BYO Art for International Women’s Day Opening Wednesday March 8 at The Living Gallery, 9 pm. One night only.
If you’re a woman creator, walk yourself over to The Living Gallery this Wednesday for the International Women’s Day edition of their recurring BYO Art exhibition. The idea behind BYO Art is simple: just bring your art to the gallery and set it up. If there are any interested buyers present, you’ll get the full amount without the gallery taking a percentage. Since the art present will be contingent on who arrives with stuff they’ve made, there’s really no telling of what you’ll see. It could be something amazing.
This BYO Art is for women artists only in honor of Women’s Day, and will also host a variety of live music and poetry performances starting at 10 pm, including a short set by my band Squidssidy, so come say hi. Anyone can come, of course, despite the creators being only women. The event requests a $5 suggested donation that will go toward the Bushwick Exchange Zine, a publication dedicated to sharing free resources in and around Bushwick.
Villa March 1-April 1 at Wild Project, 7:30 pm: $35 general admission, $15 advance student tickets, $10 rush
The Wild Project will be hosting The Play Company’s English-language premiere of Chilean playwright Guillermo Calderón’s play Villa. It’s a piece for three actors that places us in a room with three women, who just so happen to be charged with determining the fate of the Villa Grimaldi. The Villa Grimaldi was a significant complex that DINA (the Chilean secret police) used during the Pinochet government to torture and interrogate political prisoners, and was in operation from approximately 1974-1978. What do you do with land that has previously been used for cruelty? The play originally premiered at the actual site of the now-demolished Villa Grimaldi outside the city of Santiago, which will be an interesting thought to keep in mind when you’re sitting in a comfortable East Village theater watching it now. Keep Reading »
Volta NY Opening Wednesday March 1 at Pier 90, 7 pm to 10 pm. On view through March 5.
Now is the time for art fairs aplenty, and Volta NY is just one of many. Volta stands out singularly (ha) because they focus on solo artist projects only. Though they’re all about solo stuff, by no means are they taking a minimalist route. At Pier 90 you can catch not only the water, but the work of artists from 38 nations shown by 96 galleries and art spaces across 5 continents and 36 cities. You needn’t be a math whiz to figure out that is a lot of art to place your eyes on. Only not literally, that could cause vision issues and probably a lot of side-eyeing. If you stop by on the first night, it’s free to enter, but any other day it’ll cost you $25.
This is Volta’s tenth year of existence, so you can expect they’re pulling out all the stops this time. This week you can also catch The Armory Show (ticket bundles are available, which get you into Volta and Armory) and SPRING/BREAK, in a new location in Times Square. If you wish, you can pop around the piers all weekend for a veritable art adventure. The art doesn’t stop there: the Architectural Digest Design Show will be from March 16-19, also on the pier. And we can only wonder: will The Mars Volta be at Volta NY?
This Is How You Talk To People Wednesday, February 22 at The Silent Barn, 7 pm: $5
Tonight, Bushwick mainstay The Silent Barn will welcome a “communal reading” of a play by Rachel Davies, who has written for outlets such as Rookie, Complex, Nylon, and The Le Sigh. This Is How You Talk To People is Davies’s first play, and chronicles a variety of women from a talk show hostto a student who are collectively trying to navigate shifting friendships and relationships. The reading will be done communally in “an attempt to make the performance more accessible,” and profits from the evening will be donated to the ACLU.
Slide To Expose Opening Thursday February 23 at Babycastles, 6 pm to 9 pm. On view through March 9.
This “collaborative augmented reality installation” is created by Molly Soda, Nicole Ruggiero, and an augmented reality app called Refrakt. If you’re confused about what augmented reality is, recall Pokemon Go. Two creators known for their “net art” collaborating with a literal app sounds like a match made in heaven. And it seems to be: Slide To Expose plays on themes of digital intimacy and privacy, but does so by asking viewers to scan objects in the gallery to reveal hidden pieces of a life online, like emails or text messages.
On the one hand, art all about online expression and how technology affects our lives can seem like old hat. On the other hand, if you’re getting another chance to take a peek into how an individual person expresses themselves online specifically, you’re going to be getting a unique and different experience every time. Plus, you’re doing so through scanning stuff. When any object could contain a secret, why not give it a whirl? Keep Reading »
A ghostly woman covered in white moves slowly, shaking. A man with long hair wails and plucks a guitar. A harmonium drones. Puppets emerge to the tunes of a flute and the beat of a drum, and a whimsical world is created that feels like a fairytale set to song, sometimes melancholy and sometimes full of life.
This is just a typical performance from the Brooklyn band Cookie Tongue, a “freaky folky family” currently in the throes of raising funds to record their latest album, Orphan Arms.
