About Cassidy Dawn Graves

Contact: cassidydawngraves@gmail.com / Twitter: @malegazegraves

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Computers Writing Poetry, Eugene O’Neill + A Light Meal, and More Performances To Gaze Upon

WEDNESDAY

Eunice Wong in MOURNING BECOMES ELECTRA. (Photo: Gaia Squarci)

Mourning Becomes Electra
April 26-May 20 at Abrons Arts Center, various times: $45-75

If short n’ sweet shows are your preferred method of entertainment, this could be quite the change of pace. The Obie-winning company Target Margin Theater will be commemorating their 25th anniversary of making work by taking on Eugene O’Neill’s 1931 work Mourning Becomes Electra, and they’re doing it in a big, big way. Or rather, a long, long way. The production runs around six hours long, but don’t expect to sit for that entire time. Mourning Becomes Electra is technically a play cycle, consisting of three plays that serve as a modern retelling of Greek tragedy The Oresteia, turned into a Freudian family melodrama set at the end of the Civil War. So, the company is dividing Abrons’s Playhouse into different sections, guiding audiences between different portions of the performance space as the play cycle progresses.

If you’re still hesitant about committing to this behemoth endeavor, know that it also includes two intermissions and “a light meal.” Everyone loves a nice meal.

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VR Meditation, A Day to Combat Rape Culture, and More Art Affairs This Week

(flyer via Babycastles / Facebook)

Mind Portals
Opening Thursday, April 27 at Babycastles, 8 pm: $10-15 sliding scale. On view through May 12.

Babycastles has done a pretty good job framing itself as the place to be when it comes to wacky tech-driven art and indie games. This Thursday’s opening will be no exception, as they will be unveiling a host of new video games, VR experiences, and multimedia installations. You can “follow an aries goat on an herb walk” (whatever that means, I’m intrigued) in Young Ascension Hypnosis’s VR video, relax and kick back in Avalon’s sound and flower installation “The Garden,” and find yourself in a flurry of disembodied hands and techno music through Palgal’s cleverly named video game “Palmystery.”

If this opening wasn’t internet-centric enough, net artist Molly Soda will be DJ-ing for the night as well, in addition to sets by Good DJ with High Speed Music, Neo Edo, and A Pigeon Is Born. Keep Reading »

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Get Decked Out in Parisian Denim at 13 Bonaparte’s First-Ever US Pop-Up

(image courtesy of 13 Bonaparte)

Paris-based contemporary clothing label 13 Bonaparte is bringing its unique collection of apparel to America for the first time. Its pop-up shop opened yesterday, in response to a heightened demand from American customers. The pop-up will sell the brand’s midseason wardrobe and premiere its expanded le denim collection, which includes pieces designed specifically for women. Keep Reading »

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Sasha Velour on 4/20, The Postmen Move to Bushwick, and More Performance Picks

THURSDAY

(image via Sasha Velour / Facebook)

Sasha Velour’s Nightgowns
Thursday, April 20 at National Sawdust, 8:30 pm doors, 10 pm show: $18 advance, $22 doors

If you live in Brooklyn and are watching this season of RuPaul’s Drag Race, there’s probably a pretty good chance you’re only a degree or two of separation from some of the queens competing. One of these hometown heroes is Sasha Velour, who has continued to host the unique drag variety show Nightgowns on a regular basis. The show is typically at Bizarre Bushwick, but is making the move to dear old Williamsburg and its funky, classy music hall National Sawdust.

Given that they’re moving to a bigger, swankier space, the lineup is pretty big too. You can see shows after fabulous show from Francesca, Hystée Lauder, Kandy Muse, Olive d’Nightlife, Pearl Harbor, Severely Mame, Scarlet Envy, Untitled Queen, and Vigor Mortis. And hey, it’s 4/20, so there’ll probably be some sort of relevant performance themes going on. Keep Reading »

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Tiny Art in a Laundromat, Unlimited Algorithmic Paintings, and More Exhibition Openings

(image via Trevis True / Facebook)

Coin-Op: a tiny art show
Opening Monday, April 17 at Sunshine Laundromat and Pinball, 9:30 pm. One night only.

