Monday, October 9, Columbus Day, officially marks an Italian man’s passage across the Atlantic Ocean, an event that kicked off the genocide of New World natives and paved the way for the Atlantic slave trade. To mark the occasion, several hundred people on Randall’s Island in New York had something else in mind. Representatives of around 75 Native American tribes gathered for two days to celebrate Indigenous Peoples’ Day.
Arts + Culture
Gentlemen, print your engines!
The Red Hook Regatta, an annual race of 3D-printed boats, returned to Valentino Pier Park on Sunday. This year’s festivities promised to be pure “mayhem,” according to the folks at Pioneer Works (the artist residency program and events space teamed up with Red Hook Initiative, an education NGO, to put on the regatta). Which didn’t stop some 100 people from braving the cold and rain to watch the homemade boats shred water. Participants used remote controls to steer their vessels halfway up the pier, where they delivered bricks to a person with a red-colored hook (get it? Red Hook?). The boat that delivered the most bricks was declared the winner.
Near the Jefferson stop this past weekend, chalk arrows on the sidewalks pointed to “art and beer,” leading the way to small gatherings in Ridgewood community gardens and parked moving vans filled with art. This could only be one thing: Bushwick Open Studios had returned for its 11th annual installment.
Over the past couple decades, electronic dance music has expanded beyond the realm of raves, nightclubs and festivals and received mainstream exposure as Kanye West, Lady Gaga and other major pop acts have included EDM elements in their chart-topping songs. Now, EDM has expanded to new horizons: musical theater.
Opening Sept. 21 at the East Village’s Theater for the New City, “Cleopatra: The New Pop Experience” fuses an EDM score with musical theater for an immersive audience experience that includes a live DJ and a dance floor.
What do tourists have to show for their trips to New York City?
Selfies and souvenirs, usually.
The moment visitors step off the plane, they’re greeted by ranks of Statue of Liberty miniatures, skyline snow globes, and Yankees paraphernalia. However, does everyone Heart NY?
The people who used to brag about not owning a TV set are the same ones who now complain that there are too many shows– or so it was observed on a recent episode of Difficult People. Obviously, orange is the new black and the small screen is the new big screen, but up until a few years ago, New York City didn’t have a festival dedicated to what used to be called the idiot box. That changed in 2013, when we finally got a version of Los Angeles’s PaleyFest. That returns next month with some free screenings of shows like The Mindy Project and Fuller House. And now the folks behind the Tribeca Film Festival have announced a Tribeca TV Festival, also coming next month.
Those in attendance at the most recent “Kink ‘n’ Draw” event got to feast their “lustful and perverted eyes” on latex-clad live models as they posed in erotic tableaux carefully designed by one of our favorite New York characters, fetishwear entrepreneur and kink advocate the Baroness.
Does government surveillance really get your goat? (To be honest I have never really understood that expression but I am just going to run with it.) Is your ideal evening spent watching documentaries on the deep state? If so, then you’re in luck.
In a new film fest running today through Aug. 5 — ominously titled “Spy vs. Us” — the Museum of Reclaimed Urban Space (MoRUS) in the East Village takes on national security and the surveillance state. Even better, like last year’s MoRUS-sponsored film and theater festivals, this year’s festival screenings will occur in the lovely environs of several community gardens. Tonight’s opening screening takes place in the roof garden of Alphabet City’s fabled Umbrella House.
We reported last week that beloved Cajun eatery and longtime Bowery hangout Great Jones Cafe was temporarily shutting down — and, according to cryptic information from an employee, would or would not return. Fearing that the Great Jones had become yet the latest victim of rising rents, New Yorkers swarmed onto social media to pay their respects and lament the loss of a neighborhood institution that has served as an indispensable cultural hub for local artists, musicians, and writers — some of whom, like Basquiat, have become quite famous.
Legendary New York art team McDermott & McGough — known, among other things, for spending 15 years living in the East Village while dressed as top hat-wearing Victorian gentlemen — are back with an ambitious new project to be unveiled at The Church of the Village this September.
The new art installation combines several of the artists’ motifs and preoccupations — the Victorian era, Ireland, gay culture, LGBT rights, time — in a giant homage to Oscar Wilde, the turn-of-the-century Anglo-Irish writer and bon-vivant famously condemned to prison for refusing to hide his sexuality.
The Oscar Wilde Temple “combines painting, sculpture, and site specific elements in a functioning environment that recalls the beautiful and provocative sensuousness of the Aesthetic Movement [that] Wilde championed,” according to a press release. It will transform The Church of the Village‘s chapel into a shrine to Wilde. In the center will be a four-foot statue of Wilde in the manner of a religious icon. On the walls will be paintings in the style of the Stations of the Cross, but instead of depicting Christ’s persecution they will illustrate Wilde’s journey from arrest to incarceration.
Peter McGough and David McDermott — who, after their East Village days, threw elaborate parties in the Williamsburg bank building where they resided — evidently first began discussing the idea of the Oscar Wilde Temple more than 20 years ago. In keeping with the duo’s fondness for “time experiments,” the Temple will painstakingly replicate the aesthetics and atmosphere of Victorian England through the use of “specially made fabric wall coverings, architectural and decorative details, furnishings and lighting.”
The Temple will also include a secondary altar conceived as a shrine to those struggling with or killed by AIDS, as well as a series of portraits by McDermott & McGough of homophobia “martyrs,” such as Harvey Milk and Alan Turing, and lesser-known victims of AIDS or homophobia including Sakia Gunn, a teenage African-American lesbian stabbed in Newark in 2003, and two figures from The Church of the Village’s own history — Rev. Paul M. Abels and Rev. C. Edward Egan, ministers forced out for being gay.
Sponsored by The Church of the Village and the New York LGBT Center, the Temple will also be available to rent for weddings, memorial services, and other private functions, with the proceeds benefiting the LGBT Center.
The installation will run concurrently with “I’ve Seen the Future and I’m Not Going,” a McDermott & McGough retrospective opening at the Dallas Contemporary in Texas on October 1st.
The installation will be open Sept. 11th through Dec. 2nd at The Church of the Village at 201 W. 13th St. at 7th Ave., viewable Tuesdays through Saturdays from noon – 7:00 pm.
Clearly, multi-talentedness runs in the family. Like his 37-year-old son, the elder Jodorowsky has composed music for films in which he has also acted— namely his cult masterpieces, El Topo and The Holy Mountain. At various times, he’s been a circus clown, a puppeteer, a mime, a novelist, a comic book artist, and a practitioner of his own brand of “shamanic psychotherapy,” called psychomagic.
We warned you that Flying Lotus’s debut feature, Kuso, would be one of the grossest, weirdest movies in recent memory. Sure enough, after last night’s Rooftop Films screening an audience member had just one question for FlyLo.