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Would You Sign Up For an Art CSA?

JonathanHull

Print by Jonathan Hull

Broke art collectors don’t exist, and broke artists can only exist for so long. Enter: Brooklyn Community Supported Art + Design (CSA+D). Putting a twist on the idea of Community Supported Agriculture, where subscribers get a weekly supply of fruits and veggies from a farm or community garden, CSA+D is a program where shareholders purchase stocks in local artists in exchange for pieces of art and design.

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This Skateboard Shaped Like the New Museum Looks Sick, But Can It Shred?

The Chapman + New Museum collaboration (Photo: Kirsten O'Regan)

The Chapman + New Museum collaboration, after use (Photo: Kirsten O’Regan)

A house of stacked boxes that teeters upwards from the Bowery, the New Museum’s silhouette doesn’t seem like apt inspiration for a skateboard. But that hasn’t stopped the museum — last seen hawking Bowery-scented air fresheners — from teaming up with Chapman to create a limited edition deck in the shape of its iconic Sejima + Nishizawa/SANAA-designed building.
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Buy Some Convict Art So This Guy Can Take a Jail Cell On a Musical Prison Tour

Fury Young with his "anti-prison art" (Photo courtesy of Fury Young)

Fury Young with his anti-prison art (Photo courtesy of Fury Young)

Fury Young is planning a road trip—but not just any old cross-country joyride. He’ll be traveling from New York to LA in a faux prison cell for starters, and the itinerary is unusual to say the least. “We’re going to go, basically, to the hood,” he says. “High incarceration rate neighborhoods. And prisons, as many prisons as we can get access to along the way.”
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An Ambitious Look at the South Side, ‘Still Not the Neighborhood You Want to Think It Is’

Living Los Sures, a collaborative work-in-progress documentary project by UnionDocs, is a multifaceted portrait of Williamsburg’s South Side that has been four years in the making. The ambitious project—selections of which are now on display at Fordham University’s Idliko Butler gallery—was inspired by Los Sures, Diego Echeverria’s 1984 feature documentary about the then-blighted Hispanic neighborhood. “Remarkably,” wrote Eleanor Mannikka of the film, “some hope and ambition and drive are still present in spite of the crime and grime that settles over the neighborhood like dust.”
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JJ Brine Will Let You Into His Back Room, But the Price Is Your Soul

JJ Brine at Vector Gallery (Photo: Nicole Disser)

JJ Brine at Vector Gallery (Photo: Nicole Disser)

JJ Brine, founder of the Lower East Side’s only Satanic art gallery, is not your typical interview subject. Straightforward questions simply do not work on the curator and artist-in-residence of “the Official Art Gallery of SATAN.” There were several times during our talk when Brine stared back at me — amidst imagery of Charles Manson and Baphomet the Sabbatic Goat — as if to say, “What the hell are you talking about?”
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Umbrella Arts Wants Your Photos of Kids, the Creepier and Uglier the Better

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This could be the antidote to all the tot shots that have been flooding your Facebook feed lately. Umbrella Arts is putting on a show called “Kids (Not Cute)” — as the title implies, it’ll be dedicated to photographs of yung’uns that are “a bit out of the ordinary, not the conventionally cute and sentimental images that are often seen.”
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Life of Pie: Food For Thought at an Event and Exhibit in DUMBO

Tonight in DUMBO, a quartet of creatives (including Michael J. Cirino of a razor, a shiny knife, the pop-up dinner rapscallions known for serving rogue luncheons on the L train and such) will present some food-focused work and performances. The event, put on by Kind Aesthetic, aims to “showcase artists, thinkers and makers who use food as their medium” — much like an art exhibit that, coincidentally, is currently on view nearby at Smack Mellon gallery.
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25 Images From New Museum’s Arresting Survey of Contemporary Arab Art

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For the last fifteen years, Massimiliano Gioni has enthusiastically observed the increased presence of the work of artists of Arabic origin at various biennials and international exhibitions. “And I started getting worried and suspicious,” says the Associate Director and Director of Programming of the New Museum, “because many of these great artists—who we would see everywhere else—were not being shown in New York.”
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Feature, Inc. Closes After Hudson’s Death, But His Legacy Lives On

LetsgoletgoeviteFeature, Inc. has left its home on Allen Street, according to an announcement from the family of its beloved late owner, Hudson. The gallery opened in Chicago in 1984 and bounced around in New York City before settling into its Allen Street location in 2009. It was among the first to exhibit the art of Takashi Murakami, Raymond Pettibon, Richard Kern, and many others. In an obit penned shortly after Hudson’s death in February, Jerry Saltz called him “one of the last of his kind, and among the smartest, wittiest, and most visionary gallerists I’ve ever known.”
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