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Hairy Ape in an Armory, Patriarchy Smashing, and More Performance Picks

WEDNESDAY

(image via Chris Tyler / Facebook)

Not Normal: Intersection, Corporate Doubleteam, and Orangutan
Wednesday, March 22 at Irondale Ensemble Project, 8 pm: FREE

As long as politics are a hellscape, there will be artists to create work about it. Tonight, Not Normal will present a three-part evening all about the utter nonsense that seems to grow greater every day. Even the word “greater” seems tarnished now and conjures images of red hats and the pallid, fleshy faces wearing them.

In any case, the evening’s programing begins with The Intersection, an “artistic conversation about identity” spearheaded by a group of creators but open to the public. It’s dubbed a discussion “jam session” of sorts. Next is Chris Tyler’s Corporate Doubleteam, a play about how the white boys will play when the Trump is away, and by “play” I mean do a circle jerk potentially involving an intern. Haven’t we all been there? Closing out the night is Orangutan, a one-woman show written by Troy Deutsch and performed by Kristina Mueller all about the curious character of Trump’s mother. If you’re feeling generous, the show will also be accepting donations for Planned Parenthood.

THURSDAY

(image via Knockdown Center / Facebook)

Incarnata Social Club
Thursday, March 23 at Knockdown Center, 8 pm: $10 suggested

The experimental art salon started in a basement by Kembra Pfahler and Orlando Estrada has moved on to bigger digs, taking up residency in the massive Knockdown Center this Thursday. A fittingly sizable lineup will be showing work, with a bill comprised of Social Club regulars and newcomers alike, including Nandi Loaf, Chris Cole, Whitney Vangrin, Cameron Cooper, Shawn Escarciga, and more. Anyone with a bigoted attitude will presumably be booted, as Estrada proclaims the show a “queer, femme, trans, POC, GNC safe space” and a “no shade zone.”

FRIDAY

(flyer via New York Neo-Futurists)

The Neo Show: Smash the Patriarchy
March 24-25 at The Kraine Theater, 10:30 pm: $20

The New York Neo-Futurists have recently rebranded their recurring show, formerly known as Too Much Light Makes the Baby Go Blind, but they’re still up to the same artistic madness. Which is to say, they’re definitely still trying to do 30 short and strange plays in 60 minutes. Or, at least “a barrage” of short plays in an evening. This weekend, in a reprisal of sorts of their popular Too Many Ladies show last year, an all-female cast of Neo will be taking over the Kraine Theater to strut their stuff and dismantle some oppressive systems in the form of many feminist short plays. It wouldn’t be out of the ordinary for this show to include a literal smashing of the patriarchy, as the Neo-Futurists pride themselves on their unique technique of creation in which everyone plays themselves and what they are doing in the moment is true. Aside from that, they’re up for anything.

SATURDAY

(image via Park Avenue Armory / Facebook)

The Hairy Ape
March 25-April 22 at Park Avenue Armory, various times: $30+

The glorious Park Avenue Armory will see a revival of Eugene O’Neill’s classic 1921 expressionist play The Hairy Ape, starring Tony-nominated actor Bobby Cannavale. The Armory is no stranger to elaborate theatrical productions, acting as host to such spectacles as Paul McCarthy’s grotesque and sprawling WS installation. The production, directed by Richard Jones, initially appeared at The Old Vic in London. Its subject matter is certainly relevant for American audiences, as it centers around a worker who seeks for belonging amidst a sea of the filthy rich, including those found in the money-laden areas of New York. Will capitalism ever be dismantled? Not if you spend money on this play, I guess.

SUNDAY

(flyer via In the Works / Facebook)

In the Works
Sunday, March 26 at The Duplex, 9:30 pm: $10 advance, $15 doors plus a 2-drink minimum

Spend your Sunday taking in the musical stylings of several new composers at this edition of the In the Works series, presented by Honeck-Moss Productions. The evening will showcase a handful of composers, each presenting about 15 minutes of newer material that they are working on. This time around, you’ll hear pieces from patriotic songbird Marcus Goldhaber, edgy belter and rock opera creator Terra Warman, and “piano troubadour” Peter Trevino, who has collaborated with members of Journey and The Foo Fighters.

