(Photo: Kassandra Leigh)

When Toshi Salvino met me at a café in East Williamsburg, she sported wide-striped tights, chunky platform boots, black shorts, and a black t-shirt portraying an aurora-colored robotic goddess courtesy of Heather Hermann, an artist who worked under Yoshitaka Amano. Her bubblegum-pink hair was coiffed in a casual updo, and embellished by several ribbon-shaped barrettes. She had dotted her face with freckles and her eye makeup was vaguely reminiscent of Natalie Portman’s Black Swan; she wore a mauve metallic lipstick, which would make any other person look like Laura Palmer’s corpse.

Keep Reading »