The Sunshine Laundromat in Greenpoint has a lot to offer. You can wash your clothes. You can play plenty of pinball. You can sip beer or wine while doing all of this. And tonight, you can experience something a little bit artsier. The vending machine at Sunshine has been host to many trinkets and miscellany, even catching media attention last year when they restocked it with Plan B and pregnancy tests alongside bite-sized candies. While you could argue that is a much more practical move, tonight this little machine sandwiched between a photobooth and Jurassic Park pinball machine will be filled with art of all shapes and sizes.

Well, not quite all shapes and sizes, seeing as there is only so much space in that thing. The exhibition’s Facebook event has even outlined parameters for interested artists: any submissions “can range in size from a personal bag of Cheetos to a Snickers bar or a can of Axe body spray.” If you’re on your last pair of underwear and have been putting off laundry for an undisclosed amount of time, this little art show could be the motivation you needed to get ‘er done. And you could leave with a souvenir—since the art will be in a literal vending machine, the pieces will indeed be available for purchase. Keep Reading »

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Composers of Color, Macaulay Returns to Shea Stadium, and More Performance Picks

WEDNESDAY

(image via Joe’s Pub)

Lift Every Voice
Wednesday, April 12 at Joe’s Pub, 9:30 pm: $20-30

Musical Theater Factory, a production company created by Difficult People actress and multi-hyphenate Shakina Nayfack, presents this concert of songs penned by musical theater composers of color. The show is curated by members of MTF’s People of Color Roundtable, one of two regularly occurring “representation round tables” that provide a forum for people in marginalized groups to share new composition and creative work.

If you dare say musical theater is so predominantly white because there aren’t many other types of writers out there, this show will surely prove you wrong. Lift Every Voice will be showcasing over 15 composers in just one night, and that’s only the tip of the iceberg in regards to the wide array of non-white writers and composers working to breathe new life into the genre today. Keep Reading »

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Robotic Theater, Online Anxiety, and More Art This Week

(image courtesy of Disclaimer Gallery)

Anxiety Sex
Opening Wednesday April 12 at Disclaimer Gallery, 6 pm to 10 pm. On view through May 8.

Ah, anxiety and sex, two things that go together like peanut butter and jelly, or perhaps crying and bathrooms. Artist Charlotte Greene, the latest to set up shop at the inclusive Disclaimer Gallery inside the Silent Barn, sees this all too well. Focusing on the many strange ways digital encounters can translate to IRL ones, Greene has formed an array of digital collages made from predictive iPhone text, tweets, stream-of-consciousness writing, and more.

Riffing off of a computer’s ability to zoom, distort, crop, and alter images, many aspects of these collages have been modified accordingly, often to the extent that they are hardly legible anymore. This manipulation mirrors the strange spirit of online communication, in that it can be so easily seen as something larger, smaller, or entirely different than it ever intended to be. Talk about #relatablecontent!

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Steve Earle Gets Theatrical, Philippine Dance, and More Performance Picks

WEDNESDAY

(image via Soho Rep)

Samara
Now through May 7 at the Mezzanine Theater at A.R.T. New York Theaters, 8 pm (select times at 3 pm and 5 pm): $35+

Though this show is playing up near Hell’s Kitchen, it’s commissioned by Soho Rep, the acclaimed and boundary-pushing theater that recently left its longtime home base on Walker Street, downtown, due to conflicts regarding what the building was zoned for and what they needed to do to operate the theater. Without any sign of stopping their production output, Soho Rep and artistic director Sarah Benson have been putting up shows elsewhere in the meantime.

