Governor Cuomo inaugurated the new Kosciuszko Bridge in style today, driving across it in Franklin D. Roosevelt’s old Packard while Polish folk dancers looked on. The ribbon cutting marked the opening of the bridge’s Queens-bound side, a $555 million effort that will be followed by the addition of a Brooklyn-bound span.
During the early aughts when I was a film student at Hunter College there was a small window of time when yoga pants hadn’t taken over the streets and Polaroid still walked all over digital photography. You could get Super-8 film developed same-day and a weekly Metrocard was only $63. After you swiped it and got on those emptier train cars of yore the only thing for a cool city kid to do besides keeping the CD player from skipping was read the latest issue of Vice. When it was only a magazine, Vice was the only one that mattered, right down to the back cover ads inspired by ’80s adult movies, courtesy of American Apparel. As the brand’s retail locations opened up all over the city, what was once just something on the back of the now defunct L magazine became part of my city’s physical landscape and helped define the “new” New York over the next decade.
Thursday April 27, 8 pm at Brooklyn Bazaar: $15
There’s never not a good time to see Bushwick’s own sci-fi synth-punk sensations, Future Punx, in action, but this particular show has a lineup that’s especially motivating– the headliners Screaming Females are almost guaranteed to get your friends off the ashy bean bag. It’s definitely been a while since these DIY vets released a new album (2015’s Rose Mountain was their last) but in the grand scheme of things, they’re doing pretty dang ok. (I mean, Rose Mountain was universally beloved for one, and as long as the Females aren’t moving into early retirement right after one last go at the ol’ stinky-foot tour route, I’m willing to guess that they are (still) in it for the long haul.
Actually (in my book, anyway) it’s much more reassuring to see a band touring outside of the music industrial complex’s oppressive and ultimately really just kind of boring and predictable record-promote-release-tour model– it’s indication that said band might be motivated by things other than career/success/ladies/money/401Ks. Though you need only see the Females live to know that they’re passionate about what they do.Meat Market: Vas Deferens, Coatie Pop, Nandi Loaf, Pity Laugh, Little Pain
Friday April 28, 8 pm to 11 pm at Pfizer (630 Flushing Avenue):$5 to $10, suggested donation
Ok, so the number one reason to get to Meat Market this weekend is that the title will automatically put everyone in a really gelatinous, tubular sort of mood– in short, loose. Which, duh, means great dancing. Secondly, the Pzifer building– if you’ve never been– is a massive, labyrinthian chip off the ol’ drug-manufacturing block, replete with medical, pill-pressing relics of yore, yes, but also the kind of double-wide elevators, expansive factory-sized corridors, and wide open spaces that come with the post-industrial territory. All of which make this a perfectly awesome place to throw a weird dance party.
Oh, yeah, the music (brought to you by the Babycastles crew), should be sufficiently out-there as well. For one, there’s Coatie Pop, who is a regular Mother Teresa. mean, I can only assume she’s charitable and worthy of sainthood because she dresses up like a nun and lights a bunch of mass candles for her performances. (Seriously, though, it’s cool looking.)
Even if you’re like me and otherwise haven’t really heard of anyone on this lineup, you can trust it’s gonna be sufficiently freaky since the show is happening in conjunction with E /\/ C O U/\/ T E R S, a performance-based art show curated by Vera Petukhova with some fabulous contributing artists including Angelina Dreem.
Laser Background, Operator Music Band, Norwegian Arms, Railings
Friday April 28, 8 pm at Trans-Pecos: $10
Andy Molholt recently dropped a new album under the guise of his psych-pop project Laser Background, and it’s called Dark Nuclear Bogs, which to be honest is kind of perfect for our uncertain, heavily-armed present. If you’re pretty sure that SALT I and SALT II is the kind of stuff you load into novelty porcelain shakers, then all I have to say is, wow we are doomed.
If such dark pronouncements for the future make you restless, then perhaps you’d prefer to think about the (tiny) possibility of a Utopian outcome for our difficult species. We’ve got just the sound for that– but first we have a few questions: If you’re either a) completely unsatisfied with the breadth of Kraftwerk’s extensive catalogue or b) convinced that Kraftwerk is a new kind of vitamin B- and taurine-fortified processed cheese product from Kraft (“It Runs! It Jumps! The Only Thing It Doesn’t Do Is Melt!”) then Operator Music Band is for you.
