When Governor Cuomo’s office announced a series of statewide “marijuana listening sessions” to get community feedback when drafting legislation for legal adult use, many rushed to make jokes; the name conjured images of stoned people jamming to records. But recreational cannabis use was one of the last things on the minds of those at last night’s Manhattan session. Rather, the two-hour event at BMCC’s Tribeca Performing Arts Center was rife with dialogue surrounding the potentials and risks this type of historic legalization could bring, and how New York might be able to get it right. Keep Reading »
Back in April, when Metrograph announced its forthcoming Dario Argento retrospective, it was said the Italian horror master would be appearing in person. A lot has happened since then. For one thing, the opening date of the series was moved from June to September 21. For another, Argento’s daughter, fellow filmmaker Asia Argento, has become involved in a #MeToo imbroglio that has, to some degree, sucked in her father as well.
Back in May, when Metrograph announced its postponement of the 12-film retrospective, it explained that “Mr. Argento wants to appear in-person, but due to unforeseen circumstances, we’ll need to shift the series until a soon-to-be-announced date in September.” When the new date was announced, we were once again assured that the 78-year-old giallo pioneer would be in attendance.
Emelyn Stuart has run The Ocktober Film Festival, a showcase of emerging filmmakers, since 2013. Each year, she’s rented venues for it. One year, she recalls the lights shutting off; they had run over their allotted rental time, and there were no exceptions. “I said to myself, I will never, never, never have to go through this again,” she says. “I will find a home for this festival, and [the filmmakers] will be able to stay as long as they want, and they will be able to talk about their films for as long as they need, and I’m not going to be rushing them.” She found that home in Stuart Cinema and Cafe, her own space in Greenpoint she opened at the start of September alongside Chief Operations Officer Carl Gilbert Jr. Keep Reading »
Thursday, September 20 at The Brick, 7 pm: $20
Ah, clowns. Perhaps one of the most misunderstood performance mediums, they’re most commonly thought of as just a strange part of circuses (or horror films), wearing red noses, white face paint, and large shoes. I just had a strange recollection of a time my mom volunteered to be a clown at my preschool or something, and she did in fact have to wear large floppy shoes. But it’s not always this way! Come see the many ways clowns can exist at an all-clown cabaret at The Brick in Williamsburg on Thursday night, presented as part of The Clown Theater Festival. There will be music, comedy, and other varieties of clownlike performance. Will everyone be wearing a red nose or will someone be subversive and spring for a different color? Only one way to find out. Keep Reading »
Subculture: Microbial Metrics and the Multi-Species City
Opening Tuesday, September 18 at Storefront For Art and Architecture, 7 pm to 9 pm. On view through January 12.
It’s no secret that the city is filled with all sorts of microorganisms—yes, even the kind you’d rather not think about. They’re there! Rather than focus on just the unsettling spores, a uniquely scientific new installation at the Storefront for Art and Architecture seeks to reimagine the city and the many neighborhoods and cultures it contains using the framework of the “human microbiome.” This posits that each city in the world, and each subculture or pocket within them, has their own “gut biome,” just like human beings do. The installation (by Kevin Slavin, Elizabeth Hénaff, and the collective The Living) normalizes the idea that there are microorganisms everywhere in a city, collecting them through wood in the exhibition space’s facade as well “bio-receptive wooden tiles” scattered throughout the city. This wood is then displayed and analyzed, simultaneously art and scientific specimen. Keep Reading »
“Hi Mathew, It’s Mort Berkowitz from the Feast of San Gennaro. We’re delighted to have you enter the cannoli-eating competition, which will be this Friday.” I received that voicemail from the organizer of the famous festival in Little Italy, after responding, on a lark, to a flier on Mulberry Street. I don’t technically have professional eating experience, but I have enjoyed – more or less – three meals a day over the course of my entire life, which I thought qualified me for competition.
Combine the soundtrack of a John Hughes movie with millennial anxiety and you’ve got the sound of Brooklyn-based Plastic Picnic. The band, comprised of four West Coast transplants, makes sad yet energetic indie rock tunes that– with their catchy, danceable beats, melancholy lyrics, and shimmery melodies– could be mistaken for ’80s synth pop. According to Nylon, they’re on the Brooklyn bands you should be listening to right now.
Ahead of their show at Baby’s All Right on Monday, Bedford + Bowery spoke to lead singer Emile Panerio about the grind of being an indie band in the New York City music scene, and about their new single “Doubt.” It’s about “beginning a life with someone you love and never seeing them,” Panerio has told me. “When you’re going to sleep, they’re leaving for work. When a partnership works in theory, but current life doesn’t allow it the time it needs to healthily grow–something New York City seems to have a good reputation for.”
As you probably know by now, the annual Bushwig festival showcases the best upcoming and established talent in drag and performance from New York and around the world. Its seventh annual installment, this past Sunday at Knockdown Center, featured local performers such as Chris of Her, whose mushroom-topped headpiece turned into a suspendered dress after a tumble down the catwalk, and Merrie Cherry, who came out in a wheelchair and hospital gown and was lifted by the power of music to reveal a dress underneath the gown.
Returning once again to its visually dramatic (and conveniently central) location directly under the Brooklyn Bridge in Dumbo, the seventh annual Photoville opens today with more than 90 photography shows within and around a mini-city of shipping containers. The event runs through the weekend, then next Thursday through Sunday as well, and is totally free and open to the public.
Profiled: A Comedy Show About Racial Profiling
Wednesday, September 12 at Caveat, 9 pm: $8 advance, $10 doors
Though Nanette seemed to imply otherwise, making jokes about experiences one has had with hate and bigotry can actually be a productive outlet for one to deal with these experiences and for (hopefully) allowing audiences to see these issues from a new perspective. Profiled, a comedy show hosted by Lauren Clark and Marcela Onyango where performers of color (Ziwe Fumudoh, Milly Tamarez, Rebecca O’Neal, Andrea Coleman, and Ariel Evans) discuss instances of racial profiling they’ve experienced, seeks to do just that. Plus, 40% of ticket proceeds will go to the ACLU. Keep Reading »
As Shellac took the stage of the Bell House on Monday to wrap up the Gowanus venue’s series of 10th anniversary shows, a hush fell on the audience. Or rather, a shush. There were calls of “Quiet!” and “Shh!” as the band silently tuned up.
Opening Wednesday, September 12 at Richard Taittinger Gallery, 6 pm to 9 pm. On view through November 10.
There’s something inexplicably entrancing about the colors that pervade vintage printed matter, such as ads or movie posters. The colors tend to look impossibly vivid, or at least they do to my eyes. I get a similar feeling when viewing the work of the late artist Nassos Daphnis, who also developed a color theory stating each primary color, plus white and black, “occupies a number of planes on a scale of 1 to 100.” It’s no surprise, then, that the man stuck with these five shades in his art-making as well. This show at Richard Taittinger Gallery is a “reimagining” of a 1983 show at Leo Castelli Gallery, a place Daphnis exhibited at often, though it also includes works that haven’t been shown before. If you’re into fine lines, bold colors, geometric precision, and a minimal-yet-vivid take on radio waves and the like, this is the show for you. Keep Reading »