Two years ago, like so many of us lost New York City souls, Abby Hertz was disappointed with her sex life. She’d been married for almost a decade, and as a divorcee reentering the dating scene in her early 30s, she started to notice something. Excuse her language, but there was “a lot of fucking without intimacy going on.” Startled, she decided to do something about it. Something that involved a lot of dessert… smothered all over a model’s naked, supine body. She created LUST, “a night of intense intimacy without fucking.”
This is Happening
What’s in a pin? Con Artist Collective, the scrappy community of creative hustlers always busy dreaming up crazy stuff on Ludlow Street, believes it’s just another way for artists to express themselves and the rest of us to have fun sticking funky doodads all over our jackets.
Perhaps your idea of a night out at Greenpoint’s Bar Matchless includes drunkenly windmill punching your way through the crowd, loudly sighing when you realize that literally every seat in the house is taken, then dodging skeevy dudes who try to buy your drinks, and having to resort to physically batting them away when they throw money at the bartender anyway, apparently having misinterpreted your “shove off” through the loud din of god-knows-what kind of music to mean “let’s shove” (or maybe you’re one of those skeevy fellows– in which case, uh, sorry).
If all this sounds scary-familiar, then maybe it’s time you see another side of Matchless. Actually, there’s no better time than the present (i.e. tonight, at 8 pm) to get your foot in the door on a night when that foot is much less likely to get groped.
We were so busy sifting through the mounds of stuff out there to keep you out-n-about this weekend– from Essex Street Market’s Block Party to the Ukranian Festival to a bunch of gentrification art shows– that we almost almost forgot to mention a biggie on the scene. But never fear, dear pop culture lovers, this weekend also has your name on it.
Our friends over at Vulture, New York‘s culture blog, are kicking off a two-day festival tomorrow with media luminary peeps like Trever Noah, Shonda Rhimes, Sarah Silverman, and Fred Armisen, among others, in attendance.
It’s officially feelin’ like almost-summertime, and you know what that means– more ice cream and more murders. We trust you’re all aware that higher temps mean an uptick in lickin’ that delicious gift of mother cow teat and an increase in violent crime along with “human conflict” in general.
So if you’re feeling an incident of bad behavior coming on, it’s best to preemptively repent and do something cute, cultural, and community-oriented to quiet your demons– this weekend, get thee to the Saint George Ukrainian Festival, aka the East Village-based Slavic block party to rule them all. It helps that a century-old Ukrainian Catholic Church will be cowering over you, which– no matter what your religious (or non-religious) affiliation– is guaranteed to make you feel far too guilty to commit any dastardly deeds.
The House of Yes has something of a problem with their shimmering, funky, newish venue in Bushwick– they have a surplus of space, which is sort of a unique issue when it comes to digs in post-industrial-squatting Brooklyn. But as the performance collective settles into what’s by far their most functional and fanciest home yet, they’re filling up their calendar with even more events. Soon enough they’ll have every inch of the space and their time occupied by cool happenings. Take for example, the first-ever Question the Market (Saturday May 28 and Sunday May 29), billed as a new pop-up “queer design and arts market.”
“It will be shopping as nightlife, nightlife as shopping,” organizer Eric Schmalenberger told us. “I feel like shopping can be more than shopping. When given the right space, it can be more interesting and engaging, and the great thing about flea markets is that you, often, can engage with the maker.”
It’s the time of year again, when the venerable Essex Street Market marks its anniversary with an all-out block party, taking over the stretch between Delancey and Rivington with pushcarts, astroturf, outdoor DJs, and delicious food galore. It’s been 76 years and as the longest-surviving market from the La Guardia era, it deserves to celebrate. (To get the full deets on its history, check out our deep dive into its roots. You can also get a free market tour at the party, from Turnstile Tours).
The great giver of free things, House of Vans, has announced they’re teaming up with Rooftop Films (the latter just dropped their 20th-anniversary summer programming) for two undeniably sick events happening next week. The super group of summertime chill times are calling the almost back-to-back affairs “cinematic music events,” and for the low, low price of $0 you too can see two music-centric documentaries followed by performances from Danny Brown, The Casualties, and more. It’s all happening at House of Vans. Read on for more deets.
When you think about classic horror flicks, the word “feminism” probably doesn’t jump out at you– those blood-bathed scenes are usually dominated by hot young women, running around helpless and screaming for their lives. But Spicy Witch Productions is turning the slasher genre on its head in their new repertory season at The Clemente, by exploring the fetishization of violence through the lens of an all-female creative team.
Any show that begins in full blackout long enough for the elderly patron next to me to start murmuring and glancing at the program with the light of his phone screen is one that is going to pique my interest.
Evening – 1910, a new musical written by Randy Sharp and Paul Carbonara (a former guitarist and music director for Blondie), has many interest-piquing factors. Indeed, it began in the pitch dark. It’s an entirely sung-through musical in a quaint and intimate space (the Axis Theater in the West Village) with a live band. It follows immigrants who arrive in the city in 1910. Some are showgirls at a failing variety show theater on the Bowery who dream of finding more fulfilling work, one is a man who enjoys using his camera. Their lives are interrupted by a rich man who intends to transform the theater into a cinema.
On May 20, the 50,000-square-foot Knockdown Center will become the site of a bold new experiment in live performance. Authority Figure, directed by performance/dance/sound artists Monica Mirabile and Sarah Kinlaw, is an immersive and participatory experience exploring themes of surveillance, authority, and obedience. Appropriately vast in scale, it features over 150 performers (including a child and a pregnant woman), and has been created with six choreographers, seven installation artists, and six musicians, including local faves Pictureplane, SOPHIE, and Hot Sugar.
Lucy Hearn recently did what so many musicians and artists before her have done when she made the big move to New York, hoping to find a bigger audience and a more “intense” environment. But instead of leaving Sydney, Australia behind in a flurry of middle fingers and broken shot glasses, Hearn (who fronts an indie pop band called Fieldings) is taking a piece of her hometown with her.
As an active member of the scrappy arts community in Sydney, she founded Strange Cuts, a rotating event that functioned as a live-music space, homemade goods market, and art show. On Saturday, May 21, at Secret Project Robot, Hearn and her organizing partner Caitlin Pasko of Drunken Piano, will host the very first Brooklyn Strange Cuts. It’ll feature performances by Fieldings as well as a slew of other local bands like Baby Birds Don’t Drink Milk. Plus, there’ll be visual art and cool things to throw your money at brought to you by independent purveyors of handmade objects, garments, and book things.