Black Women Artists for Black Lives Matter: Holiday Screening & Reception Monday, November 28 at The Kitchen, 6:30 pm to 8:30 pm. Sondra Perry: Resident Evil on view through December 10.
Black Women Artists for Black Lives Matter, aka BWA for BLM, is a fairly self-explanatory “collective force underground” group formed in July 2016 in response to the continual systemic violence perpetuated against black bodies in America. This evening, the group is taking over experimental performance and art space The Kitchen to show a series of videos, both archives of past performances the group has done and videos created by members of the group, all while beats by DJ LotusMoon infiltrate your ears.
(Photos: Konstantin Sergeyev/Taylor Davidson. Illustration: Daniel Maurer)
While the city waits in terror to find out which neighborhood SantaCon will infect on Dec. 10 (Gothamist claimed Williamsburg, but a source told Patch otherwise), here’s news about a holiday celebration that is not a gushing douche slurry. (Seriously, even Kathy Bates hates the annual gathering of the SantaBros.) The folks at Unsilent Night tell us that the city’s most palatable Christmas event (no offense, Rockettes) will return to the Village on Dec. 17.
Search Party may be (maeby?) the most Williamsburgy show ever. Alia Shawkat (the indie darling best known as Maeby from Arrested Development) stars as a millennial who becomes an amateur sleuth when a former college classmate goes missing, so you might call it Nancy Drew meets The Bedford Stop. And the marketing folks at TBS are going all-out to appeal to their show’s home neighborhood: In addition to the banner ads right here at Bedford + Bowery, there are murals on Wythe Avenue. And now the coup de grâce: a pop-up shop on Bedford that will double as a venue for events featuring 2 Dope Queens and Widowspeak.
David Mancuso, one of the most influential figures in New York City nightlife, has died less than a month after his 72nd birthday. The Loft, an underground club that Mancuso operated out of his home in Noho, then Soho, and finally in Alphabet City, was celebrated for its invite-only after-hours parties, fueled by a cutting-edge sound system and a spirit of racial, sexual, and social inclusiveness. The vibe influenced later clubs like the Garage and even Studio 54.
It was an oddly apropos time to be thinking about “high” art and “low” art, which is what artist Doug Young and I discussed at the Van Doren Waxter Gallery uptown just a few days before the all-consuming presidential election. I’d mentioned a New Yorker article that eschewed the line separating left and right in favor of a line dividing “up versus down”: a working class vs. a desk-ridden, urban class.
We were looking at Young’s pieces “Chains,” which are exactly that: carved wooden chains, created in what Young called a “kind of monotonous, boring, really unsatisfying use of my time. It was only satisfying at certain moments,” like when he stepped back to see the enormity of his progress.
We remember him well in the Chelsea Hotel, but Leonard Cohen’s New York City existence spanned beyond just the hotel where a makeshift memorial sprung up on Thursday after his death at the age of 82. Cohen came to New York City in 1966, just a year before the Summer of Love, and his breakthrough years there brought him into the orbit of Warhol and the Velvet Underground, the Beats, Bob Dylan, Joni Mitchell, and Jimi Hendrix. He wrote songs for Nico and penned “Chelsea Hotel No. 2” after a night with Janis Joplin.
Have you heard the one about the mom who decided to shake off her post-election blues by taking a walk through the woods in Chappaqua, only to bump into Bill and Hillary Clinton, walking their dog? The resulting photo has swept the internet, and offered some degree of solace to Clinton supporters. Meanwhile, Bernie Sanders die-hards are probably thinking, “Boy, I wouldn’t mind running into Bernie somewhere. I bet that guy could use a hug, too.” Don’t worry, Berners– you needn’t go trekking through the woods of Vermont to make it happen. (“Oh, hi, Bernie! I was just here for some maple syrup.”) This Monday, the candidate will be at the Barnes & Noble at 555 Fifth Avenue, in Midtown, posing with fans who’ve bought a copy of his new book, Our Revolution: A Future to Believe In.
The Cube’s return to Astor Place has been glorious and all, but have we basked in the glow long enough that we can now address the elephant in Alamo Plaza? The Cube is back, yes, but the sculpture is imprisoned behind a crude cage of orange barricades. It’s downright inhumane (incubane?). It’s time to uncage the Cube and let it spin free, the way it was meant to. Keep Reading »
Haha, Wow! By Reductress: Hillary Clinton Won! Thursday, November 10 at UCB Chelsea, 8 pm: $5.
Everyone’s favorite (and maybe the only) satirical women’s magazine Reductress, fresh off the release of How To Win At Feminism (check our interview here), gears up for another edition of its monthly live show. Hosted by Reductress associate editor Nicole Silverberg, the show offers chuckles, lady power, and “tips on how to sex good,” duh. But this one’s a little different. The theme is “Hillary Clinton Won.” I’m not sure if this title was decided upon before Tuesday, but either way it’s gonna be a little painful to emerge back into the world once the show concludes. But for one hour of blissful pretending, you can “live your life like Hillary Clinton won with some of our favorite comedians.” Take it while you can. The show features Sydnee Washington, Alyssa Limperis, Shalewa Sharpe, and JANDA. Keep Reading »
While the candidates continue to campaign with just hours left on the clock, two of Donald Trump’s biggest critics, Bill Maher and Anthony Atamanuik, made their final appeals to NYC voters during separate appearances at the New York Comedy Festival. Maher did his “whiny little bitch” routine to a packed house at the Theater at Madison Square Garden on Saturday and Atamanuik brought his scary-good/good-and-scary Trump impression to NYU on Thursday.
By now you may have heard that, hot on the heels of opening Westlight on the roof of Williamsburg’s shiny new William Vale hotel, Andrew Carmellini has opened his bottom-floor restaurant, Leuca. Grub Street noted that the Italian spot is serving “New York’s most elegant sundae,” which will surprise no one who’s had the decadent, over-the-top La Fantasia di Doppio Cioccolato at one of the chef’s other spots, Locanda Verde.
In 2002, “Lurker” Lou Sarowsky moved to New York City with his longtime friend and fellow Cape Cod native Zered Bassett, into a now infamous, windowless apartment in Lower Manhattan. Sarowsky dubbed it the “Vicious Cycle” house, and his crew kept up a rigorous schedule of skateboarding all day and filming for Bassett’s indie-skate video of the same name, followed by nights of smoking, drinking, and playing pool.