Arts + Culture
While splitting their days between both NYC and LA, indie pop rock duo The Lulls have come together to release their latest EP, Meridian, out October 9th. The band, comprised of California natives and longtime friends Rutger Rosenborg (singer and guitarist) and Ryan Miller (drummer), take listeners on a journey of shimmering guitar riffs, cruising beats, and introspective, poignant lyrics. Ahead of their EP release show at Berlin on October 13, Bedford + Bowery was able to talk to Miller and Rosenborg about the new project, what it’s like to be a bicoastal band and how isolation and traveling influenced the creation of Meridian.
“Alright everyone, happy Tuesday. Thank you for joining me in class today,” Frank King says, standing on a wooden box that doubles as a podium. He stands before a group of scantily clad, sweaty men and women, crammed together in a room about the size of a New York City studio apartment. He’s heated the space to over 100 degrees, and King himself is shirtless, wearing skin-tight cycling shorts and guiding his class through the two breathing exercises and 26 yoga poses that make up the “sacred geometry” of Bikram Yoga.
He’s one of the eight instructors at YO BK, a studio on Williamsburg’s Broadway that offers three types of hot exercise classes, including power yoga and hot pilates. Bikram yoga, though, is the most controversial.
It couldn’t have been easy being a barber on St. Marks Place during the hippie era but somehow one shop has survived. Now called the St. Marks Barber Shop, the haircutter has been around since the 1960s or ’70s, according to Albert, one of the shop’s barbers.
Recovering hippies may recall when this was the Royal Unisex Barber Shop, located across St. Marks from the Electric Circus. A ghost sign, with mind-blowing psychedelic lettering, was covered by a new sign for the shop in 2017 but was recently resurrected.
For more ghost signs of the East Village and Lower East Side, check out our series.
With the fifth anniversary of Lou Reed’s death coming up on Oct. 27, you may cringe at the idea of a Velvet Underground “experience” joining the ranks of the Color Factory, the Dream Machine, the Egg House, and all the other gimmicky pop-ups that have been drawing lines of Instagrammers all over the city. Isn’t this the stuff of Ariana Grande? What, is there going to be a ball pit full of plastic bananas?
What’s the connection between punk and drag?
Chi Dracula Orengo, vocalist for local punk band Anasazi, says they both empower society’s misfits and outcasts. He got involved in the scene visiting leather bars and drag shows as a teenager with a “lust for adventure” and he now organizes the annual Bodega Ball, which had its second installment, themed “Drag Me to Hell,” this past weekend.
Artist and director Cynthia von Buhler arrived at our appointment carrying a case containing her new pet rabbit Agatha. The cuddly, two-month-old rescue curled up in her lap and stayed put for the entire time we spoke.
There wasn’t all that much information about this year’s Bushwick Open Studios on the Arts in Bushwick website until the end of the week, so it was hard to know what was most exciting to check out. That allowed me to meander around, but I couldn’t help feeling some FOMO knowing I’d only see a fraction of the 200 participating art studios.
It’s never too early for glitter buffets, BDSM photo ops or Lady Gaga. At least, it wasn’t too early at 4 p.m. today when we stopped by the Javits Center for a preview of RuPaul’s DragCon NYC.
The convention, devoted to all things drag queen, runs through the weekend, and includes vendors (makeup, wigs, glitter), personalities (RuPaul is, in fact, going to make an appearance) and shows (Mean Girls may have performed sexy “Jingle Bell Rock” first, but the queens and cast of the Broadway production took it to the next level).
This year’s Miss Subways pageant got an upgrade form its usual location, the backyard of City Reliquary, to a proper stage at Littlefield in Gowanus. Six “advocates and lovers of the NYC underground” represented their subway line and vied for this year’s title in City Reliquary’s cheeky nod to the MTA’s Miss Subways campaigns of 1941 to 1976.
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If there was a circus made for adults, what would it look like?
Half-naked people flying through the air while those in the audience sat in a “splash zone,” of course.
New Museum kicked off its big fall season last night with a huge, career-spanning exhibition of one of the UK’s most influential living artists, Sarah Lucas. The show, titled Au Natural after one of her most famous assemblages, encompasses all of the museum’s three main floors and features more than 150 sculptural pieces, photographs, installations, and videos. Provocative, clever, and engaging throughout, it’s the first retrospective of Lucas’s work seen anywhere in America, and it runs into the new year. Expect enthusiastic crowds and lots of stockings, cigarettes, and penises.