I don’t think I’m alone in feeling like everything on this place we call Planet Earth is terrible right now. Mostly because a bigoted, beady-eyed mop man partial to Valencia-orange spray tans has power boated, ass pinched, and butt picked his way to the Presidential contest. The whole charade is sort of starting to feel like the first few chapters of a sci-fi paperback– when the autocratic overlord is hurtling toward consolidating his dystopian reign, and you can’t believe that no one saw it coming.
We all have a little hoarder in us. Some more than others. Or maybe you have that weird friend who just won’t throw stuff away, and you wonder when someone is inevitably going to mistake his detritus for an art installation. Well, there’s now something for everyone at the New Museum. Its newest show, The Keeper, is an astounding assortment of collections amassed by artists, scholars, conspiracy theorists, survivors, weirdos, and everyday folk alike.
The show, which has over 4,000 objects spanning almost every floor of the museum, has the largest amount of items in the museum’s history. It’s a collection of collections, a hoard of hoards, a love letter to devotion. Similar to how many of the collections exhibited took years or decades to gather, curator Massimiliano Gioni has spent years on The Keeper; Lisa Phillips, the museum’s director, calls the show his “lifelong obsession.” Keep Reading »
Brace yourself, it’s gonna be a hot one. With temperatures wavering in the ’90s this weekend, some people might not want to leave the sacred space of their air conditioning, despite how many of these very same people’s fashion choices reflect that they actually love the ’90s. But for those who want to be so occupied you forget about your melting and/or boiling flesh, here are four music and art festivals this weekend to spend your day and/or night at.
Earlier this year, when the East Village’s beloved Stage Restaurant closed in the wake of a dispute with its landlord Icon Realty Management, Brooklyn-based artist Gilf! plastered the diner’s former home with caution tape reading “Gentrification in Progress.” It wasn’t the first time one of the company’s properties was the site of artistic protest: Karen Platt, a resident of an Icon-owned building on East 5th Street, has been known to chalk up the sidewalk with messages like “Enough Is Enough,” and over July 4th weekend, someone spray-painted a message on the sidewalk in front of the now for-rent Stage space that advised, “DO NOT RENT HERE. DO NOT BUY HERE. BOYCOTT IN EFFECT.”
There’s been many a Bushwick disappearance lately. Punk venue The Acheron recently said their goodbyes, acclaimed restaurant Northeast Kingdom put away their plates for good, and Palisades is closed until at least August. In nearby Williamsburg, the Experiment Comedy Gallery, DIY space for funnies, just had to relocate to a new spot that’s quite literally underground.
It was an unusually quiet day on a recent visit to PS1– so deserted that, weirdly, I felt like I could get better acquainted with the 19th-century elementary school portion of the building than ever before. Call me cray, but the artwork at MoMA’s edgier little sister began to feel straight-up rebellious against the throwback schoolish confines which, in turn, started to feel even more institutional. Now that I was alone, and making actual contact with doors and hallways instead of awkwardly rubbing all over my fellow museum-goers, I realized everything was just slightly undersized. And that obligatory museum hush was starting to feel so intense that I felt compelled to swallow my gum and adjust my bad posture (everyone knows a well-trained ear can actually hear you resting on your laurels).
As we’ve mentioned recently, DIY art and game space Babycastles has been working hard to offer alternatives to the often exclusionary world of video games, showcasing work by indie game designers and artists who reveal that yes, there can be more to video games than mindless shooting and the Mountain Dew-guzzling men who often play them.
The previous exhibit on view was Toronto-based Kara Stone’s The Mystical Digital, offering a witchy and introspective take on games, with selections like Techno Tarot, where a robot gives you a detailed tarot reading, and Cyclothymia, a narrative exploring connections between emotions and astrology.
Another Canada-based game designer and programmer, Mx. Dietrich “Squinky” Squinkifier, has similar wishes to disrupt the tired norms in video games and video game culture. Rather than appealing to one’s inner mystic or the Bushwick dwellers who frequent places like Catland, Squinky’s games are more familiar to those who might stay in on a Friday night, presenting playable stories of awkward social interactions and small Claymation creatures of indistinct gender.
The Montreal-based artist’s second solo exhibition, Squinky Hates Video Games, is a compilation of work from the past three years in the form of ten different games, some of which were created during a stint at UC Santa Cruz’s Digital Arts and New Media MFA program. Squinky completed the program in 2015, and was recognized by Forbes that year as one of 30 Under 30 in Games.
Tonight, loft apartment turned art gallery Club 157 will be transformed into a tribute to the life of Mary of Cain.
Who’s that lady?, you ask.
Well, she’s the creation of multidisciplinary artist and model Jane Cogger, who birthed the character four years ago when she wanted to write more from a place of fiction, rather than autobiography.
The name says it all– at Rainbow Hugs and Kisses: a Doomsday Celebration, Secret Project Robot will start saying their goodbyes to the neighborhood they’ve called home for the last five years. On Wednesday, July 13 (7 pm to 10 pm) the DIY venue will open the final art show at its current location with festivities and hopefully some booty-shaking to coronate what the SPR community’s calling a “magical realm.”
It all sounds pretty grand, especially as a follow-up to Glasslands, which closed just as 2015 began, and in the course of its existence traded in and out some classic DIY features: homemade art installations (those clouds, tho), labyrinthine lofting, and swinging saloon doors between your bathroom break and the impatient line waiting behind you.
The term “gamer” usually conjures up a torrent of awful connotations– an exclusively white-male circle jerk where the only manifestation of “diversity” is between the Cheetos-stained 4chan nerds with a sunlight problem and fedora-wearing MRM creeps who fancy themselves activists. You can catch all of them gushing over first-person shooters and probably trading furry porn at a LAN party, a place where anybody else wouldn’t be caught dead.
As a work-resident of Greenpoint, I feel lucky that I can reap the benefits of the neighborhood without having to pay the increasingly steep average rent. My existence up here is dependent on a fair amount of lying to myself– that I can afford to eat at the nice restaurants here (false), that the nice people who work in the hip boutiques actually believe I’m going to buy something this time around (so false). But what really charms me about the neighborhood are its eccentricities– the picture window on Franklin decorated neatly with dozens of bobble heads gyrating in unison, the Polish bars where you can bet there’s a strange scene going down or at the very least some $1 Jell-o shots to pick at, and of course the ancient bag lady who shuffles along Manhattan Avenue screeching in a mix of gibberish and maybe Old Church Slavonic, sometimes disappearing down into the subway or inside an apartment, knowing that she can safely leave her bags and carts anywhere she pleases.