Samara unites two downtown theater heavy-hitters, Benson and Richard Maxwell of the New York City Players. Maxwell rarely brings outside directors on board, but has asked Benson herself to direct his latest work. They’ve assembled a cast that is diverse in gender, race, and even age, as the ensemble’s age range is 14 to 92. Notably, the cast includes singer-songwriter Steve Earle, who has a storied (and Grammy-winning) career in American roots and folk music and has penned tunes recorded by Johnny Cash, Emmylou Harris, and more. Earle has also composed music for the play, so whether you’re a fan of avant-garde theater or just good old-fashioned American grooves, you’ll probably find something to like about this show. Keep Reading »

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Sexting Festival, French Star’s Rare Show, and More Art to See

(image courtesy of Cooler Gallery)

Flora
Opening Tuesday April 4 at Cooler Gallery, 7 pm to 10 pm. On view through April 22.

Camilla Engström has had an interesting history for an artist. Born in Sweden, she swiftly relocated to Shanghai to work full-time as a model, and then made her way to New York to study fashion at FIT. However, she left to focus on her art, a familiar story that surely many can relate to. Now, she exhibits her multidisciplinary work around the city, and will be bringing a series of paintings and more to Cooler Gallery, a unique space nestled a stone’s throw from the Navy Yard.

This show is new territory for her, in a way. Her practice, the gallery states, typically revolves around a Swedish cartoon Engström created named Husa, a smiling femme figure with a curvy belly. This show will feature more landscape-driven works, but ones that still retain the dreamy, playful, Candyland-esque quality of Husa. There will not just be paintings on view, but also sculptural pieces that reflect particular elements of the paintings, bringing a multi-dimensional quality to it all. Keep Reading »

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Best Chairs in Comedy, Annoyance’s Last Night, and More Performance Picks

WEDNESDAY

(flyer via The Annoyance)

Holy Fuck Comedy Hour
Wednesday, March 29 at The Annoyance Theater, 10:30 pm: FREE

As we’ve told you previously and with heavy hearts, strange n’ mighty little basement comedy theater The Annoyance is closing at the end of the month. More specifically, it’s the theater’s last night of shows tonight. What better way to send it off than by attending one of the shows The Annoyance is most lauded for, the late-night extravaganza that is the Holy Fuck Comedy Hour. The show assembles a strong assortment of comedians from different pockets of the NYC scene and asks them to write characters, scenes, songs, and more in only one week and then perform their creations with no rehearsal. And if you’re looking for even more chuckles, there will be three different improv shows happening earlier in the evening.

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Art This Week: Bushwick Cartoonists Move To Midtown, The High-Story of Glass Pipes

Redsnapper, HAT (High Alien Life) Meteorite, 2016, Borosilicate glass, 5 x 3 x 3 inches (image via apexart)

Outlaw Glass
Opening Wednesday March 29 at apexart, 6 pm to 8 pm. On view through May 27.

I caught wind (or rather, smoke?) of this show through an email with the subject line “Weed really like to see you at our opening.” As I love subtlety, I of course opened the email. What I found was actually more intriguing and complex than one may imagine: an artistic showcase and exploration of the many variations and “legally grey” nature of glass pipes. Or um, I mean, “functional glass art.”

The show, organized by David Bienenstock and presented by the ever-interesting apexart, takes a deep dive into the legacy of pipes, bongs, and their makers. Bienenstock, who formerly served as Head of Content for High Times and has published two whole books centered around lighting up, seems to really know his stuff. A cursory browse of the pieces (heh) that will be on view shows a wide range from highbrow to lowbrow and everything in between. You’ll find everything from works by the historic Bob Snodgrass, who peddled intricate handmade creations to Deadheads aplenty, to a big glass monster truck and a pipe with a built-in mustache that could very well be found at your local Urban Outfitters.

