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Week in Film: a Very Lynchian Retrospective, Full-Frontal Greek Mythology, and More


Metamorphoses
Saturday March 25 (10 pm),  Sunday March 26 (7:30 pm), Tuesday March 28 (10 pm) Thursday March 30 (10 pm) at Spectacle: $5, advance tickets available 

You know what’s cool about ancient Greek mythology? It looks good on almost anyone. Even 21st-century French people, as you’ll see in Christophe Honoré’s new film Metamorphoses. It’s actually based on a really old poem–but you already knew that by the film’s title right? Metamorphoses (the original) dates to about 8 AD when this Roman dude named Ovid fused bits from more than 250 existing Greek mythos together to create a pretty wacky piece of non-linear literature that defies the standard didactic, A-to-B tellings that were popular back then. Thankfully, Ovid’s story is every bit as riveting as the OG mythos, which are always chock-full gore, guts, adultery, betrayal and, of course, horny gods mingling with orgy-prone mortals.

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Anthology Film Archives Adding New Library and Café, With Help from Sparkly Art Auction

Jonas Mekas and Andy Warhol (Courtesy Stephen Shore / Anthology Film Archives)

Jonas Mekas, co-founder of Anthology Film Archives with Andy Warhol (Courtesy Stephen Shore / Anthology Film Archives)

Yesterday, Anthology Film Archives announced that, for the first time in their 46-year history, big changes are coming to the institution in the form of an expansion to their East Village operations that will include a library and café.

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Week in Film: Japanese Horror Cats Hungry for Human and Paranoid Rural Stock Schemes

It’s as good a week as any to catch some films and with one of our besties going outta commission soon (temporarily, thankfully) we’re encouraging you to cinematically tie one on and mainline all the movies you can possibly handle now, and actually just forever. Do consider jumping, because we’ve got plenty of product for you below.

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Week in Film: OG Midnight Pulp and a Number of Noir Nights Coming Your Way

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We’re a lucky, lucky bunch to live in a city where we’re at the wellspring of new film and the source of cinematic reconsideration, where grind-house becomes art-house and a dum-dum boy can be made into a bandana-wearing teddy bear genius. See all that and more this week and beyond.

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