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Watch the House Videographers at CBGB Call Richard Hell a Crybaby

As you may have read over at Rolling Stone, Pat Ivers and Emily Armstrong — in what’s sure to be one of the highlights of the CBGB Festival — are screening some of their rare late-70s and early-80s concert footage at Bowery Electric tonight, between performances by Cheetah Chrome of the Dead Boys, Syl Sylvain of the New York Dolls, and Glen Matlock of the Sex Pistols. We were lucky enough to have the authors of our weekly Nightclubbing column into the B+B Newsroom last Friday, along with Richard Boch, who’s working on a memoir of his time manning the door of the Mudd Club, and Pat Irwin, the guitarist for the Raybeats, 8 Eyed Spy and the B-52s, who spoke about his recently unearthed collaboration with Philip Glass.

If you missed Friday’s discussion, watch the replay above. Here’s what the gang had to say about Suicide (we spoke to Martin Rev of that band back in June) and the evolution of the Ramones.
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Nightclubbing | Pylon

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

Pylon’s debut album.

A few years ago, a woman took her 14-year-old daughter to a Sleater/Kinney concert. After the show, a band member approached the mom and breathlessly asked, “Are you Vanessa from Pylon? We love you!” Score one for the parental unit.

Pylon is the greatest group from the new wave scene that you probably never heard of. When Rolling Stone saluted R.E.M. as the best band in America in 1987, their drummer Bill Berry disagreed. “We’re not the best rock ‘n roll band in America.” He thought Pylon was.
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