A while ago, while strolling around Bogota, I stumbled on a double decker bus that doubled as a café, and I thought to myself, “They don’t have anything like this in New York.” Happily, I now stand corrected: The Lot Radio has parked a vintage bus inside of its tiny triangular lot near the Williamsburg-Greenpoint border, and soon you’ll be able to sip a beer inside of it while listening to one of the city’s best internet radio stations.
The Department of Transportation debuted a new pedestrian plaza Friday in front of Bushwick’s Myrtle-Wyckoff subway entrance. [Curbed NY]
Squish Marshmallow isn’t the first Hester Street Fair sweets vendor to open on St. Marks Place, between 1st and A (that would be Macaron Parlour, across the street). But it’s definitely the only one serving a marshmallow donut. Katherine Sprung, a voiceover artist turned marshmallow maven, recently soft-opened a brick-and-mortar shop that specializes in s’mores and marshmallows on a stick.
Gender-fluid electropop artist Addison XIV is all about “obsessive love” in their bouncy, sugary new EP S.H.O.U.J.O., which premieres today. The four-track EP includes tracks appropriate both for the club and for crying in your room, and touches on being in love, being in love with love, being “treated like a girl,” and even a disdain for canines.
S.H.O.U.J.O. includes “WHeN i SeE yR FaCE,” a high-energy but sad track with a groovy bassline that appeared on The Culture Whore’s annual mixtape earlier this year. It’s not the only catchy song on the EP by any means; they all have their earworm qualities, from the repeated spelling in the title track to the memorable lyrics of opener “I Don’t Like Dogs.” The EP’s production recalls a variety of flavors, from ’80s R&B and ’90s pop to “happy hardcore” electronic music, video game theme songs, and J-pop.
It’s now been pretty much exactly two years since Death By Audio held its last show and left its digs at Kent and South 2nd Street in Williamsburg. Vice Media has made itself right at home in the DIY venue’s old building, complete with its own beer on tap. That’s just the way the vegan, gluten-free Whole Foods cookie crumbles. But Matthew Conboy, co-founder of Death By Audio and director of Goodnight Brooklyn, hasn’t forgotten it all. In fact, he’ll be at Alamo Drafthouse tonight when his film opens there for a week-long run. If you missed the sweat-drenched documentation of the venue’s final days when it screened at SXSW and then at Rooftop Films Summer Series, this is your chance to pop in some earplugs and check it out.
Queer-themed art shows are having a moment right now, and we can only expect that trend to continue as we enter a time of uncertainty about the future of LGBTQ rights in this country (and those of all marginalized people, really). An ongoing exhibition called Like Smoke (on view through December 4 at the New York Artists Equity Association on the Lower East Side) feels so right-now in that way. The show mines gay history and examines the ways in which oppression, both past and persistent, still creep into the present. Though it examines the queer body, you won’t see any actual bodies on display. Instead there’s a great gaping black hole, phantoms from the past, and a lingering sense of absence.
Is an anti-Trump cafe headed for the East Village? It’s COMING SOON, if we’re to believe the signage that has mysteriously appeared at 64 Second Avenue, between East 3rd and 4th Streets. Or maybe it’s just a fakeout along the lines of “NYC’s First Bar for Pregnant Women.”
October 15 marked the 10th anniversary of the closing of CBGBs. If browsing old photos didn’t cure your nostalgia for a venue that’s probably up there with the old Penn Station as one of New York’s most romanticized, Sotheby’s is auctioning off one of the dive’s original awnings for an expected $25,000 to $35,000.
Williamsburg resident Moshe Weiner, 21, was killed yesterday when he was hit by a tractor trailer, which proceeded to drag him down Kent Avenue. [DNA Info]
According to a report by Cleanup North Brooklyn, many Bushwick children suffer from asthma owed to a diesel fuel pollutant emitted by the private waste transfer station Brooklyn Transfer LLC. [Gothamist]
This week the three business partners behind Bushwick’s most beloved pizza, Roberta’s, are in court hammering out their “conscious uncoupling.” [NY Post] Meanwhile, yesterday Roberta’s debated a two-month pop-up restaurant in Culver City, CA. [Eater LA] Keep Reading »
Thursday, December 1 at The Annoyance Theater, 9 pm: $10.
Surely many of you have taken a crack at reading David Foster Wallace’s behemoth of a novel Infinite Jest; perhaps some have even gotten through the entire thing. Or maybe the idea of parsing through a book so large it could double as a weapon seems daunting, and you’d rather sit in a basement watching a comedy show that vaguely riffs on the novel but is set in a vaguely dystopian future where the NFL is in cahoots with the government. In that case, Brian Pisano and Sam Taffe’s sketch comedy play Infinite Jets may be the thing for you. Our current future prospects aren’t looking too hot, so might as well laugh at a made-up future before ours becomes all too real. The show comes as a double feature with Deep Space Live, a late night talk show set in space hosted by a man whose only friend is a robot.
Remember when Max Fish bizarrely popped up at Art Basel? Now a version of its Lower East Side neighbor, Katz’s, has done the same thing. No, this isn’t one of the delicatessen’s artistic dalliances. It’s actually a bootleg Katz’s—a “reappropriation,” if you will— where portraits of art-world big-ups hang on the Wall of Fame.