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Tonight: Drink Scotch While Admiring This Scottish Artist’s Work

968_1000Tonight Rebecca Hossack Gallery will be feting a Scottish artist with Scottish cocktails.

Glasgow-born Alasdair Wallace will be in attendance tonight, making his New York debut with “Rare Vagrant & Accidentals,” an assemblage of 21 paintings (mostly acrylic landscapes) and a small bronze sculpture that will be on display through May 7.
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A Legendary Guerilla Exhibit, ‘The Real Estate Show,’ Is Revived in a Proper Gallery

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

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One of the Lower East Side’s most storied and significant art exhibits has been resurrected at James Fuentes Gallery, just a few blocks from where a group of guerilla artists broke into a city-owned building and staged The Real Estate Show on New Year’s Eve, 1979.
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Some Artists Built a Bodega Inside of a Bushwick Gallery

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)

Last night Bushwick’s Exit Room gallery hoisted the flag for “Newmerica: The Birth of a Nation,” a tightly-focused group show (and burgeoning art collective?) of new works from Icy and Sot, NDA, Sonni, Matta Ruda, and LNY. Some of the work was so new, in fact, the LNY was still finishing his final piece even after the crowds started to arrive.
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Is Adam Parker Smith Going to Bring It to the Brooklyn Artists Ball? Butt Of Course!

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As in previous years, the Brooklyn Museum has handpicked a stellar group of Brooklyn-based artists to create site-specific installations for the Brooklyn Artists Ball, which takes place at the museum April 16. The 17 artists were tasked with creating an “immersive, multi-sensory table environment,” or, as they are more casually described, centerpieces.
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The Balloon Nymphs Upstaged the Art at Succulent’s Debut Show

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

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Daniel Wientraub, Sek3, and the rest of the Succulent Studios crew promised us a big blow-out party to launch their new art gallery/event space in Greenpoint, and on Saturday night they most definitely delivered.
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Greenpoint’s Newest Space Opens With Colossal Street Art and Free Beer

(Photo: Scott Lynch)

(Photo: Scott Lynch)

“Everyone who comes in here for the first time, all they can say is, ‘Fuuuuuuuuuuuck.’”

Daniel Weintraub is creative director of Greenpoint’s newest art gallery and events space, Succulent Studios, located in a century-old warehouse at 67 West Street. The room is a monster: it clocks in at 3,000 square feet but feels three times that size because of what Weintraub calls the “urban barn” effect of the vaulted ceilings. In the afternoon, sunlight pours in through west-facing windows.
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You Have More Chances to Check Out These Giant Tighty Whities in Bushwick

Photo courtesy of ArtHelix

Photo courtesy of ArtHelix

Most people hate airing their dirty laundry. Not Michael McKeown. His massive handmade skivvies will be hanging on a clothesline in a Bushwick alley  through April.

The artist’s outdoor installation, “Winter Laundry,” was due to close this weekend but just got extended at 16 Harrison Place.

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The Last Brucennial, Featuring Only Women, Was Just Nuts

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)

(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)(Photos: Scott Lynch)

The preview of the Whitney Biennial was great and all. But did those uptown swells lay out endless garbage cans filled with free PBR at THEIR opening? Did they toss out free t-shirts to a rowdy, adoring crowd? Was there Ministry on the decks and naked people on the floor? And were there almost 600 different artists with works hung literally floor to ceiling, every square foot filled, every single one of them created by a woman?
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Trade Your Baubles For Fine Art at Cynthia Daignault’s Barter Shelf

(Photo: Daniel Maurer)

(Photo: Daniel Maurer)

Do you have any small and valuable objects? A beloved rubber ducky? The first love letter you ever received? A condom that’s been in your wallet since the late ’90s? If you answered “yes,” you may be qualified to participate in Brooklyn-based artist Cynthia Daignault’s Das Tauschregal (The Barter Shelf).
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We Went Uptown For the First Time in Two Years, to Preview the Whitney Biennial

The Whitney Biennial, which opens to the public this Friday, attempts for the 77th time to offer a snapshot of contemporary art in America while simultaneously acknowledging that this is just not humanly possible – particularly in the confines of one brutal uptown structure. The Whitney brought in three external curators to take on this impossible task, giving each their own floor to fill with sculpture, paintings, video, performance, printed matter and big, plush penises (note: only one floor actually includes big plush penises).
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