As of today, a new body of work by Kim Gordon is living at 303 Gallery in Chelsea, a white box like most others on this slick block of 24th Street that’s all glass, steel, and tourists. Naturally, we’re excited. Kim Gordon Week may be long over, but we’re still obsessed with the musician-designer-artist-author who for some of us (me) is our girlhood hero. But on my visit, I was trying to keep things pure – hoping to avoid any unwanted osmosis from an artist statement or a pre-determined explanation to fulfill, I darted straight back to the art, resisting the temptation to pick at the stack of press releases for Design Office: The City is a Garden.
Dina Gadia’s pulpy, graphic collages, now on view at Greenpoint’s Owen James Gallery, bring to mind a ’50s wholesomeness and tropical kitsch while at the same time challenging it. Her collages are at once subtle and unabashedly clear, familiar and obscure, paradoxes that hold fast because Gadia, a Filipino artist living and working in Manila, is working in two, if not three registers by exploring the impact of Spanish but especially American influence on Filipino culture.
For once count yourself lucky if you missed an art opening. Synaesthetics, a new exhibition at Reverse Gallery in Williamsburg opened last Friday; sure, there was free booze and great people watching, but the two interactive installations that are featured and the trans-sensory trips they inspire are best experienced in isolation or maybe at most with one other partner. Both Eunoia II, by Lisa Park, and Format No. 1, by Louise Foo and Martha Skou, strangely mimic our increasingly digital experience of the world, which is itself a lonesome, disconnected way of engaging with people more and more through social media.
A press release from Arts in Bushwick paints the broad strokes for this year’s Bushwick Open Studios, coming June 5-7. There aren’t many details just yet, but there’s always a ton to do aside from gawking at artists’ workspaces. Our itinerary last year included a concert by Broke MC and Life Size Maps, a rooftop dance party at House of Screwball and a live painting contest at EXIT Room, all in the same night.
Here’s the scroop, straight from the horse’s mouth.
Chilean-born photographer Sergio Purtell moved to New York City back in the ’80s but for the past eight years, the changing landscape of Brooklyn struck him as a development worth documenting. The result is over 1,400 black-and-white images, all of which are on view (in either large format print or slideshow form) at Art 3 in Bushwick.
In anticipation of the opening for the Witches of Bushwick residency at Stream Gallery, we stopped by the Bushwick mini-art front yesterday. We can’t say we didn’t look sort of ridiculous getting there right as the gate opened, but thankfully we were greeted not only by a singular, unopened bottle of red wine sitting by its lonesome on a pedestal but also by Christine Tran (co-founder of Witches of Bushwick along with Anne Alexander).
A pair of outerborough galleries, Rawson Projects and Regina Rex, will now be neighbors on the Lower East Side. And Harbor, one of the galleries punted from 17-17 Troutman along with Regina Rex, is popping up there as well.
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Broke art collectors don’t exist, and broke artists can only exist for so long. Enter: Brooklyn Community Supported Art + Design (CSA+D). Putting a twist on the idea of Community Supported Agriculture, where subscribers get a weekly supply of fruits and veggies from a farm or community garden, CSA+D is a program where shareholders purchase stocks in local artists in exchange for pieces of art and design.
It wasn’t easy for Elle Burchill and Andrea Monti to find a space in Bushwick to house their expanding gallery, Microscope. The two started looking in October 2013, and finally signed a lease just under a month ago. “We saw at least 30 spaces,” Burchill says. “We lost several just as we were supposed to go sign a lease, and then the landlord had someone slip in and offer more for rent. That was fun.”
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It was around 2 a.m. on Saturday, September 21, when a dozen officers — including a smattering of cops, fire men, and building department officials — found their way into Apostrophe. The police had come by before, but owner Ki Smith, 21, knew this wasn’t one of their “normal trips.”
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On Wednesday, Fuse Gallery held its last regular opening after 11 years as a hub of downtown cool and creativity. Guests like Lower East Side graphic designer Kenzo Minami and Lobster Joint owner Tommy Chabrowski gathered in the little room behind Lit Lounge to play with Aliya Naumoff’s photos of musicians who, in some cases, have shown at Fuse Gallery themselves (e.g. Karen O of the Yeah Yeah Yeahs and ex-Smashing Pumpkins guitarist James Iha).
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