Art Hearts

No Comments

Skin-Like Sculptures, ‘Apocalyptic Trophies,’ and Other Art Events

(photo via Brandon Perdomo / Facebook)

(photo via Brandon Perdomo / Facebook)

MVMT: a solo exhibition by Brandon Perdomo
Opening Monday December 5 at The Living Gallery, 7 pm to 10:30 pm. One night only. 

Multidisciplinary artist Brandon Perdomo presents a one-night-only exhibition, which includes photography and performance work. Though this is a solo exhibition, he has enlisted the help of two performances to fill the night: at 8 pm, Another Lopez, who is the subject of a photo series by Perdomo, will perform a live dance installation piece and at 8:30 pm the silly, catchy, trash-loving band Pinc Louds will be leaving their home base of the NYC subway underground to play a colorful set. There is an $8 suggested donation, vegan dumplings may make an appearance, and BYOB is welcome.

Keep Reading »

No Comments

Week in Art: Black Women Artists for BLM, Weaponized Art, and a ‘Gallery Intervention’

(image via The Kitchen)

(image via The Kitchen)

Black Women Artists for Black Lives Matter: Holiday Screening & Reception
Monday, November 28 at The Kitchen, 6:30 pm to 8:30 pm. Sondra Perry: Resident Evil on view through December 10.

Black Women Artists for Black Lives Matter, aka BWA for BLM, is a fairly self-explanatory “collective force underground” group formed in July 2016 in response to the continual systemic violence perpetuated against black bodies in America. This evening, the group is taking over experimental performance and art space The Kitchen to show a series of videos, both archives of past performances the group has done and videos created by members of the group, all while beats by DJ LotusMoon infiltrate your ears.

Keep Reading »

No Comments

A Bed-Stuy Biennial, Nina Simone Self-Defense, and Other Art Events This Week

Nkiruka J. Oparah, study n° 080415, 2015, digital collage (image via BRIC)

Nkiruka J. Oparah, study n° 080415, 2015, digital collage (image via BRIC)

BRIC Biennial: Volume II, Bed Stuy / Crown Heights
Opening Wednesday, November 9 at BRIC, 7 pm to 9 pm. On view through January 15. 

BRIC’s largest exhibition to date is centered at Downtown Brooklyn’s BRIC House but also taking place in portions of Crown Heights’s FiveMyles, the Brooklyn Public Library, and the Weeksville Heritage Center. The show’s sprawling spread reflects the artists represented in the show, as all 40 are local to Crown Heights and Bed Stuy. The theme for the exhibit is “Affective Bodies,” placing a focus on “bodily experience rather than on learned knowledge,” a somewhat subversive move in the world of art exhibits, as so many are grounded in theory, explained using highly academic terms, and/or featuring high-class educated folks. Each non-BRIC venue will showcase a different sort of work: Weeksville Heritage artists are focused on the “emotional resonance” people give urban spaces, the Brooklyn Public Library artists use preexisting documents as their source material to create new works, and FiveMyles will focus on performance art. Keep Reading »

No Comments

Gallery Sleepover, Magical Laughter Workshop, and Other Art Occasions

Untitled, 1971 Ink on paper 27.6 x 35.2 cm / 10 7/8 x 13 7/8 in © The Estate of Philip Guston Courtesy Hauser & Wirth

Untitled, 1971
Ink on paper
27.6 x 35.2 cm / 10 7/8 x 13 7/8 in
© The Estate of Philip Guston
Courtesy Hauser & Wirth

Laughter in the Dark, Drawings from 1971 & 1975
Opening Tuesday, November 1 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through January 14. 

While our heads are all aflurry with the politics of today, it could be good to take a break, clear your head before you place pen to paper and fill out that absentee ballot, trying not to smudge the ink with your tears of frustration and hopelessness. Though this election season seems truly eternal, there were other presidents, and there was art made about them, too. Hauser & Wirth’s 22nd Street location will be showing a tremendous collection of Philip Guston’s satirical caricature drawings of Richard Nixon, from his well-known “Poor Richard” series to collections of sketches rarely seen by the public, if at all.

