(image via SPRING/BREAK Art Show / Facebook)
Spring/Break Art Show
Opening Tuesday, March 6 at 4 Times Square, 5 pm to 9 pm. On view through March 12.
While it may not be spring quite yet, we will soon see the return of the Spring/Break Art Show, springing (sorry) back into action during Armory Arts Week for a seventh year. This show in particular stands out among the dizzying array of art shows and fairs and shows-within-fairs due to both its focus on art that’s a little more out-there than some contemporary offerings, and its location, which utilizes “underused, atypical, and historic” space rather than some pristine white box or whatever. It would take me a very long time to count all the artists involved this year, which range from Iggy Pop and Robert Mapplethorpe to Parker Day and Azikiwe Mohammed, so I can only assume there are hundreds and you will have plenty to see. Granted, you’ll have to go to Times Square to do it, but it will probably be worth it. Keep Reading »
(image via Tina Kim Gallery / Facebook)
Opening Wednesday, February 28 at Tina Kim Gallery, 6 pm to 8 pm.
You’re probably familiar with the most common way to write music, with notes on a staff, even if you can’t read music yourself. But did you know there are other ways to do it? One of them, the Korean system Jeongganbo, dates all the way back to the Joseon Dynasty, which began in 1392 and ended much later, in 1910. Rather than using a staff system, it uses a grid system, with each note taking up a square in sequential order. Seoul-based artist Suki Seokyeong Kang was drawn to this geometric composition technique, and has created a series of “visual translations” of Jeonggabo in her new solo show at Chelsea’s Tina Kim Gallery. The show is mostly sculpture based, in a way that attempts to put forth both logic and harmony. Perhaps after exploring, you’ll come away with a subconscious new knowledge of how music can be made. Keep Reading »
, gallery openings
, group exhibition
, knockdown center
, Lower East Side
, Sargent's Daughters
, solo exhibition
, spoke art
, Tina Kim Gallery
Camae Ayewa/Moor Mother, detail from He’s Got the Whole World, 2017 (image via The Kitchen)
Camae Ayewa / Moor Mother
Opening Wednesday, February 21 at The Kitchen, 6 pm to 8 pm. On view through March 17.
Camae Ayewa, who some may know by her musician moniker Moor Mother, is a truly multifaceted artist. She writes poetry, pens and performs visceral electronic noise protest songs referencing black activists and theorists, photographs, leads community workshops, makes collages, and if you’re impressed already, that’s merely a partial list of what she’s capable of. If your curiosity has been piqued, head on over to The Kitchen for a comprehensive look at Ayewa’s creative output and process. Though this is an art exhibition, it’s so much more than that; created as an accompaniment to her second solo album (and its subsequent instrumental accompaniment), the show delves into the album’s creation and inspirations by way of collage, film, soundscape, and poetry. On March 6 and 7, Moor Mother will take to the stage. Keep Reading »
(image courtesy of Cooler Gallery)
Opening Tuesday, February 13 at Cooler Gallery, 7 pm to 10 pm.
Everyone’s favorite Navy Yard industrial icebox turned gallery is at it once again with a new exhibition by artistic duo Chiaozza. While their show’s name, Chiaozza Chapel, may sound like an old piece of ornate architecture you’d learn about in art history class, their work is certainly very modern. However, it’s still an actual chapel, at least in the formal sense of the word. The duo has transformed a small 6’x7’ section of the space into a colorful, geometrical space for contemplation and gathering. If you’re old-school, think of the structure within as a kind of modernized, minimalist stained glass. Personally, I think it kind of looks like a nice, stylish condo for birds. Keep Reading »
(image via The Bellwether / Facebook)
Hair Paintings & Other Stories
Opening Tuesday, February 6 at La MaMa Galleria, 7:30 pm. On view through March 3.
The Bellwether and Codify Art team up with La MaMa Galleria to present this solo exhibition by multidisciplinary creator Jarrett Key. Though yes, it’s technically a showcase of just work created by Key, it’s representative of so much more than that. Their works deal specifically with “the collective bodily memories and rituals of the Black community,” so each one of them manages to be deeply personal while also literally containing multitudes. As you may have guessed by the title, hair has a significant presence here, which can be seen both in the exhibition description (“Key grew up in rural Alabama to their grandmother singing, ‘your hair is your strength'”) and the look of the actual paintings themselves, which often resemble vast and complex tangles you could get lost in. Keep Reading »
, Disclaimer Gallery
, East Village
, eve ingalls
, gallery openings
, jacob kirkegaard
, Lower East Side
, Soho20 Gallery
, son kit
, Sound Art
, yasmin jones
The Broken Sofa, 2017
Oil on canvas
220 x 180 cm / 86 5/8 x 70 7/8 in
© Zhang Enli
Courtesy the Artist and Hauser & Wirth
Opening Thursday, January 25 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through April 7.
Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.
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“America” ONE YEAR OF RESISTANCE artwork by Touba Alipour
One Year of Resistance
Opening Tuesday, January 16 at The Untitled Space, 6 pm to 9 pm. On view through February 4.
