa’s creative output and process. Though this is an art exhibition, it’s so much more than that; created as an accompaniment to her second solo album (and its subsequent instrumental accompaniment), the show delves into the album’s creation and inspirations by way of collage, film, soundscape, and poetry. On March 6 and 7, Moor Mother will take to the stage. Keep Reading »
In November of last year, amid the aggressive grey that is winter in New York City, Christopher Street was overrun with color. From Hudson to Bleecker, someone had swaddled the trees in different shades of crochet. Nearly 1,500 squares of lavender, mint green, cobalt, powdered pink, and egg-yolk yellow lined the sidewalks. Passerby began posing with them, Instagramming them, calling them “tree cozies.” Parents admired the eight-foot-tall sweaters with their children, asking aloud which ones were medium, which ones were large. As it turns out, the trees of Christopher Street were clothed by Holly and her aunt Polly.
Opening Tuesday, February 13 at Cooler Gallery, 7 pm to 10 pm.
Everyone’s favorite Navy Yard industrial icebox turned gallery is at it once again with a new exhibition by artistic duo Chiaozza. While their show’s name, Chiaozza Chapel, may sound like an old piece of ornate architecture you’d learn about in art history class, their work is certainly very modern. However, it’s still an actual chapel, at least in the formal sense of the word. The duo has transformed a small 6’x7’ section of the space into a colorful, geometrical space for contemplation and gathering. If you’re old-school, think of the structure within as a kind of modernized, minimalist stained glass. Personally, I think it kind of looks like a nice, stylish condo for birds. Keep Reading »
The novel is a Dickensian bildungsroman; it tells the story of Theodore Decker, who becomes involved in art theft and forgery after a troubled childhood. Ansel Elgort is reportedly set to play the adult Theodore, while Finn Wolfhard (yes, of Stranger Things fame) has been cast as the younger version of Boris, Theodore’s childhood friend. Sarah Paulson, Luke Wilson, and Jeffrey Wright are all supposedly part of the cast as well.
While the film unfortunately won’t be released until 2019, you might as well get started on the book in the meantime– it’s a whopping 784 pages long.
Citizens United II: What Happened?
Wednesday, January 17 at Ars Nova, 8 pm: $15
If you couldn’t tell from the title alone, this is a political show. Though just to clarify, it’s not a staged reading of the Hillary Clinton book. At least, I don’t think it is. “Leftist performance collective” Citizens United returns once more to the Ars Nova stage to parse through these troubled political times by way of drag shows, poetry, performance art, punk music, and more. The group joins the many artistic efforts happening this month to commemorate-slash-mourn the one-year anniversary of the presidential inauguration. In fact, the last time Citizens United brought their unique stylings to the stage was January 2017. What has happened since that fateful month is dizzying and often cringe-worthy to think of, and possibly perfectly summed up by a night of chaotic performance. Keep Reading »
One Year of Resistance
Opening Tuesday, January 16 at The Untitled Space, 6 pm to 9 pm. On view through February 4.
Though it feels like several eternities, it’s been about a year since Trump was inaugurated. A large array of artists have been asked to channel their rage and other such emotions into their work, resulting in the wide spread that is One Year of Resistance, a group show at The Untitled Space in Tribeca. This gallery is no stranger to art that responds to the current political climate; the month of the 2017 inauguration they presented group exhibition Uprise / Angry Women. For One Year of Resistance, which serves as a follow-up to Angry Women, curator and gallery director Indira Cesarine has asked over 80 artists of all genders to contribute work inspired by “the controversial policies and practices of our current president.” The work ranges from literal depictions of Trump to more symbolic renderings of #resistance. Can you believe it’s only been a year? Keep Reading »
The Public’s Under The Radar Festival
January 4-15 at The Public Theater and other venues, various times and prices.
It is time once again for the slew of winter theater festivals that usually fill the month of January to its very brim, and cause many an artist to triple-check their schedule and/or wallets to see how they can make it all work. Beginning on Thursday is one of the most notable fests, Under The Radar, presented by The Public Theater. Though it’s only 12 days, there are more than 155 performances across five venues. Even slightly pondering that gives me scheduling-related anxiety.
A brief sampling of highlights: Roger Guenveur Smith and CalArts’s piece exploring the New Year’s Eve concert Jimi Hendrix played in 1969 in NYC, queer ensemble Split Britches’s meditation on anxiety and doomsday created in collaboration with local artists and elders, a concert of work by Erin Markey and Emily Bate, harunalee’s exploration of how memory can be gendered and racialized, Cuban company Teatro El Público’s underground drag-cabaret version of Antigone, and more. There is truly so much more. Keep Reading »