Keep Reading »

No Comments

Art: Vintage Voting, Wes Anderson, Liquor In Everything

R. Luke DuBois Learning Machine #2, 2016 AVM voting machine (instruction model, blue, ca. 1955), voting booth, computer, camera, lights, screen

R. Luke DuBois
Learning Machine #2, 2016
AVM voting machine (instruction model, blue, ca. 1955), voting booth, computer, camera, lights, screen

The Choice Is Yours
Opening Wednesday October 26 at bitforms gallery, 6 pm to 8 pm. On view through December 23. 

It seems to be a near-impossible task to find any sort of political media that does not deal heavily with those two folks with names beginning with D and H. If you’re interested in engaging with the current events but not with the media circus, consider checking out R. Luke DuBois’s solo show, part of LES gallery bitforms’s 15th anniversary season. The exhibition is a questioning of “individual agency,” from basic tasks to those with (supposedly) more weight, like voting.

Keep Reading »

No Comments

Art This Week: Selfie Voyeuring, Searching For Terry, Reduced ‘Crapitalism’

Andrew Gori & Ambre Kelly, Couple – Teotihuacan, Mexico, 2014 © Andrew Gori & Ambre Kelly (image via NY Artists Equity Association)

Andrew Gori & Ambre Kelly, Couple – Teotihuacan, Mexico, 2014 © Andrew Gori & Ambre Kelly (image via NY Artists Equity Association)

Andrew Gori and Ambre Kelly, Sightseers
Opening Tuesday, October 18 at Equity Gallery, 6 pm to 8 pm. On view through October 29.

Arielle de Saint Phalle curates a show of work by Andrew Gori and Ambre Kelly, founders of the SPRING/BREAK Art Show among other projects, curatorial and otherwise. For the first time, the two artists will be showing a series of collaborative photographs they’ve taken over the course of five years. The photos are described as a chronicle of “the self-portraiture practice of travelers and tourists,” which is essentially a fancy way to say you’re taking pix of people taking selfies in various locations. Not that there’s anything wrong with that. As selfies have become more and more ubiquitous throughout the world, a documentation of how people take them, especially in international travel hubs and beyond, sounds certainly intriguing. Sure, it’s definitely a little weird and voyeuristic to be showing them in a fine art space, but I suppose it’s just a more permanent form of people-watching. In stark constrast to the high-tech smartphone, which is prime vehicle for selfies, all of the photos on display were taken with 20th Century prosumer film cameras. So no, that’s not just a vintage Instagram filter.

Keep Reading »

No Comments

This Week’s Art: A Fish Market Repurposed and Many Types of ‘Graphic Art’

Mike Taylor (image via Idio Gallery)

Mike Taylor (image via Idio Gallery)

Mike Taylor: Condensed Flesh
Opening Thursday October 13 at Idio Gallery, 6 pm to 11 pm. On view through October 30.

East Williamsburg space Idio Gallery put out a call for crowdsourced financial support several months ago, which very well could have signaled that it was beginning to scale down. However, with a show at Bushwick Open Studios and another show opening shortly after, they don’t appear to be going anywhere. This one is a solo show, presenting works on paper and paintings by renowned graphic artist Mike Taylor, created between 2012 and now. Finished works won’t be the only thing on display in this show, as Idio’s downstairs basement space will be transformed into a showcase of the artist in-process, with drawings not yet done, prints, and “printmaking debris” on view as well. Taylor’s work is bold and bright, often utilizing neon colors and mixing abstract patterns with notes of realism and the human form filtered through the style of the illustrator and comic artist.

Keep Reading »

No Comments

Chinese Food Stories, Dirty Drawings, and More Art This Week

(flyer via Mia Schachter / Facebook)

(flyer via Mia Schachter / Facebook)

Co//Modified: A Showcase of Design Artists
Opening Monday October 3 at The Living Gallery, 7 pm to 10 pm. One night only. 

In this one-night-only show curated by Mia Schachter, eight artists who “straddle the line of intention between utilitarian design and art” will make their way to Bushwick’s The Living Gallery to show their work. Many of these artists make work that they predominantly try to sell as useful objects, like hyperstylized papier-mâché percussion instruments, ceramic mugs or pots, and embroidery. This show seeks to lay their salesperson spirit to rest momentarily so they can merely show off their creations as art. But if you’d like to go home with a piece or two, you’ll be able to do so as well.