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LES-Born Meatball Shop Expands to Hell’s Kitchen With a Cocktail Bar

(Photo: Miachel Breton)

Dos Toros isn’t the only drunk-food chain adding a westside outpost to its downtown and Williamsburg locations. The Meatball Shop, which started on the Lower East Side six years ago, opens its seventh location in Hell’s Kitchen today. This one comes with a brighter, cleaner design and an adjacent bar. The bar as tastefully named as you’d expect from the guys whose mantra is “EAT MY BALLS” and who offer BALLS t-shirts. They’re calling the place Sidepiece.

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This Week: Art Fair Affairs, Club Kid Portraits, and Anything But Trash

(image via Volta NY)

Volta NY
Opening Wednesday March 1 at Pier 90, 7 pm to 10 pm. On view through March 5.

Now is the time for art fairs aplenty, and Volta NY is just one of many. Volta stands out singularly (ha) because they focus on solo artist projects only. Though they’re all about solo stuff, by no means are they taking a minimalist route. At Pier 90 you can catch not only the water, but the work of artists from 38 nations shown by 96 galleries and art spaces across 5 continents and 36 cities. You needn’t be a math whiz to figure out that is a lot of art to place your eyes on. Only not literally, that could cause vision issues and probably a lot of side-eyeing. If you stop by on the first night, it’s free to enter, but any other day it’ll cost you $25.

This is Volta’s tenth year of existence, so you can expect they’re pulling out all the stops this time. This week you can also catch The Armory Show (ticket bundles are available, which get you into Volta and Armory) and SPRING/BREAK, in a new location in Times Square. If you wish, you can pop around the piers all weekend for a veritable art adventure. The art doesn’t stop there: the Architectural Digest Design Show will be from March 16-19, also on the pier. And we can only wonder: will The Mars Volta be at Volta NY?

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Teriyaki On a Treadmill! Conveyor-Belt Sushi Rolls Into the Flatiron

The Boston location of YO!. (Photos courtesy of YO! Sushi.)

Between London’s Wagamama, which opened on 26th Street in November, and L.A.’s Sugarfish, which opened on 20th Street around the same time, the Flatiron has seen an influx of cult sushi imports. You can add another one to the list: Another UK brand, YO!, is set to bring its conveyor-belt sushi to the suddenly happening hood next month.

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Art This Week: Colorful Constructions, Lovin’ on Planned Parenthood, and More

Denise Treizman, Gripped, 2016. Glazed ceramic, PVC pipe scrap, ink, spray paint, resin, pom-pom and bungee cord, 7 x 4 x 2 inches (image via SOHO20 Gallery)

Denise Treizman, Gripped, 2016. Glazed ceramic, PVC pipe scrap, ink, spray paint, resin, pom-pom and bungee cord, 7 x 4 x 2 inches (image via SOHO20 Gallery)

Part Is No Object
Opening Friday February 10 at SOHO20 Gallery, 6 pm to 9 pm. On view through March 12. 

Denise Treizman’s colorful sculptural creations are refreshingly playful, uplifting and childlike. This solo show of her work is opening in SOHO20 Gallery’s modest +/- Project Space, a space highlighting “ephemeral” or site-specific work. For Treizman, site-specific is everywhere, as her “constructions” are made of essentially anything that crosses her path, from pom-pom puffballs to PVC pipe. She collects these “fragments,” whether they be bits and pieces found on the side of the road or broken remains of a studio project, and then puts the mismatched pieces together to create something entirely new. There will be two other openings this weekend at SOHO20 Gallery, one of paintings by Nana Olivas and one showcasing work by the gallery’s three 2016 Residency Lab artists.

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Penn Station’s Departure Board Has Left the Station

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

That’s all she wrote, folks. Penn Station’s (relatively) beloved big board has departed the building. Removal started Tuesday. Throughout the week, as you can see above, workers meticulously disassembled the iconic departure board like Dave murdering Hal in 2001: A Space Odyssey. Below is what the scene looked like today. In lieu of flowers, please send beer money to passengers who’ve just missed their train and need to drown their sorrows at Kabooz’s Bar & Grille.

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Lee Ranaldo, Thurston Moore and Others Helped Us Get Through the ‘First Day in Hell’

Lee Ranaldo and Steve Gunn, front. TKTK, back.(Photo: Daniel Maurer)

Lee Ranaldo and Steve Gunn, front. Georgia Hubley, back.(Photo: Daniel Maurer)

“I need a drink,” Steve Gunn said as he started into “Way Out Weather” at Rock and Roll Hotel in D.C. on Friday night. After taking a swig he added, “As I’m sure you also probably do.”

