The Exponential Festival Now through February 2 at various venues, various times: $20
The Exponential Festival is a little different from the many theater festivals setting up shop in venues across the city this month. It’s exclusively based in Brooklyn, the material it champions is a little weirder and genre-expansive than what you might typically think of as “theater,” and it runs longer, which means both more shows (a dizzying array, really) and more chances to see them. Some highlights include a new short play by Athena playwright Gracie Gardner, a double bill of comedy from Justin Linville and David Perez, a play based on the Talmud and Kung-Fu films, a dystopian psychosexual musical with a disco soundtrack, an intimate show involving one audience member and one performer, and A Doll’s House, Part 3.
Joel Osteen (Jessie Pierrot) part 1, 2018 Single Channel Video 00:31:28
Holy Fools Opening Wednesday, January 9 at Rubber Factory, 6 pm to 8 pm. On view through February 3.
Clowns are perhaps one of the most polarizing figures on this green earth. Some people have a literal phobia of them, some find them distasteful, some chuckle at them, some employ them, some become them, and some make art about them. One of the art world’s more notable clown-based endeavors is Bruce Nauman’s 1987 piece Clown Torture, featuring a slew of video displays portraying “an absurd misadventure of a clown” that’s both morbid and humorous. Over three decades later, artist Ondine Viñao is putting her own spin on this work in an exhibition at Rubber Factory, recruiting four all-female clownish performers to stage their own mishaps, mixing both trauma and folly.Keep Reading »
A scene from Chambre Noire, running January 10-13 at The Public Theater as part of The Public’s 15th Annual Under the Radar Festival. Photo Credit: Benoit Schupp
Under the Radar Festival Now through January 13 at The Public Theater (some shows at offsite venues), various times: $30
Yesterday marked the start of the Public Theater’s Under the Radar Festival, which showcases new performance from around the globe and is now in its impressive 15th year. While most of the shows take place at The Public, some are staged elsewhere, from Chelsea’s SVA Theater to The Met. Festival loyalists may recognize some familiar names—Peter Mills Weiss and Julia Mounsey’s [50/50] old school animation, a monologue-based work about violence that’s hard to adequately describe, also appeared as part of UTR’s smaller fest-within-a-fest last year, but is chillingly compelling enough to warrant a repeat viewing. Other highlights include creative storytellers James + Jerome filling the halls of The Met with their music-laced tales, multimedia puppet-centric riffs on both Frankenstein (Manual Cinema’s Frankenstein) and Warhol shooter Valerie Solanas (Plexus Polaire’s Chambre Noir), an evening with darkly odd comedian Lorelei Ramirez, and more.Keep Reading »
It’s the new year, and most of us are probably reflecting on what we did over the last 365 days and what we can do to at least be marginally better. Rather than dream up a more perfect being, artist Logan T. Sibrel prefers to focus more on the flaws and complications of being alive, making drawings depicting people who are acting difficult, awkward, aroused, and sometimes all three at once. Deemed “a serious joke,” his mixture of words and images are reminiscent of a sort of existential comic book. Perhaps they’ll inspire you to finally think of a resolution, or maybe just to ditch the concept entirely.Keep Reading »
Internet Explorers Wednesday, December 19 at Caveat, 9 pm: $10
The internet can be a scary place, so that’s why this show has comedians to help you navigate the tangled mess that is the World Wide Web. If only it was a Mr. World Wide Web, and Pitbull was the sole creator and moderator of the online world. How different things might be… But they aren’t, so come to Caveat and see Mark Vigeant, a custom-made Twitter bot, and a merry band of assorted jokesters (including Botnik Studios, an “entertainment group” that uses machine learning) serve up their best material about artificial intelligence, the force that may one day replace humanity. Keep Reading »
Yell Club Thursday, December 14 at Rockbar NYC, 9 pm: FREE
People seem to like karaoke, and people seem to like drag shows. These two groups don’t necessarily seem to always overlap, but come Thursday night they will unite at Yell Club, where one person sings karaoke while a drag performer lip-synchs that very same song. So, those of you who feel uninterested or afraid of doing drag but like singing songs when weird MIDI tracks and projected lyrics are involved (shoutout to Sun Fly, the weird karaoke backing track brand bug mascot I have taken a liking to), this will be your night to shine while also giving other performers some material.