Though it feels like several eternities, it’s been about a year since Trump was inaugurated. A large array of artists have been asked to channel their rage and other such emotions into their work, resulting in the wide spread that is One Year of Resistance, a group show at The Untitled Space in Tribeca. This gallery is no stranger to art that responds to the current political climate; the month of the 2017 inauguration they presented group exhibition Uprise / Angry Women. For One Year of Resistance, which serves as a follow-up to Angry Women, curator and gallery director Indira Cesarine has asked over 80 artists of all genders to contribute work inspired by “the controversial policies and practices of our current president.” The work ranges from literal depictions of Trump to more symbolic renderings of #resistance. Can you believe it’s only been a year? Keep Reading »
Nene Humphrey (image courtesy of Lesley Heller Workspace)
Opening Wednesday, January 10 at Lesley Heller Workspace, 6 pm to 8 pm. On view through February 18.
In the Victorian age, those who lost a loved one would enact an odd and intimate ritual known as mourning braiding. This practice consisted of braiding the actual hair of the deceased into a piece of jewelry. Artist Nene Humphrey is no stranger to incorporating mourning-centric behaviors into her work, and come Wednesday she will open a new exhibition at Lesley Heller Workspace on Orchard Street that combines the brain’s reaction to grief with this old-school hair ritual. The installation and “ritualized site of production” includes braiding stations featuring wire instead of hair and walls covered with weaved strands. Instead of actual people doing the braiding, the stations sit empty and projected videos show the plaits being constructed alongside similar-looking images of the brain. Keep Reading »
, derek eller gallery
, gallery exhibitions
, julia sinelnikova
, Lesley Heller Workspace
, Lower East Side
, mountain gallery
, Nene Humphrey
, superchief gallery
, Vincent Dermody
, William King
(image via Fridman Gallery / Facebook)
Opening Wednesday, January 3 at Fridman Gallery, 6 pm to 9 pm. On view through January 24.
Channels seem like they’re becoming a bit of a relic, at least when they’re referring to the ones found on television. Several technological relics of sorts play a major role in sound artist and audio engineer Daniel Neumann’s new solo exhibition, aptly titled Channels. In it, large auditory objects appear simultaneously as sculptures and music-makers, including a custom-built vintage speaker and a 56-channel mixing board suspended in midair. The third “sculptural” component of the show is a bit more abstract: a 3D sound field made up of 56 sounds and their subsequent feedback. Whether you see it as a concert of objects or a visual display, there will be something to take in.
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(image courtesy of Catinca Tabacaru Gallery)
Lateral Thinking With Withered Technology
Opening Thursday, December 14 at Catinca Tabacaru Gallery, 6 pm to 8 pm. On view through January 21.
Though the title of this exhibition may call to mind a really wrinkly cell phone, it is in fact a reference to the ideology of the creator of the Nintendo Game Boy, Gunpei Yokoi. This sort of reference feels right at home when it comes to this show by Shinji Murakami, which will transform a gallery space into an illuminated augmented reality playland. His materials of choice tend to be more traditional, such as wood, plastic, and glue, but he also uses vast amount of LED lights. Altogether, this creates a homage to 1980s gaming, particularly the simple and nostalgic 8-bit aesthetic. In the midst of this 8-bit world, the artist has turned an LED panel into a real-time display of Elon Musk’s Twitter feed, a clear reminder that while the gallery may look rooted in the technology of the past, we are in the present, and it’s a present that may not be too far away from colonizing other planets. Keep Reading »
(image courtesy of Michael Alan)
Mind Body Sound
Opening Saturday, December 9 at Khorasheh + Grunert, 8 pm to midnight. On view December 6 – 9.
One wouldn’t normally associate an art opening with instances of prolonged hugging. Unless it’s the mouths of eager wine consumers hugging the rim of that little plastic cup they always give you at art openings. But at artist Michael Alan’s opening reception, there will be one very literal hug that will last for a whopping four hours. The participants will be Alan himself and his partner Jadda Cat, who will be doing the deed (hugging, that is) while covered in Alan’s visual artwork, stationed in the unmissable center of the gallery. This exhibition and performance is part of a long-running (17 years, to be exact) project of Alan’s entitled “The Living Installation,” a series of small performance-based art happenings, such as his recent glow-in-the-dark paint party. An array of his works on paper will also be on view, including new large-format abstract works and 96 baseball cards the artist created from childhood until the present day. Sometimes art, like life, works best with a little added affection. Just remember to ask for consent! Keep Reading »
, Alexis Mendoza
, Black Lives Matter
, Carla Cubit
, East Village
, gallery openings
, Kenkeleba House
, Khorasheh & grunert
, Leslie Jean-Bart
, Lower East Side
, michael alan
, Tanja Grunert Gallery
, Wilmer Jenning Gallery
(image via Fort Gansevoort)
I’ve Been Heard
Opening Thursday, November 30 at Fort Gansevoort, 6 pm to 8 pm. On view through
“Public Parks to this day exist as one of the very few remaining spaces that are designed to be democratic: free and open to all,” proclaims a statement for artist and boxing teacher Cheryl Pope’s latest installation at Fort Gansevoort. While the intent for a location isn’t always put into practice by all, it does remain true that public parks provide, or attempt to provide, such a freedom. Pope’s installation focuses on NYC youth, who often flock to parks and the street basketball courts that accompany them. After speaking with an array of young people, she created banner flags and “All-American Varsity Letterman Jackets” displaying some of their statements, elevating the words of youths who may be often ignored into literal fine art. Keep Reading »