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Women Getting Lit, Plexiglas Playgrounds, and More Art

Kate Hush (image via Cooler Gallery)

Kate Hush (image via Cooler Gallery)

Female Behavior
Opening Tuesday January 10 at Cooler Gallery, 7 pm to 10 pm. On view through January 31. 

Firstly, let’s discuss this gallery’s name. Sure, it sounds sort of pompous, in a cooler-than-you kind of way, and maybe that’s what they think of themselves. But the origin of this gallery is actually, well, cool. It exists within a “repurposed industrial icebox” in the Brooklyn Navy Yard, so it really is a cooler gallery. Plus, it seeks to display work that involves elements of manufacturing, so it’s aware of its roots. But enough about the gallery, let’s get to the show: artist Kate Hush makes massive sculptures of neon light, and what she is particularly trying to capture in her solo show, Female Behavior, are women and their so-called “wicked ways.” She writes of light being produced when bonds are broken, such as the cutting of a diamond, so she has crafted female silhouettes to portray those who are seen as cruel and conniving simply for being “sharp” or for cutting ties with a man who will then call her crazy. May women burn bright and powerful as much as they can, especially now.

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Queer Nightlife Legends, The Culture Whore Going Out with a Banger

L-R: Dream, Rify Royalty, and Paul Leopold. (photo: Ben Boyles)

From left, Dream, Rify Royalty, Paul Leopold. (Photo: Ben Boyles)

Even though the year is ending, most things will continue after the clock strikes 2017. But not all of them. The queer nightlife collective known as The Culture Whore is saying goodbye not only to 2016 with their New Year’s Eve space-rodeo rave, “Night Riders.” The blowout will be the group’s final party, as they are disbanding.

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Performance Picks: Murder Mystery, Spaghetti Puppetry, and Poetry Marathons for the New Year

WEDNESDAY

(image via Future Forms / Facebook)

(image via Future Forms / Facebook)

Future Forms
Wednesday, December 28 at Throne Watches, 8 pm: FREE 

Mary Houlihan, Joe Rumrill, Sam Taggart, and Julio Torres’s recurring comedy show Future Forms is a tasty treat, and probably one of the only shows you can say you’ve seen in a watch showroom. I mean, with the impending closure of spaces like Cake Shop, and DIY spaces getting all hush-hush for fear of getting shut down, perhaps we’ll all soon be watching shows in the aisles of grocery stores or something like that. Which could be fun, but the lighting leaves something to be desired.

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Pre-Christmas Performance: Experimental Nativity Reenactments, Pole Dancing + More

WEDNESDAY

(photo via JACK / Facebook)

(photo via JACK / Facebook)

The Perfect Play
Wednesday, December 21 at JACK, 7 pm: $15

Not much seems perfect in 2016, especially in these last few moments. However, at Clinton Hill art space JACK, experimental performance ensemble Banana Bag and Bodice will summon a crop of luminaries of the downtown theater and performance world in a grand attempt at perfection. If a pursuit of flawlessness makes your eyes roll into oblivion, let me clarify that what these folks are actually doing is staging their fourth annual adults-only musical weirdo version of the classic Nativity story. You know, the perfect child, the virgin birth, etc.? Perfect. There’s certainly a lot to unpack here. Particularly the virgin birth– I still have a lot of questions about that. But I trust that this merry gang of creators, who have also dreamt up concoctions like a Beowulf musical and an experimental piece on political prisoners scored by a soundscape of found objects like fishbowls and license plates, will do the whole thing justice. After the formal show, stick around for drinks and “special Christmas musical maneuverings.”

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TWA Hotel Breaks Ground, Food Hall Will Showcase Brooklyn and Queens Vendors

(Photo: Max Touhey)

(Photo: Max Touhey)

We haven’t heard much about TWA Flight Center since we took our last look inside of it during Open House NY last year, but progress is finally being made on the hotel that will restore Eero Saarinen’s majestic structure to its Jet Age glory and open it to the public after more than 15 years of disuse. Today Governor Andrew Cuomo and other elected officials gathered to break ground on the TWA Hotel, set to open at the end of 2018.

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