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Graham Collins Stitches Found Paintings To Create Something Bigger Than the Sum of Its Arts

“Unmeltable Antebellum” by Graham Collins.

A few years ago, Graham Collins landed on a GQ list of 10 artists to watch when he bronzed pedestrian items like toothbrushes and potato chips and showed them at Art Basel. Some of those works are now on display at The Journal Gallery, along with others that are substantially more monumental.

“Unmeltable Antebellum” is a striking giant. To create it, Collins took strips and segments of nearly a hundred found paintings and meticulously arranged them and stitched them together. It’s one of many similar pieces, created over several years, that will be on display through Nov. 4 as part of the artist’s latest solo show, “Western Shade.”

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Overcoats, Yoke Lore Bring ‘Folktronica’ to Rough Trade and Mercury Lounge

It was the second-to-last day of SXSW and this one was much like the rest–long, hot, sweaty and filled with sound mishaps and mic malfunctions. The raucous festival crowd at The Sidewinder shifted in the night as Adrian Galvin, known as Yoke Lore, took the stage for his last show. “Yoke Lore played for like 10 seconds,” says JJ Mitchell, of the band Overcoats, “And Hana and I looked at each other and we were like, oh shit… this is something very special.”

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Bowery Presents Promises an ‘A+ Experience’ at Their New Venue, Brooklyn Steel

(Photo: Nicole DeMarco)

Yesterday dozens of construction workers milled about 319 Frost Street in Williamsburg, where The Bowery Presents has been turning a former steel fabrication plant into Brooklyn’s largest general admission venue. This Thursday, April 6, the first of five sold-out LCD Soundsystem shows will kick off a month of performances by bands like The Decemberists, PJ Harvey, The Pixies, Two Door Cinema Club and Tycho.

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Cameroonian Crooner Vagabon Tackles the ‘Beast’ With a Proper Studio Album

(Photo: Ebru Yildiz)

Laetitia Tamko, the “one-woman empire” that is musical act Vagabon, prefers being on tour to practicing in her Bushwick studio. For her, the road feels more like home. The 24-year-old fresh face began recording and producing music as Vagabon in 2014 while studying engineering at CUNY, spending most weekend nights working late at the library. At least that’s what she told her parents, while sneaking off to play gigs throughout the city. Tamko didn’t want a “real job,” despite her parents’ failed attempts to push her into a career in engineering. Brooklyn’s underground music scene had pulled her in. “It can be hard, but it’s also all I see myself doing,” she says.

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