Cookie Tongue sprang from the brain of musician and visual artist Omer Gal in 2011. Upon their East Coast rebirth about a year ago, the band is now additionally comprised of Jacquelyn Marie Shannon, Chris Carlone, Brandon Perdomo, and Liza Pavlovna. Similar to Omer, all the other members also make their own art, from Butoh dance and theater to textile art and videography.
“My first band was with an ex-girlfriend in Israel. She was really into theater and fantastical worlds,” explains Omer. “When I moved to San Francisco, I moved alone, so that mixed with being in a new place created new songs. I was doing my MFA, there was a bunch of other artists there. Through jamming with them, I started writing songs that I felt were good enough to call Cookie Tongue.”
He adds that the first Cookie Tongue included yet another ex-girlfriend, who was the group’s violinist. “I can’t play music with someone who isn’t family,” he explains.
Upon his move to New York, Omer left the woman and the former iteration of the group behind yet again, but had already met his next partner in art and life.
“I met Omer at a Cookie Tongue show in San Francisco,” said Jacquelyn. “I went to a couple of shows and [it was] a super blown-away, I can’t believe this exists kind of thing. I just remember how transportive it was. I felt like I was in a book or another world.”
Omer and Jacquelyn (image courtesy of Cookie Tongue)
Jacquelyn, who initially joined the band as a Butoh dancer and now also plays an assortment of instruments, moved to New York from San Francisco around the time Omer did to study Butoh under the instructor Vangeline. There, she met Chris Carlone and Brandon Perdomo, other core members of the band.
Omer met the band’s newest member Liza on the street selling what he calls “Shithead shirts,” hand-painted t-shirts he makes bearing grotesque (yet somehow endearing) faces. These shirts are also available as rewards for donating to the band’s Kickstarter.
The uniquely fantastical nature of Cookie Tongue allows the members, especially Omer, to bring more than just interesting instruments and surreal sounds to the project. The focus is never just on music, but creating an entire world through their performances, whether this be through puppets, storytelling, dance, animation, or something else entirely.
Omer Gal’s art and some of the rewards available on their Kickstarter (image courtesy of Cookie Tongue)
“When I thought the music wasn’t good enough in the beginning, I added the art to it to make it feel like even though I’m not completely sure about this, I have the art, which I know is good,” Omer explains.
“We were talking about the theatrics of our shows, but how does that translate to an album? And so that’s one of the fun challenges, how we capture that theatrical experience in a soundscape,” adds Jacquelyn. “This is what we look like, this is what we feel like, and the challenge of translating that into sound. There’s a lot going on besides the music.”
Orphan Arms isn’t Cookie Tongue’s first album– that was 2014’s Biotic Rituals, a selection of songs sporting similar vibes but more indie-rock peppiness. But that was recorded with the San Francisco iteration, and they are starting fresh. Well, maybe not so fresh, per se.
“I think this album is gonna be a little more, sort of soggy dust. Gravelly, brownish, grayish texture,” Omer says when I inquire about it. “Grainy. And kind of a little bit desaturated.”
Omer and Jacquelyn explain that the “witchiness” of their surrounding community (they consider Bushwick’s Tarot Society a “home base”) has also impacted the band’s sound and image.
“I think what we’re seeing especially right now is this kind of renaissance in the idea of magic,” says Jacquelyn. “Looking for magic, looking to a fairy tale and figuring out what that means to us.”
As many bands do, they’re using Kickstarter to raise funds for their album, with a reach goal of $5,000 to record the songs and press them onto vinyl. They saw the video pitch element of crowdfunding as an opportunity to make what is essentially a short film that manifests the spirit of Cookie Tongue, feeling more like a piece of art than the familiar “here’s why you should donate” spiel.
And even that’s a bit different. Omer and Jacquelyn talk at length to me about the importance of family and community, whether in the band or beyond. Cookie Tongue’s previous iterations were more casual, Omer says, but this one truly feels like a family. He recounts seeing Devendra Banhart play a show in Tel Aviv and being affected by the band, how each member got to be in the spotlight and even the audience was invited to be a part of it.
“When I saw them walk out of the club I thought, I want a band like that,” he recalls. “I want a band that’s like a family.”
“We are really into knowing who wants to be a part of the community,” says Jacquelyn. “It’s not just donate because it’s a good thing to do, but because we want you to be part of this thing that we’re building.”
Cookie Tongue will be having a fundraiser dinner and performance at a secret location this Sunday, February 19. Find out more by contacting them through their Facebook page. Their Kickstarter concludes on February 22.
Valentine’s Day has technically passed, so all you single people can breathe a sigh of relief and all you non-single people can also breathe a sigh of relief because the pressure to give into capitalism has maybe lessened a little. Depending on who you are, of course. But if you’re longing to stay in the spirit of flowers, chocolates, and a pink n’ red color palette, this edition of Greta Titelman’s Room Service comedy show at The Jane has got you covered. With a lineup full of love-worthy folks like Bowen Yang, Lorelei Ramirez, Alyssa Stonoha, Petey DeAbreu, Blair Socci, Tom Thakkar, and Ricky Velez, you’ll be sure to spend the night feeling warm inside, expelling laughs from your gullet in only the most loving of fashions. Rounding out the bunch will be two individuals aiming their Cupid’s arrow in a more musical way: Ruby McCollister and Tim Platt as “resident songbird” and “heartthrob,” respectively. Keep Reading »
Gazoo To The Moon: Next Dimension Opening Friday February 17 at Superchief Gallery, 6 pm to 10 pm.