Saturday April 29, 10 pm to 4 am at OMG Pizza: free before midnight
Apparently you really can throw a rave at a pizza joint. Who knew? As long as you can stomach the smell of food whilst dancing/candy flipping, and are not prone to terrifying, mastication-induced hallucinations when you’re high as hell on water, then we fully encourage your attendance.
As you might have deduced from the name, TechnoFeminism boasts a “female” (in any way that might be expressed)-centric lineup, which is actually saying a lot for the hyper-masculine, DJ Man Man world of techno and electronic music. I mean, when was the last time that you went to a rave/dance party/what-have-you that was all, or even mostly, headlined by women, female-identifying musicians, and/ or even outspoken feminists? Yeah, we thought so.
Monday night on Banker Street, a 26-year-old woman claims she was raped by two men inside a portable toilet. Two men were questioned by police yesterday for allegedly stealing her cellphone, but they were not arrested due to “inconsistencies” in the woman’s account. Now, however, the office of Brooklyn District Attorney Eric Gonzalez is investigating the case more seriously. [DNA Info]
Artists from The Bushwick Collective allege that McDonald’s used their murals in a corporate video without seeking permission or providing payment. The fast food retailer will soon open an outpost in the neighborhood. [Bushwick Daily] Keep Reading »
Mourning Becomes Electra
April 26-May 20 at Abrons Arts Center, various times: $45-75
If short n’ sweet shows are your preferred method of entertainment, this could be quite the change of pace. The Obie-winning company Target Margin Theater will be commemorating their 25th anniversary of making work by taking on Eugene O’Neill’s 1931 work Mourning Becomes Electra, and they’re doing it in a big, big way. Or rather, a long, long way. The production runs around six hours long, but don’t expect to sit for that entire time. Mourning Becomes Electra is technically a play cycle, consisting of three plays that serve as a modern retelling of Greek tragedy The Oresteia, turned into a Freudian family melodrama set at the end of the Civil War. So, the company is dividing Abrons’s Playhouse into different sections, guiding audiences between different portions of the performance space as the play cycle progresses.
If you’re still hesitant about committing to this behemoth endeavor, know that it also includes two intermissions and “a light meal.” Everyone loves a nice meal.
Back when I was doing the Ask a Waiter column for B+B’s sister blog, Grub Street, I had a highly memorable encounter with ultra-suave doorman Fabrizio Brienza, who at the time was the gatekeeper of a lounge at the Plaza Hotel. While most doormen try to justify their social Darwinism with the obligatory spiel about cultivating diversity (they just want a “nice mix,” a la Studio 54), Fabrizio was more upfront: “My policy of doing the door is really simple,” he said in his Italian accent. “If you look good and you’re cool and you’re stylish and you’re surrounded by beautiful, chic, chic girls, I’ll take care of you.”
Would electric buses soften the blow of the approaching L train shutdown? City Council members Rafael Espinal and Stephen Levin think so, and yesterday they called on the MTA to make it happen.
Aside from being an inconvenience for more than 200,000 daily commuters who ride the L train daily, the 15-month shutdown planned for 2019 will also cause an increase in carbon emissions as the subway is replaced with more car and bus traffic. Electric buses would solve the problem of noxious bus fumes while pushing the city closer to a more sustainable and environmentally-friendly public transit system, the council members said during a press conference.
In 2013, former wd~50 pastry chef Sam Mason opened up a cutting-edge ice cream shop in Williamsburg, and now wd~50’s big cahuna, famed modernist chef Wylie Dufresne, is opening up a donut shop nearby. Du’s Donuts and Coffee opens today adjacent the William Vale hotel, right next to where former child star Dylan Sprouse is set to launch a meadery.
The New York State Senate Health Committee halted progress on the “Rivington Act,” a bill aimed at preventing another nursing home closure like the one Rivington House witnessed in 2015.
If you’re a fan of Tim and Eric Awesome Show, you probably think of Tim Heidecker as an eternal infant, reveling in funny faces and fart noises. But that’s starting to change now that the New Yorker has called him a “bard of suburban fatherhood.” (Not that he’s gone entirely straight– that same article mentioned his band’s “themed album all about imbibing urine.”) So it’s not a complete shock to see the king of infantile absurdism playing a painfully dorky dad in Flower, a film by Max Winkler that premiered at the Tribeca Film Festival last week.