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Art This Week: Bushwick Cartoonists Move To Midtown, The High-Story of Glass Pipes

Redsnapper, HAT (High Alien Life) Meteorite, 2016, Borosilicate glass, 5 x 3 x 3 inches (image via apexart)

Outlaw Glass
Opening Wednesday March 29 at apexart, 6 pm to 8 pm. On view through May 27.

I caught wind (or rather, smoke?) of this show through an email with the subject line “Weed really like to see you at our opening.” As I love subtlety, I of course opened the email. What I found was actually more intriguing and complex than one may imagine: an artistic showcase and exploration of the many variations and “legally grey” nature of glass pipes. Or um, I mean, “functional glass art.”

The show, organized by David Bienenstock and presented by the ever-interesting apexart, takes a deep dive into the legacy of pipes, bongs, and their makers. Bienenstock, who formerly served as Head of Content for High Times and has published two whole books centered around lighting up, seems to really know his stuff. A cursory browse of the pieces (heh) that will be on view shows a wide range from highbrow to lowbrow and everything in between. You’ll find everything from works by the historic Bob Snodgrass, who peddled intricate handmade creations to Deadheads aplenty, to a big glass monster truck and a pipe with a built-in mustache that could very well be found at your local Urban Outfitters.

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Animals Become Artists and Collaborators in This Unique Exhibition

 Aganetha Dyck, An Inconvenient Proposal, 2007, Porcelain figure, beeswax, honeycomb, Courtesy of the artist and Michael Gibson Gallery, London, ON (image courtesy of apexart)

Aganetha Dyck, An Inconvenient Proposal, 2007, Porcelain figure, beeswax, honeycomb, Courtesy of the artist and Michael Gibson Gallery, London, ON (image courtesy of apexart)

It’s generally understood that nature, while vast and occasionally intimidating, can be very beautiful. But how much of this has been intentionally placed and crafted? Is a bee’s honeycomb pleasing to the eye by accident or is there something more to it? Tribeca gallery apexart’s latest exhibition Animal Intent, organized and curated by Emily Falvey, puts animals in the spotlight alongside human artists, framing them as “collaborators” who can potentially assist in the purposeful creative act of making art, a practice normally framed as a very “human” endeavor.

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Jennifer Rubell, Art By Animals, and More Art Openings To Investigate

(flyer via The Living Gallery / Facebook)

(flyer via The Living Gallery / Facebook)

Emergence: Emerging Artists in New York
Opening Tuesday January 17 at The Living Gallery, 6 pm to 9 pm. One night only. 

The term “emerging artist” has been a bit of a buzzword for quite some time now. To some, it means someone who has literally just started creating, to others, it is someone who’s been on the scene for a couple years but hasn’t won any fancy awards. And sometimes it’s somewhere in between. But this art show really owns the title in a way that’s clear: simply, Emergence is showing work by New York artists who have never shown their work in a gallery before. There will be over 20 artists covering the gallery in their work, whether it be painting and sculpture, performance, or even fashion pieces. Come one, come all, and witness the emergence.

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Gallery Sleepover, Magical Laughter Workshop, and Other Art Occasions

Untitled, 1971 Ink on paper 27.6 x 35.2 cm / 10 7/8 x 13 7/8 in © The Estate of Philip Guston Courtesy Hauser & Wirth

Untitled, 1971
Ink on paper
27.6 x 35.2 cm / 10 7/8 x 13 7/8 in
© The Estate of Philip Guston
Courtesy Hauser & Wirth

Laughter in the Dark, Drawings from 1971 & 1975
Opening Tuesday, November 1 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through January 14. 

While our heads are all aflurry with the politics of today, it could be good to take a break, clear your head before you place pen to paper and fill out that absentee ballot, trying not to smudge the ink with your tears of frustration and hopelessness. Though this election season seems truly eternal, there were other presidents, and there was art made about them, too. Hauser & Wirth’s 22nd Street location will be showing a tremendous collection of Philip Guston’s satirical caricature drawings of Richard Nixon, from his well-known “Poor Richard” series to collections of sketches rarely seen by the public, if at all.

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Journey Through the Blizzard to See This Expedition Exhibition

(photo courtesy of apexart-nyc)

(photo courtesy of apexart-nyc)

What exactly is an expedition, who goes on them, and why? That’s what curators Shona Kitchen, Aly Ogasian, and Jennifer Dalton Vincent set out to explore in Setting Out, their exhibition of expeditions (say that five times fast) large and small, real and imagined.

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