Street artist Gazoo To the Moon is seemingly everywhere; even if you don’t think you’ve heard of him, it’s more than likely he’s caught your eye. If you’ve walked down the street and seen the phrase “To the moon” followed by a sweeping arrow, that’s him. Lately, he’s branched out from his signature phrase and has begun constructing elaborate line designs in neon colors, perfect for tripping out under a blacklight. Gazoo’s work has been recently showcased in a show co-presented by Mountain Dew, popular party series BangOn, and in installations for Refinery29 and Turnstyle at the Columbus Circle subway station. This time, he’s taking over Superchief Gallery’s location in Greenpoint bar Tender Trap. Grab a drink, and go galactic.
Masterpiece Classic: Women in Art Wednesday, February 8 at UCB Chelsea, 8 pm: $7
It is generally agreed upon that art is Good. However, the art world is where things get a little more polarized. This new character-based show by comedian and actress Hallie Haas takes on the type of people who consider themselves high and mighty creators, the type of people who take themselves reeeeeeally seriously. The premise is that Laura Linney, of course, has gathered together seven of the most sophisticated and acclaimed women artists for an evening that feels a lot like a certain public access television show. Only probably a lot weirder. Especially considering Haas will be playing every character. This spoof on PBS classics feels especially timely, considering I just got an email asking me to sign an online petition so that Donald Trump doesn’t get rid of PBS Kids. Please, think of the children. And the art.
Detail view of suggestions made to the DCA Commissioner by members of the DIY community in late January (image via NYC Artist Coalition)
Last night, dozens gathered in Greenpoint event space Magick City to discuss the current state of DIY spaces in New York and to brainstorm ideas they could offer the Department of Cultural Affairs that would help keep DIY arts and culture spaces operating safely without being prohibitive financially to those running them.
The meeting was organized by the NYC Artist Coalition, “an emerging coalition of artists, creative organizations, community leaders, activists, policy makers, and specialists providing mutual support and advocating for informal and affordable community spaces in NYC.” The Magick City discussion was a follow-up to a packed meeting about DIY spaces two weeks ago with the commissioner of Cultural Affairs. This willingness to formally cooperate with a city that is so often seen as actively working against DIY spaces comes hot on the heels of the Ghost Ship fire tragedy in Oakland, an event that shook up the DIY community nationwide and led to increased crackdowns on other homegrown venues. Keep Reading »
Denise Treizman, Gripped, 2016. Glazed ceramic, PVC pipe scrap, ink, spray paint, resin, pom-pom and bungee cord, 7 x 4 x 2 inches (image via SOHO20 Gallery)
Part Is No Object Opening Friday February 10 at SOHO20 Gallery, 6 pm to 9 pm. On view through March 12.
Denise Treizman’s colorful sculptural creations are refreshingly playful, uplifting and childlike. This solo show of her work is opening in SOHO20 Gallery’s modest +/- Project Space, a space highlighting “ephemeral” or site-specific work. For Treizman, site-specific is everywhere, as her “constructions” are made of essentially anything that crosses her path, from pom-pom puffballs to PVC pipe. She collects these “fragments,” whether they be bits and pieces found on the side of the road or broken remains of a studio project, and then puts the mismatched pieces together to create something entirely new. There will be two other openings this weekend at SOHO20 Gallery, one of paintings by Nana Olivas and one showcasing work by the gallery’s three 2016 Residency Lab artists.
Burlesque Tribute to the Ladies of Disney Thursday, February 3 at The Slipper Room, 7 pm doors, 8 pm show: $10
Hotsy Totsy Burlesque is back again. Known for their titillating tributes to all things pop culture, Hotsy Totsy has created scantily-clad evenings dedicated to Game of Thrones, Star Wars, Stephen King, The Muppets, and more. This month, they’ve stepped away from the fur and sci-fi in lieu of something more delicate and nostalgic. Yes, they’ve whipped up a tribute all your favorite princesses: the ladies of Disney. However demure these princesses may be, this show doesn’t exactly seem to follow suit. The concept hinges upon Cherry Pitz and Handsome Brad as the Fairy Godmother and Prince Charming respectively, who seem to be enjoying their very own Happily Ever After. Only, paradise can be boring for a mere duo. As per the show’s description, “Looking to spice things up, the two love birds have decided to throw a ball, looking for the hottest princess in the land to join them in a threesome!” Keep Reading »