Close Your Eyes Opening Thursday, December 13 at The Storefront Project, 6 pm to 9 pm. On view through January 6.
Looking at Nat Girsberger’s collages, on view at the Lower East Side’s Storefront Project starting Thursday, is a good way to get lost in a kind of psychedelic fantasy land. Outer space, nature, animals, and human figures intermingle in landscapes with colors that seem brighter than what one would typically encounter in reality. In a time where the news feels more and more anxiety-inducing every day, it’s important to have little moments of escape, where we’re not filled with dread and instead perhaps wondering about the inner life of a deer standing among very large mushrooms standing on a vivid path that seems to be leading into the sun.
While government organizations like USPS are taking the day off today to mourn George H.W. Bush and making my packages arrive in the mail a day later than they’re supposed to, which I will continue to be excessively salty about, others are taking to the streets for a little public engagement. Or shall I say, engape-ment? Anyhow, weirdo comedy queers Talk Hole (Stephen Phillips-Horst and Eric Schwartau) are taking over the World Trade Center Oculus for a seasonal evening of jokes, surprises, gifts, and gapes. Maybe not the last two, this is a public space after all, but you never know with these guys. Joining the duo will be Cole Escola, Ayo Edebiri, Lily Marotta, Ruby McCollister, Alex Schmidt, and DJ Physical Therapy.Keep Reading »
After five years near the Morgan stop, bar and restaurant Tutu’s closed up shop in November 2017. While some vacant storefronts lie empty for what seems like eternities—nearby sports bar Tiltz had a two-year gap between announcing it would open and actually opening—the Bogart Street space is already home to a new tenant: Benelux, a bar and restaurant serving European-inspired food and cocktails that officially opened for lunch, brunch, and dinner yesterday.Keep Reading »
I think we can all agree that having friends is a good thing. Having friends at a comedy show also seems good, especially if it’s your birthday and you’re hosting the comedy show. If it sounds like I’m talking about something specific, I am: a comedy show aptly entitled Soooo Many Friends, hosted by Magda Cychowski and Michelle Davis. It’s Magda’s birthday, and she “will need to laugh to fill the void in her soul,” something I’m sure a lot of people can relate to. These laughs will (hopefully) be served up by Bobby Hankinson, Dylan Adler, Maggie Crane, and Andrés Govea.Keep Reading »
Stigma Unbound: The Birthday Party Opening Thursday, November 29 at Wild Embeddings, 6 pm to 11 pm. On view through December 4.
Stigma Unbound, a performance series dedicated to giving a platform to sex workers and allies, is celebrating their first birthday with an art exhibit and a week of special programming. They’re kicking it off with an opening reception that will presumably not look like any typical gallery opening filled with fancy people furrowing their brows at paintings while daintily sipping small plastic cups of free wine. Rather, this will be more of a party, with drag, burlesque, and performance art to accompany the visual art on display from 20+ artists working in multiple mediums. It costs $10 to get in, but remember you’re supporting local marginalized creators here, not a big fancy gallery catering to the rich. If you can’t make the opening, later in the week they’re doing body art presentations, artist talks, and a pole dance night.Keep Reading »
In a recent interview with Out magazine, playwright Jeremy O. Harris says he explains Slave Play, his new play at New York Theater Workshop, to prospective audiences as such: “It’s a slave play; there’s a history of them; go see mine.” If that sounds vague, it’s meant to be; he notes that audiences will experience the play best when they go in knowing as little as possible. What you can know is that Harris has been gaining traction and acclaim over the past few years for his work, which presents a refreshingly and unapologetically queer, black addition to the theatrical canon, which has a long history of being (and remaining) quite the opposite of that. Keep Reading »