Keep Reading »

No Comments

Fruit-Powered Chandeliers, Brooklyn Drag Art, and Other Art Happenings

"SELF REFLECTION" The Untitled Space Gallery, New York

(image courtesy of Milk & Night Curatorial)

Self-Reflection
Opening Tuesday September 27 at The Untitled Space, 6 pm to 9 pm. On view through October 8. 

No less than 21 female artists will descend upon Tribeca art gallery The Untitled Space this Tuesday for the show “Self-Reflection.” Their art spans multiple genres, but all pieces will focus on some form of self-portrait, using the artists’s own bodies as a tool for creation. These self-portraits aren’t the typical depiction of oneself; some are even constructed through wool tapestry weaving. Rather than being potrayed by others, where objectification and the pesky male gaze can run rampant, these women will take their bodies into their own hands (in some cases, literally) to construct a self that feels authentic to them, however that might manifest. Some photograph themselves, some use images of their own nude form for painting references– either way, it’s all them.

Keep Reading »

No Comments

Vist Trump’s Tombstone and Some Other Art Shows This Week

(flyer via Manhattan BP Gale Brewer)

(flyer via Manhattan BP Gale Brewer)

Arlene Schulman: The First 100 Years
Reception Tuesday September 20 at The David N. Dinkins Municipal Building, 5 pm to 7 pm. On view through September 29. 

Bronx-born Arlene Schulman has had a robust career as a photographer, with an array of published books, including the award-winning The Prizefighters: An Intimate Look at Champions and Contenders. Her photos reflect a lifetime living in the city, and I mean lifetime: she started taking photos when she was a mere eight years old. They focus on the everyday and the working class, portraying subjects like police officers and boxers in large-format prints. And photography isn’t all she does– she also writes, edits, and teaches. This exhibit, presented by Manhattan BP Gale A. Brewer, seeks to showcase her large body of work and the unique way she sees the city. But careful, don’t go offering her the chance to shoot artful pictures of any lima beans or olives—she writes on her website that she hates those.

Keep Reading »

No Comments

Art Openings: Genderless Fashion, Return of the East Village Eye, and More

Raque Ford, Yours Truly, Georgia Brown, 2016, Laser cut plexiglass. (image via ISCP)

Raque Ford, Yours Truly, Georgia Brown, 2016, Laser cut plexiglass. (image via ISCP)

Yours Truly, Georgia Brown
Opening Tuesday September 13 at International Studio and Curatorial Program, 6 pm to 8 pm. On view through October 11.

In this show, artist Raque Ford takes on the character of Georgia Brown, a “temptress” figure from the 1940s film and Broadway musical Cabin in the Sky. The show made history as the first production to feature an entirely African-American cast, but the creators were (shocking!) all white. Using a variety of techniques, including plexiglass sculpture and a zine of handwritten letters that attendees can take home with them, Ford will reexamine and rewrite the narrative of Georgia Brown through a rigorous and contemporary lens.

Keep Reading »

No Comments

Weekend Art Stops: Everyday Halloween, Crabapple Muses, and One Painting, Deconstructed

(image via Disclaimer Gallery)

(image via Disclaimer Gallery)

Everyday Things
Opening Friday September 9 at Disclaimer Gallery (inside the Silent Barn), 6 pm to 9 pm. On view through October 2.

Though artist Megan Tatem often works in illustration, creating works for magazines and doing graphic design over at Hearst Media, this “tongue-in-cheek” exhibition will showcase another side of her work: photography. The show provides commentary on imagery related to racial stereotypes, but wrapped up in a tight layer of sarcasm. This results in lighthearted visual observations on assumptions like “white people can’t dance” and who holds the highest proclivity for fried chicken, but also delves into darker, serious territory, also acknowledging how racial stereotypes like the assumption that people of color are dangerous or prone to crime can (and has) lead to unwarranted violence against them.

Keep Reading »