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Hairy Ape in an Armory, Patriarchy Smashing, and More Performance Picks

WEDNESDAY

(image via Chris Tyler / Facebook)

Not Normal: Intersection, Corporate Doubleteam, and Orangutan
Wednesday, March 22 at Irondale Ensemble Project, 8 pm: FREE

As long as politics are a hellscape, there will be artists to create work about it. Tonight, Not Normal will present a three-part evening all about the utter nonsense that seems to grow greater every day. Even the word “greater” seems tarnished now and conjures images of red hats and the pallid, fleshy faces wearing them.

In any case, the evening’s programing begins with The Intersection, an “artistic conversation about identity” spearheaded by a group of creators but open to the public. It’s dubbed a discussion “jam session” of sorts. Next is Chris Tyler’s Corporate Doubleteam, a play about how the white boys will play when the Trump is away, and by “play” I mean do a circle jerk potentially involving an intern. Haven’t we all been there? Closing out the night is Orangutan, a one-woman show written by Troy Deutsch and performed by Kristina Mueller all about the curious character of Trump’s mother. If you’re feeling generous, the show will also be accepting donations for Planned Parenthood.

THURSDAY

(image via Knockdown Center / Facebook)

Incarnata Social Club
Thursday, March 23 at Knockdown Center, 8 pm: $10 suggested

The experimental art salon started in a basement by Kembra Pfahler and Orlando Estrada has moved on to bigger digs, taking up residency in the massive Knockdown Center this Thursday. A fittingly sizable lineup will be showing work, with a bill comprised of Social Club regulars and newcomers alike, including Nandi Loaf, Chris Cole, Whitney Vangrin, Cameron Cooper, Shawn Escarciga, and more. Anyone with a bigoted attitude will presumably be booted, as Estrada proclaims the show a “queer, femme, trans, POC, GNC safe space” and a “no shade zone.”

FRIDAY

(flyer via New York Neo-Futurists)

The Neo Show: Smash the Patriarchy
March 24-25 at The Kraine Theater, 10:30 pm: $20

The New York Neo-Futurists have recently rebranded their recurring show, formerly known as Too Much Light Makes the Baby Go Blind, but they’re still up to the same artistic madness. Which is to say, they’re definitely still trying to do 30 short and strange plays in 60 minutes. Or, at least “a barrage” of short plays in an evening. This weekend, in a reprisal of sorts of their popular Too Many Ladies show last year, an all-female cast of Neo will be taking over the Kraine Theater to strut their stuff and dismantle some oppressive systems in the form of many feminist short plays. It wouldn’t be out of the ordinary for this show to include a literal smashing of the patriarchy, as the Neo-Futurists pride themselves on their unique technique of creation in which everyone plays themselves and what they are doing in the moment is true. Aside from that, they’re up for anything.

SATURDAY

(image via Park Avenue Armory / Facebook)

The Hairy Ape
March 25-April 22 at Park Avenue Armory, various times: $30+

The glorious Park Avenue Armory will see a revival of Eugene O’Neill’s classic 1921 expressionist play The Hairy Ape, starring Tony-nominated actor Bobby Cannavale. The Armory is no stranger to elaborate theatrical productions, acting as host to such spectacles as Paul McCarthy’s grotesque and sprawling WS installation. The production, directed by Richard Jones, initially appeared at The Old Vic in London. Its subject matter is certainly relevant for American audiences, as it centers around a worker who seeks for belonging amidst a sea of the filthy rich, including those found in the money-laden areas of New York. Will capitalism ever be dismantled? Not if you spend money on this play, I guess.

SUNDAY

(flyer via In the Works / Facebook)

In the Works
Sunday, March 26 at The Duplex, 9:30 pm: $10 advance, $15 doors plus a 2-drink minimum

Spend your Sunday taking in the musical stylings of several new composers at this edition of the In the Works series, presented by Honeck-Moss Productions. The evening will showcase a handful of composers, each presenting about 15 minutes of newer material that they are working on. This time around, you’ll hear pieces from patriotic songbird Marcus Goldhaber, edgy belter and rock opera creator Terra Warman, and “piano troubadour” Peter Trevino, who has collaborated with members of Journey and The Foo Fighters.